Talk:Get Happy!! (Elvis Costello album)/GA1

GA Review
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Reviewer: BennyOnTheLoose (talk · contribs) 20:47, 8 July 2022 (UTC)

I'm not resisting the Temptation for the Opportunity to take Possession of the review. Don't want to be Beaten to the Punch. BennyOnTheLoose (talk) 20:47, 8 July 2022 (UTC)

Images
 * Appropriate for the article. FUR for the album cover is OK. Others are CC or PD. Captions and positioning are fine. Alt text could be added for the infobox image.
 * Done

Copyvio check
 * Reviewed all matches over 10% found on Earwig's Copyvio Dectector. No concerns.

Background
 * "racist-filled exchange" - doesn't quite read correctly.
 * "a drunken exchange with Stephen Stills, where he insulted various American musical artists, including James Brown and Ray Charles, using racial slurs." better? – zmbro (talk) (cont) 00:33, 16 July 2022 (UTC)
 * "the exchange was leaked to the public" - maybe "details of the exchange were ..."? (as it presumably was never leaked in its entirety)
 * Changed


 * "and received additional backlash" - I think add "he" between and & received
 * Done


 * "Although he was not dropped by Columbia Records, he did not tour" - reword "was not dropped" to something like "remained on the roster of"
 * Eh don't like roster. Changed to 'remained with' – zmbro (talk) (cont) 00:33, 16 July 2022 (UTC)


 * "tracked demos" doesn't look like the right phrase, but it might be.
 * Changed to taped


 * " yielding versions of " - maybe add after the list that versions of these appeared on Get Happy!!
 * I clarify that this demo of "New Amsterdam" is what appears on the final album in recording so there's no point to do it here – zmbro (talk) (cont) 00:33, 16 July 2022 (UTC)


 * "author Graeme Thomson" - optionally, could change to "his biographer Graeme Thomson"
 * Done

Recording
 * Could use WP:CITEBUNDLE to make "[1][2][4][9]" look neater. (If it works with sfn).
 * Grouped


 * Seems fine.

Music and lyrics
 * " into public ones ... and personal ones" might benefit from a bit of explanation about what this distinction is.
 * How's that look? Hope it's not derivative – zmbro (talk) (cont) 00:33, 16 July 2022 (UTC)


 * "a misquote of a song" - probably add "deliberate" before "misquote"; I think it would be better to show "Love Me Tender" rather than "the song" in the text.
 * Done


 * "immediately addresses the soul influence" maybe "immediately demonstrates the soul influence"?
 * Done


 * " its opening line also quotes a song by them" - which song?
 * Clarified, it's a specific song title


 * "contain wordplay that referenced" - "contain wordplay that references", I think
 * Done


 * "the music mimic the disintegration of his mind" - "the music mimics the disintegration of the narrator's mind", I think
 * Yep done


 * "heavy musical comparisons" could be rephrased
 * I originally had his entire quote which names the entire band but I thought I'd simplify. Fixed

Packaging and artwork
 * "the effect was abstained from other editions" - rephrase e.g. "the effect was omittedfrom other editions"
 * Done


 * 'Analysing the inner sleeve, Hinton states "humankind is reduced to four diagrams, colour coded."' - hmmm. Too bad he has no more to say about this. For me it might be better to omit this rather than leave it without further description.
 * Agreed, done

Release and promotion
 * "Costello's newfound appreciation" - earlier it's said that it was more of a rediscoved appreciation (of soul tunes) rather than a newfound one.
 * Changed to renewed


 * Costello's discography is huge, with all the different releases, and I wouldn't suggest trying to list all international and variant singles, but I do wonder if it's worth mentioning that "New Amsterdam" was also issued as a picture disc? (I've not checked to see if this is mentioned in sources; perhaps it isn't. Probably my own bias of wanting it for a few years before finally buying one.)
 * I've personally never bothered with those and none of the bios mention them. Not even Geoff Parky. – zmbro (talk) (cont) 00:33, 16 July 2022 (UTC)

Critical reception
 * "received generally positive reviews from music critics on release, albeit not as high as its three predecessors" - phrasing doesn't quite work
 * What about "While not receiving the acclaim of its three predecessors,"? – zmbro (talk) (cont) 00:33, 16 July 2022 (UTC)


 * "her mixed review" - should be "his mixed review" (based on )
 * Well that's awkward... – zmbro (talk) (cont) 15:57, 11 July 2022 (UTC)

Legacy
 * "being the first step away from the angry persona that had embodied up to that point" - looks like there's a missing word, or a tweak needed.
 * Corrected


 * "would inhabit this new form of thinking" - not sure about this phrase? Is it like "reflect this new form of thinking"?
 * Yep, changed the word

Reissues
 * Looks OK.

Track listing
 * No citation(s)?
 * Better? – zmbro (talk) (cont) 00:33, 16 July 2022 (UTC)

Personnel
 * Looks OK.

Charts
 * Looks OK.

Sources
 * What makes chartheaven.9.forumer.com a reliable source? It really doesn't look like one to me.
 * Yeah I agree. – zmbro (talk) (cont) 13:49, 9 July 2022 (UTC)


 * I'm somewhat on the fence about whether the audiophilereview.com source is a reliable source. What makes it suitable?
 * I agree, even said that in my edit when I added it. Unfortunately it's literally the only thing I found that mentioned the 2015 re-release that looked reliable. – zmbro (talk) (cont) 00:43, 16 July 2022 (UTC)

Spot checks
 * Thomson
 * The retirement did not last long, as the band were back on the road throughout Europe in mid-April, although a car accident resulted in Nieve being temporarily replaced by the Rumour's guitarist Martin Belmont. Nieve's absence led to poor shows, while the setlists were amended and featured almost no tracks from Get Happy!!, save for recent single "High Fidelity" -supported by pages 143-144, 157-158. No issues.
 * However, it sold less copies than its predecessor Armed Forces and was thus viewed as a commercial disappointment. Béchirian recalled: "Jake [Riviera] actually laughed about having a Get Happy!! house in his garden made with all the unsold records." -supported by pages 157-158. No issues.


 * [10] (Galluci) In 2015, Gallucci wrote that the album contains some of the artist's best songs from the period. He continued that despite being dismissed as a novelty during discussions of Costello's works from the 1980s, Get Happy!! "may be his most jubilant LP ever", with all 20 tracks packing "more muscle, hooks, heart and, yes, soul than many of his more acclaimed records that followed." - OK, "best songs from the period" is also a direct quote, but common enough a phrase that I dn't think identifying it as suh is strictly necessary. (Not sure this really says much when the preiod is not defined; other than a few notable Dylan omissions, it's pretty normal for artists to include their best songs on their albums, I imagine.)
 * Gouldstone
 * the former is addressed to a woman, seemingly putting her down and casually references violence towards her. The latter, while not as brutal, describes an unsatisfactory affair taking place in a motel room-supported by pages 64, no issues.
 * The final track, "Riot Act", reflects on a past relationship with "abject desolation" rather than disdain -supported by pages 65-66, no issues.


 * [20] Hilburn Commenting on the number of tracks, he argued that "by including 20 tunes in the LP, [Costello] demonstrated his disregard for critics and businessmen". Deeming Get Happy!! "a vibrant work by someone who both understands rock 'n' roll's history and aggressively seeks to shape its future", Hilburn felt it was not as "powerfully framed" as Armed Forces, but "still bristle[d] with the independence that has characterized the British rocker's brief but provocative career. - no issues.
 * [45] Fitzpatrick Squeeze guitarist Chris Difford named the album as an inspiration in 2019, stating, "Get Happy!! was a big album for me. I just loved the lyrics. I loved the performances on that record. It's brilliant." Costello would produce Squeeze's 1981 album East Side Story. - "inspiration in 2019" could be reworded to avoid suggestion that it was an active influence in 2018, given that the quote is "was a big album", not "is a big album"
 * Moved 'in 2019' to the front – zmbro (talk) (cont) 00:43, 16 July 2022 (UTC)

Infobox and Lead
 * What't the support for "48:08"?
 * Since when does that need a source? AllMusic has 48:09... – zmbro (talk) (cont) 00:43, 16 July 2022 (UTC)
 * I wondered why the Elvis Costello wiki, which whilst not a reliable souce, isn't a bad place for a sense-check had 48:21 for the original release and slightly different timings for the 1994 release tracks to the original. 48:08 is OK per WP:INFOBOXREF as the track lengths are no cited, and "the content is repeated (and cited) elsewhere or if the information is obvious". BennyOnTheLoose (talk) 19:16, 17 July 2022 (UTC)


 * "on 15 February 1980 through F-Beat Records in the United Kingdom and Columbia Records in the United States." - The Los Angeles Times, 12 Feb 1980, p.77 says the album was due for release "the week of 25 Feb", and review publication dates seem to be consistent with a late Feb release date, so, unless there's a source confirming this as the US release date, reword. (I think what's in the body is OK)
 * I actually found a similar statement in my research for Trust, oddly. I'll make the adjustment. – zmbro (talk) (cont) 00:43, 16 July 2022 (UTC)

Comments above,. Nothing major. Thanks for your work on the article. I've listened to the album many, many times, but tried my best to review from a NPOV! Regards, BennyOnTheLoose (talk)
 * Thanks for reviewing. Replies above :-) – zmbro (talk) (cont) 00:52, 16 July 2022 (UTC)
 * Following the amendments, I'm satisfied that the article meets the GA criteria, so am passing it. Thanks! Regards, BennyOnTheLoose (talk) 19:16, 17 July 2022 (UTC)