Talk:Ellen Berkenblit

External links modified
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 * Added archive https://web.archive.org/web/20150402131246/http://www.frieze.com/issue/review/ellen_berkenblit/ to http://www.frieze.com/issue/review/ellen_berkenblit/
 * Added archive https://web.archive.org/web/20150402122122/http://www.frieze.com/issue/review/ellen-berkenblit/ to http://www.frieze.com/issue/review/ellen-berkenblit/

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Copyright problem removed
Prior content in this article duplicated one or more previously published sources. The material was copied from: https://www.antonkerngallery.com/exhibitions/ellen_berkenblit_2012 and http://tmagazine.blogs.nytimes.com/2012/03/29/artifacts-bat-sugar-bombshell/. Copied or closely paraphrased material has been rewritten or removed and must not be restored, unless it is duly released under a compatible license. (For more information, please see "using copyrighted works from others" if you are not the copyright holder of this material, or "donating copyrighted materials" if you are.)

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Suggested edit and sources
Hello Wikipedia community. Can someone please add this info to Ellen Berkenblit's page?

"Lines Roar" (2018, color, 12:21 min.) is a film by Berkenblit in collaboration with directors Mónica Brand and Francisco Lopez, with an original score by Zeena Parkins; Zeena Parkins: Harps/Electronics/Tuning Forks; Ikue Mori: Electronics.

By incorporating autobiographical footage taken by the artist in her home and studio, the film shows Berkenblit at work on her paintings and drawings, as well providing an intimate portrayal of her life and family through photographs taken by her father, an amateur photographer and chemist. "Ellen Berkenblit: Lines Roar" was on view in The Drawing Center’s Lab during the Summer of 2018.

Nancy Zastudil (talk) 17:30, 23 March 2019 (UTC)Nancy Zastudil