Talk:Glory in the Highest: Christmas Songs of Worship

Which should they both be
Okay - recorded in a studio in a live manner - is true for "Adore" and "Glory in the Highest" - which should thy both be live or studio - because they are both, both!. :: Kevinalewis  : (Talk Page) /(Desk)  14:36, 15 May 2019 (UTC)
 * So you're saying it's a live recording in a studio before an audience? If that's the case, it's a live recording. Modern studio recordings are generally where one part r a selection of parts are recorded individually and the producer and other production staff can call for re-recording of parts or over-dubs. Separate sessions are usually required for additional parts, most notably vocals. Live recordings are generally where all instruments and vocals are recorded at the same time and re-work occurs on individual parts after the fact. If half the album was recorded live and the other half was recorded in-studio, it would be a different issue. Walter Görlitz (talk) 14:48, 15 May 2019 (UTC)
 * What I am mainly after is consistency as they were both recorded in the same manner - In studio - but with an invited live (singing) audience. As both of these recording are recorded the same way they should be listed and described the same. There are other examples of the recording approach Facedown by Matt Redman comes to mind. :: Kevinalewis  : (Talk Page) /(Desk)  15:04, 15 May 2019 (UTC)
 * When you write both, what is the other album? This album is clearly recorded before a studio as you can hear the audience between tracks, such as at the end of "Angels We Have Heard On High". If you mean the 2015, Adore: Christmas Songs of Worship, yes, audience can be heard between tracks as well and it should be updated to reflect that it is a live recording. Walter Görlitz (talk) 15:11, 15 May 2019 (UTC)
 * Yes that's the one. :: Kevinalewis  : (Talk Page) /(Desk)  16:21, 15 May 2019 (UTC)
 * Great. Thanks for doing the leg-work and updating the various articles. Walter Görlitz (talk) 17:03, 15 May 2019 (UTC)