Talk:Giandomenico Martoretta

Chromaticism
"Theodor Kroyer (1902)[3] believed that Martoretta's madrigals demonstrated chromatic keys.[4]"

This is probably a misunderstanding, not unusual for his time period, of what "madrigali cromatici" meant. It refers to black notes, meaning the tactus is on the semibreve--quicker than most pieces of the time. Agarvin (talk) 22:35, 10 January 2015 (UTC)