Talk:Live electronic music

Maxfield
@Jerome, the Maxfield work is, according to Sutherland, an "open form" tape piece. He states: "very slight tape speed changes subtly alter the character of the live sounds." For a full explanation it's on p.158. Technically it's a live electronic work if the tape is manipulated in real time during performance, it's not clear from Sutherland's writing if this is in fact the case. --Semitransgenic (talk) 21:25, 4 October 2011 (UTC)
 * It sounds, then, that this might be something along the lines of Mauricio Kagel's Transición I. Since Sutherland is not completely clear about whether the transformations are prefabricated (as New Grove suggests but equally does not make explicit) or done in real time, I would say we need to dig a little deeper. Thanks for the clarification.—Jerome Kohl (talk) 22:05, 4 October 2011 (UTC)

"form of experimental music[citation needed]"
are you actually serious?

Scope needs work
Attempting to define this article's scope simply as "electronic music that may be improvised" runs into problems wrt/ how to treat forms of music that aren's traditionally considered a part of the EAI cultural circles. Electronics-based improvisation is a frequent trait also in e.g. Berlin School of electronic music and connected forms of ambient music. Or, there exists a fringe of space rock heavy with synths and improvisation, represented by e.g. Ozric Tentacles. Instances of live improvisation can be occasionally found as offshoots of electronic dance music just as well. Would such examples be eligible for coverage in this article as well? If not, why not? -- Trɔpʏliʊm • blah 18:10, 16 February 2014 (UTC)


 * without reliable sources, adding all of the the above would amount to WP:OR. As it stands the inclusion of so-called "EAI" (as something approaching a "genre" of music) is dubious. In the academic literature dealing with "western-art music" there is coverage of what is called "live electronic music" that's why the article came about in the first instance. It would be a better idea to flesh out the historical context of why we have something called live electronic music rather than widen the scope of what it might mean - and this without using proper sources. Semitransgenic talk. 18:51, 22 February 2014 (UTC)

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