Talk:Bata Shoe Museum

Bata representative proposes changes
Dear Wikipedia Editors:

I would like to make the following changes to the existing Bata Shoe Museum article, but I am employed by the Museum as a consultant. I don't know who originated the article - it's a good summary of the architecture, but it gives the impression that the Museum is nothing but the building. My main goal is to have the article describe a full picture of the Museum's activities. With the exception of one exhibition which ends in early April 2008, I am only mentioning past exhibitions and events so there is no promotion of specific current activities. Your feedback as to whether the content below is acceptable would be greatly appreciated.

Also, I would like to add "Bata Shoe Museum" to .

Thank you in advance - Chopine

1) REASONS FOR PROPOSED CHANGES TO EXISTING TEXT

(1) In the Introduction: Change "The Bata Shoe Museum, in Toronto, Canada, is a place dedicated to the history of footwear." to "The Bata Shoe Museum, in Toronto, Canada, collects, researches, preserves, exhibits and interprets footwear from around the world." (Reason: "a place" is unnecessary (if it's a museum, it's clearly a place), the collection spans many cultures and geographic regions, and this description is closer to the official definition of a museum, which we follow, and says more about what the Museum actually does.)

(2) In "Building": Change "completed in 1991" to "completed in 1995". (Reason: this building was completed in 1995. The Museum was housed elsewhere in the early 90s. I propose to go into detail on this later on - please see below.)

(3) In "Building": Change "The building consists of three stories above ground, and two below ground levels" to "The publicly-accessible part of the building consists of four stories". (Reason: one of the Museum's five floors is not accessible to the public, and people get confused if they read that there are five floors and then they come to the Museum and can only find four.)

(4) In "Building": Change "throughout which are dispersed galleries, a resource lab, restoration facilities, a gift shop, offices, and storage." to "which contain four galleries, three lecture and multi-purpose rooms, conservation facilities, and a gift shop." (Reason: there is a difference between 'restoration' and 'conservation', and the Museum practices the latter. Also, the lecture and multi-purpose rooms are much more used by the public than the resource lab, which is really a library and is only open to researchers, and only by appointment. Finally, I suggest leaving out "offices and storage" because I think that's obvious, and not too interesting for most people.)

(5) In "Building": Change "its vast expanses of limestone are used as a backdrop for banners advertising exhibitions within" to "its vast expanse of limestone glows in the late afternoon sunlight". (Reason: less than 10% of the limestone is used as a backdrop for banners, and the sunlight on the limestone was an important part of the architect's vision.)

2) PROPOSED CHANGES TO ARTICLE

The Bata Shoe Museum, in downtown Toronto, Canada, collects, researches, preserves, exhibits and interprets footwear from around the world. The Museum offers four exhibitions, three of which are time-limited, as well as lectures, performances and family events.

History
The collection which became the Bata Shoe Museum originated with Mrs. Sonja Bata. As she travelled the world on business with her husband, Mr. Thomas J. Bata of the Bata Shoe Company, she gradually built up a collection of traditional footwear from the areas she was visiting. In 1979 the Bata family established the Bata Shoe Museum Foundation to operate an international centre for footwear research and house the collection. From 1979 to 1985 the collection was on display at the offices of [Bata Limited] in the Don Mills area of Toronto. From June 1992 to November 1994 the Bata Shoe Museum welcomed visitors on the second floor of the Colonnade, an office and retail complex in downtown Toronto, and on May 6, 1995 the expanded Museum opened at its present location.

Collections and research
The Museum's collections, now numbering over 12,500 shoes and related objects, span 4,500 years of history and many cultures and geographic regions. Over the years, the Bata Shoe Museum Foundation has funded field trips to collect and research footwear in Asia, Europe, and circumpolar regions and cultures where traditions are changing rapidly (Siberia, Alaska, Greenland, the Canadian Inuit and the Saami people). The Foundation has also produced a number of academic publications.

Exhibitions
The Museum offers four exhibitions, one semi-permanent and three time-limited and changing. The semi-permanent exhibition, "All About Shoes: Footwear through the Ages", features shoes from many historical periods and geographic areas, and looks at the significance of footwear in various cultural practices and phases of life. The three changing exhibitions are usually on display for one to two years, and may focus on a specific time period, cultural group, geographic area, or an aspect of material culture. The footwear on display, often remarkable for its construction and/or embellishment, also acts as a key to understanding its times, and illustrates social and cultural developments. Exhibitions have included: "The Perfect Pair: Wedding Shoe Stories" (2002–2004), "Paths Across the Plains: North American Footwear of the Great Plains" (2004–2005), "Icons of Elegance: Influential Shoe Designers of the 20th Century" (2005–2007), "Watched by Heaven, Tied to Earth: Summoning Animal Protection for Chinese Children" (2006–2007), and "The Charm of Rococo: Femininity and Footwear of the 18th Century" (2006–2008).

Public programs and events
The Museum also organizes lectures, performances, and social evenings, often with an ethnocultural focus or community partner. A representative activity would be "Step Into Tango: Milonga at the Bata Shoe Museum" (2008), an Argentinian tango evening featuring live music, dancers, a tango singer, Argentinian refreshments and a display of elegant tango shoes. Events often illuminate a personal connection or a cultural context in which footwear was created; for example, "In the Shoes of an Elizabethan Lady: The Passions and Scandals of Frances Walsingham" (2007) featured a curator's lecture and short concert of period music followed by an exhibition viewing. Themed family activities have included storytelling, music, arts and crafts, and trying on funky shoes.

Education, teachers' resources and online exhibitions
Approximately 10,000 students come to the Museum every year on a field trip. Teachers, students and non-students alike also visit the Museum's online exhibitions: "On Canadian Ground: Stories of Footwear in Early Canada" and "All About Shoes", which latter features artifacts and information from some of the Museum's most popular exhibitions. "All About Shoes" also provides teachers' resources with classroom activities and projects. The best entries in the International Shoe Design Competition (2007), co-organized by the Museum and IFFTI (International Foundation of Fashion Technology Institutes), are also viewable online.

Building
Designed by Raymond Moriyama and completed in 1995, the structure sits on the southwest corner of Bloor and St. George Streets in downtown Toronto. Its form is derived from the idea of the museum as a container. Taking this further and associating it with footwear, Moriyama stated that the building is meant to evoke an opening shoe box, realised in a somewhat deconstructivist form with its canted walls and its copper-clad roof offset from the walls of the building below in an interesting play of volume and void. The main facade (north) along Bloor Street pinches inward to where the entrance, in the form of a glass shard, emerges, creating a more generous forecourt. This glass protrusion is one end of a multi-level 'cut' through the building which contains the main vertical circulation, providing a clear view through the building to the three-story faceted glass wall, designed by Lutz Haufschild, on the south facade. The entire stone volume appears to float above a ribbon of glass display windows on street level, and its vast expanse of limestone glows in the late afternoon sunlight.

The publicly-accessible part of the building consists of four stories, which contain four galleries, three lecture and multi-purpose rooms, conservation facilities, and a gift shop. Typical of most museums, the gallery spaces are neutral in design, allowing focus on the creative displays, not the building itself. However, traditional materials such as cast bronze and leather (an important material in shoe creation for centuries) are used in signage throughout the museum.

Raymond Moriyama said of the edifice: "Architecture is never the creation of the architect alone. The museum's architecture should be seen as a celebration not only of shoes but also of the wonderful vision that brought them into the public eye."

Publicity
The Bata Shoe Museum was featured in an episode of The Amazing Race: Family Edition, for which the contestants were in Toronto. Teams had to choose a pair of shoes, and find the woman who fit the selected pair amongst 100 candidates.

RfC: Requesting Editor Feedback on my Edit
I am in a Conflict of Interest situation so I want to make sure my article is neutral - please let me know if there's anything else I should do - thank you.

Chopine (talk) 17:07, 27 March 2008 (UTC)
 * Please make your desired changes. I'll return later to see if any modifications are needed due to the Conflict of interest policy. Thanks, EdJohnston (talk) 21:49, 16 April 2008 (UTC)

Ed, Thank you. I'll make the changes within the next couple of weeks and let you know when they are done. --Chopine (talk) 01:35, 21 April 2008 (UTC)
 * I think the proposed changes are good, and in keeping with the neutral point of view. - SimonP (talk)`

A short summery about Bata Shoe Museum
Requested by Sonya Bata who had been painstakingly gathering a special collection of artifact since 1940s, Raymond Moriyama, a Japanese-Canadian architect took the responsibility of designing and construction of Bata Shoe Museum project after meeting Mrs. Bata and her collection. The building is 3 stories above ground and 2 underground which is made out of limestone covered by a clad lid plane as the roof to protect the historical treasures. The idea came from the shoeboxes that were protecting the shoes from the dust and light. The transparent entrance is also another interesting point of the building looking like it is sticking out of the hinged walls facing north. The reason of the hinged walls was to create more space for the pedestrians. The building is blending in with the surrounding buildings because of the colors of the limestone and is giving the last touches of class to the neighborhood.

References: •	MAYS, JOHN BENTLY. "Ontario Craft." Ed. ANNE MCPHERSON. Toronto: Ontario Craft Council, Fall 1995.

Ghazal Masteri Farahani —Preceding unsigned comment added by Ghazalmasteri (talk • contribs) 21:14, 17 October 2010 (UTC)

Bata Shoe Museum
The Bata shoe museum which is located at downtown Toronto,corner of St. George and Bloor street. The museum was officially opened on May 6 1995, given the symbolic potency of shoes.The building which is designed by architech Raymond Moriyama,is an integral  element to the museum’s overall presentation.Moniyama took up the idea of the building as container, inspired by the boxes used to store and protect its holdings.The walls, which frame exhibition areas, are canted inward to the street level by 83.1 degree. The effects of this are: it creates a feeling of spaciousness and also provides a place for street performers, musician, and other public activities. —Preceding unsigned comment added by Elenakhani (talk • contribs) 10:48, 18 October 2010 (UTC)

Removal of Conflict of Interest tag
I removed the CoI tag from July 2013 after investigaton. The article in its current state seems neutrally worded, and mainly suffers from a lack of citation, for which it is globally tagged (and some attempt made to apply inline citation tags as well).

From reading the previous discussion on this Talk page, and checking the article's edit history, where there are edits over the years by users identifying with Bata (e.g. "Batamarketing"), it seems that a clear good faith effort has been made to abide by Wikipedia WP:CONFLICT policy, and to make the association of Bata-related editors clear.

The actual edits made by Bata folks do not seem overtly promotional or biased, and they appear to have been actively scrutinized by other editors (in one case, some deleted material was reverted by another editor).

Overall, I don't think the CoI tag at this point serves any useful purpose. Verification is the important concern at present for this article. --Tsavage (talk) 23:15, 2 February 2015 (UTC)

External links modified
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 * Added archive https://web.archive.org/web/20140906094206/http://www.batashoemuseum.ca:80/about/archive.shtml to http://www.batashoemuseum.ca/about/archive.shtml
 * Added archive https://web.archive.org/web/20120417195835/http://www.mtarch.com:80/mtabsmcasestudy.html to http://www.mtarch.com/mtabsmcasestudy.html
 * Added archive https://web.archive.org/web/20090220183218/http://www.virtualmuseum.ca:80/Exhibitions/Ground/english/ to http://www.virtualmuseum.ca/Exhibitions/Ground/english/

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