Talk:Mantle Hood

Layout
I have commenced editing the layout of the identified section, but have not been able to complete the work due to the length.--Soulparadox 08:23, 27 June 2012 (UTC)


 * There's an entire section that looks like his resume. This needs to be seriously cleaned out. Visiting professorships can be condensed into prose. The works and music pieces can remain in list format. Committees and societies he has participated in can be condense. It also looks like it was copy-pasted from a detailed profile on another site. Anyway it's not ready for copyediting. AngusWOOF (talk) 16:37, 7 January 2013 (UTC)

CV material
Regarding the above observations, I propose to remove most of the "CV" section. I left the list of (recent) musical works since it seems most useful for Wikipedia. The basic information about Hood's academic appointments is in the body of the article, and most of the other information (e.g., committees served on, etc) is not useful or notable. One of the potentially useful sections, students advised, does not even include the names of any students. In case anyone wants to restore selected portions, the removed bits are below:

Degrees

 * UCLA, B.A., Highest Honors in Music, Phi Beta Kappa (1951)
 * UCLA, M.A. in Music (1952)
 * University of Amsterdam, Ph.D. cum laude (1954)
 * University of Cologne, Doctoris Philosophiae Honoris Causa (2003)

Teaching

 * Visiting Professor, Sekolah Tinggi Seni Indonesia Denpasar, Summer (1998)
 * Senior Distinguished Professor, West Virginia University (1995–1998)
 * Housewright Eminent Scholar, Florida State University (1996–1997; in residence: March, 1997).
 * Distinguished Visiting Professor, University of Massachusetts, Boston (1993–1994)
 * Adjunct Professor, University of Maryland Baltimore County (1993–1994)
 * Senior Distinguished Professor Retired, University of Maryland Baltimore County (1993)
 * Visiting Professor, The Queen's University of Belfast (1985)
 * Visiting Professor, The Academy of Arts, Cairo, Egypt (1984)
 * Visiting Professor, Central Academy of Music, Beijing (1983)
 * Visiting Professor, The Queen's University of Belfast (1983)
 * Senior Distinguished Professor of Ethnomusicology, University of Maryland Baltimore County (1980–1996) University of Malta
 * Visiting Distinguished Professor of Folklore, Indiana University (1977–1978)
 * Visiting Professor, Yale University (1977)
 * Adjunct Professor, UMBC (1976)
 * Professor Emeritus, UCLA (1974)
 * Visiting Distinguished Professor, Drake University (1972)
 * Visiting Colleague, University of Hawaii (1967–1968)
 * Visiting Professor, University of Ghana (1963–1964)
 * Professor, UCLA (1962–1974)
 * Visiting Professor, Harvard University (1961)
 * Associate Professor, UCLA (1959)
 * Assistant Professor, UCLA (1956)
 * Instructor, UCLA (1954)

Courses

 * Pro-seminar in Ethnomusicology
 * Music of Africa
 * Music of Bali
 * Music of Hawaii
 * Music of Indonesia
 * Music of Java
 * Musical Cultures of the World
 * Advanced Orchestration
 * Advanced Harmony
 * Advanced Modal Counterpoint
 * Music Appreciation
 * Musicianship
 * Form and Analysis
 * Balinese Gamelan Performance
 * Balinese Gender Wayang Performance
 * Javanese Gamelan Performance

Seminars

 * Seminar in Ethnomusicology
 * Seminar in Field and Laboratory Methods
 * Seminar in Bibliography and Research Methods
 * Seminar in Guided Writing
 * Seminar in Organology
 * Seminar in Aesthetics

Individual Guidance

 * Numerous special projects and the guidance of a large number of M.A. and Ph.D. candidates

Administration

 * President of the Academic Senate, UMBC (1981–1982)
 * Progenitor and Program Coordinator of M.A. and Ph.D. program in ethnomusicology, UMBC (1980)
 * Budgetary responsibility
 * Staffing
 * Research program
 * Curriculum


 * Founder-Director Institute of Ethnomusicology, UCLA (1961–1974)
 * Responsibilities: instigating and coordinating interdisciplinary research programs that involved many departments, several colleges of :UCLA, and, occasionally, other campuses of the University; budgets, grant proposals (for the Institute, UCLA, and the University of :California), curriculum planning, and staffing, with an emphasis on the ethnic arts (an average of fifty graduate degree candidates :annually; majors and non-majors that were involved in performances and ethnomusicology courses numbered between 500 and 600 :annually).

Honors and awards

 * Award for Outstanding Contribution to the United States-Indonesia Relationship, Washington D.C., The United States-Indonesia Society (September 12, 2002)
 * The Charles Seeger Lecture, Austin Texas, SEM: "Ethnomusicology's Bronze Age in Y2K" (November 20, 1999)
 * Housewright Eminent Scholar, Florida State University, (academic year 1996–1997; in residence: March, 1997)
 * John Blacking Memorial Lecture, "The Musical River of Change and Innovation," Triple Congress, ESEM, Rotterdam (1995)
 * One of the first five non-Indonesians to be honored with membership to the Dharma Kusuma (Society of National Heroes) during a ceremony led by the Governor of Bali (August 14, 1992)
 * Inaugural Address: "The Quantum Theory of Music II," for the founding of the Jaap Kunst Stichting (Foundation), Amsterdam, The Netherlands (October 3, 1991)
 * Honorary Life-Time President, Jaap Kunst Stichting
 * Adjudicator for an international ethonmusicology research competition (Premio internazionale Latina di studi musicali), sponsored by Campus Internazionale di Musica Associazione Circe-Eurora, Latina, Italy (September 27–29, 1990)
 * The Canadian Broadcasting Company purchased the mechanical reproduction rights for the percussion quartet composition, "Implosion" (1981), for broadcasting throughout Canada and 1,000 affiliated stations worldwide (1989; composers: Varese, Beluse, Morel, Lanza, Kondo, Hood)
 * Principal Speaker at the "Gamelan in America" lecture-concert for "Double Concerto" by Lou Harrison, Japan Musical Education and Culture Promotion Society, Tokyo (May, 1989)
 * Keynote address, "Music from Galileo to Einstein—a Quantum Leap", Southern California Chapter of the Society for Ethnomusicology, UCLA (May, 1989)
 * The title "KI" (Javanese: "KHJAI"), "The Venerable," conferred by the Indonesian Government, August, 1986, (the only non-Indonesian ever so-honored).
 * Documentary film Atumpan (42' color) selected for Milan Film Festival, 1985, filmed in West Africa, 1963–64.
 * Invitation from Under-Secretary of Culture in Oman to research collection of Omani folklore, make recommendations to the Omani Government (Muscat, Oman, April, 1985), and to participate in a two-week congress (Muscat, October, 1985).
 * Senior Fulbright to Australia, summer, 1985 (declined).
 * Keynote address: "Music the 'Ha' of Culture," Silver Jubilee, April, 1984, Cairo University
 * Keynote address: "The Epic Identity and the Arts," Section 12 Tradition and Intercultural Relations in Music, Dance and Theater, XXXI International Congress of Human Sciences in Asia and North Africa, 31 August to 7 September, Tokyo and Kyoto, 1983.
 * Certificate of Merit, Prime Minister Suharto (now ex-President Suharto), Indonesia, 1983.
 * NEH Summer Seminar for College Teachers, UMBC, 1982, "Are All Musical Cultures about Equally Complex?"
 * Director, Summer Institute for Elementary-Secondary Teachers, U.S. Office of Education, 1982.
 * Elected to Scientific Board, International Institute of Comparative Music Studies and Documentation, Berlin, 1978.
 * Keynote address: Pacific Basin Conference, University of California Santa Cruz, 1977.
 * Senior Fulbright to Bombay, India, 1975.
 * Certificate of Outstanding Contributions to Indonesia, the Minister of Foreign Affairs of the Republic of Indonesia, 1975.
 * Research Fellowship, Center for Twentieth Century Studies, University of Wisconsin, 1973 (declined).
 * Senior Fulbright Lectureship to Universiti Sains Malaysia, Penang, Malaysia, 1972–73 (declined in favor of consultancy).
 * Senior Fellow Specialist, East-West Center, Honolulu, 1971
 * Fellowship, California Institute of the Humanities, 1970–71, (declined).
 * Senior Fellowship, NEH, 1971.
 * Senior Fulbright Lecturer, Australia, 1969–70 (declined).
 * Elected to American Academy of Arts and Sciences, 1969.
 * Fellowship, Institute of Creative Arts, University of California, 1967–68.
 * Visiting Colleague, University of Hawaii, 1967–68.
 * Fellowship, American Council of Learned Societies, 1964–65.
 * Fellowship, African-American Universities Program, Ghana-Nigeria, 1963–64.
 * Fellow, Princeton Council on Humanities, 1962–63.
 * Elected to the Research Group, UCLA, 1962.
 * Two successive Ford Foundation Fellowships to Indonesia, 1956–58.
 * Two successive Fulbright Fellowships, The Netherlands, 1952–54.
 * Guggenheim Fellowship, 1952 (declined).
 * University Fellowships, UCLA, 1951–53 (second year declined).

University committees
UMBC (1980–1995):
 * Provost's Advisory Committee
 * Academic Planning and Budget Committee
 * Graduate Council
 * President of Academic Senate
 * University of Maryland President's Task Force on Admission Requirements
 * Committee on General Distribution Requirements
 * Committee on Core Curricula
 * Chairman, Graduate Committee
 * Chancellor's Faculty Review Committee of Promotion, Tenure, Contracts
 * Numerous ad hoc committees

UCLA (1954–74):
 * Committee on Committees of the Academic Senate
 * Committee on the University of the Future
 * Chancellor's Committee on International and Comparative Studies
 * University Cultural Policy Committee
 * Arts and Literature Committee
 * University of California-University of Chile Committee
 * Committee on Asian Studies
 * Lower Division College Steering Committee
 * (five annual) Steering Committees for UC All-Faculty Conferences, held on Davis Campus
 * Library Committee of the Academic Senate
 * Committee for African Studies Center
 * Committee for the Institute of Ethnomusicology
 * Committee for the Center for Mythology and Folklore
 * Committee for the Center for Near Eastern Studies
 * Committee for the Center for Latin American Studies
 * numerous ad hoc committees of the Senate, UCLA campus, the greater University
 * Departmental Committees (UCLA):
 * Graduate Advisor
 * Chairman, Council Ethnomusicology
 * Composers' Council
 * Graduate Committee
 * Committee on T.A.s
 * Library Committee
 * numerous ad hoc interdepartmental and college committees


 * Professional activities


 * Consulting


 * 1999–2000 appointed Adjunct Distinguished Senior Professor; continuing as consultant and Editor-in-Chief of journal World Music Reports (see editorial) to the present
 * 1995–98 Dean Philip Faini, College of Creative Arts, West Virginia University
 * 1994–95 - Asian Cultural Council
 * 1993–94 - University of Massachusetts
 * 1993 - Asian Cultural Council
 * 1992 - Asian Cultural Council
 * 1991 - Ford Foundation Indonesia
 * 1991 - Asian Cultural Council
 * 1991 - Jaap Kunst Stichting, Amsterdam
 * 1991 - Constitution and By laws, European Seminar in Ethnomusicology, Lucerne, Switzerland
 * 1991 - Sekolah Tinggi Seni Indonesia, Bali, Indonesia
 * 1990–96 - Reader for the National Humanities Center
 * 1989 - Japan Victor Company, Editorial Board for American Edition (U.S. and Canada), 30 video tapes of music-dance worldwide (Japanese version released 1987)
 * 1988- - The (international) Hawaiian Steel Guitar Association.
 * 1988- - The Research Foundation, San Francisco
 * 1987- - Asian Cultural Council
 * 1987–88 - Aspen Institute, Wye Plantation, re. studies in Balinese culture
 * 1986 - Sri Sultan Hamengku Buwono IX of Yogyakarta, Java, Indonesia
 * 1985 - Ministry of Culture, Indonesia, re. Vancouver World's Fair 1986
 * 1985 - Minister of Communications and Director of Center for Omani Traditional Music, the Sultanate of Oman
 * 1985–96 - International Institute of Comparative Music Studies and Documentation, Berlin
 * 1984–85 - Academy of the Arts and four of its seven Institutes, Cairo
 * 1983 - Central Academy of Music, Beijing, China
 * 1983 - External Examiner of Ph.D. candidate, University of Toronto,
 * 1983 - Advisor on faculty - University of Ibadan
 * 1983 - Ford Foundation re. establishment of archive in Poona, Inda
 * 1982 - Advisor to Dr. Djelantik (son of the late Radja of Bali and sponsor of educational institutions in the arts) re. training program at UMBC for arts faculty of ASTI and ASKI, Bali, Indonesia
 * 1976 - for Brown University President Howard Swearer re. expansion of program in ethnomusicology
 * 1976 - for faculty and administrators of Visual and Performing Arts Program, UMBC
 * 1973–76 - Senior Fulbright-Hays Program, Committee on International Exchange of Persons
 * 1972 - Minister of Education, Minister of Culture, three universities of Malaysia re. establishing three-year curriculum in performing arts, School of Humanities, 	Sains Malaysia Universiti
 * 1972 - for Brown University President Donald F. Hornig, re. all Music Programs of the University
 * 1971 - Her Imperial Majesty, The Shahbanou, Empress of Iran and the Vice-Chancellor, University of Tehran re. establishing a research center for the performing arts
 * 1971 - External Examiner of candidate for Doctor of Literature, University of Witwatersrand, Johannesburg
 * 1971 - Southwest Regional Laboratories re. audio-visual products designed for schools and universities
 * 1970 - External Examiner of candidate for Ph.D., University of Melbourne
 * 1969 - California Institute for the Arts re. curricular planning and staffing for program in the performing arts
 * 1968 - Asia Society re. selection of Indonesian touring artists
 * 1968 - External Examiner of candidate for Ph.D., Sydney University
 * 1967–68 - East-West Center re. Humanities program
 * 1967–68 - Music Department, University of Hawaii re. graduate program in ethnomusicology
 * 1967–86 - JDR IIIrd Fund (now Asian Arts Council) re. cultural exchange program with Indonesia
 * 1962–74 - External Examiner of M.A., Ph.D. candidates, University of Ghana
 * 1964 - Columbia Pictures re. motion picture Lord Jim, starring Peter O'Toole; screen credit: "Advisor in Oriental Music"
 * 1964–66 - Dean, University of Chile re. program in ethnomusicology, exchange of scholars and students, film project
 * 1964–78 - American Society for Eastern Arts re. school curriculum, visiting artists, programs, special projects
 * 1963 - J. F. Kennedy's Advisors in the Sciences; two-week conference at Yale University on the problems of teaching music in the elementary and secondary schools of the nation
 * 1963 - Universal Motion Picture Studios re. motion picture The Spiral Road, starring Rock Hudson
 * 1958–86 - International Music Council of UNESCO
 * 1957–68 - Asia Foundation (San Francisco office and Indonesian office) re. cultural projects in Indonesia
 * 1957–68 - Asia Society re. Asian cultural programs


 * Editorial


 * Founder and Editor-in-Chief, World Music Reports, Center for World Music, West Virginia University, 1996
 * Editorial Board, Japan Victor Company for American Edition of series of 30 video tapes of music-dance worldwide, 1989–90
 * Founder and Editor-in-Chief, Progress Reports in Ethnomusicology, SEMPOD Laboratory, UMBC, 1983–1995
 * Founder and Editor Ha'ilono Mele, monthly publication of The Hawaiian Music Foundation, 1974–76
 * Member of the Board of Editors and Area Editor for the field of ethnomusicology (editorial responsibility for ca. one and a half million words) for The New Grove
 * International Dictionary of Music and Musicians, 6th ed., British Macmillan, London, 1980
 * Founder and Editor-in-Chief, Selected Reports, Institute of Ethnomusicology, UCLA, 1966–74
 * Consulting Editor for the field of music and dance, African Arts Magazine, African Studies Center, UCLA, 1967–74
 * Founder and Editor-in-Chief, I.E. Records Series (LP recordings and accompanying books), Institute of Ethnomusicology, UCLA, 1966–74
 * Reader for various commercial and university publishers, 1960 – the present


 * Professional societies


 * European Seminar in Ethnomusicology
 * American Academy of Arts and Sciences
 * Society for Ethnomusicology (Past President and other offices)
 * American Council of Learned Societies (past SEM rep.)
 * American Musicological Society
 * International Council for Traditional Music
 * International Musicological Society


 * Congresses et al.


 * Congresses, papers read, public lectures, symposia, seminars, panel discussions, etc. in universities, colleges, governmental bureaus, and public forums in the United States and abroad, 1953 – the present


 * Principal publications


 * Books


 * Mantle Hood, six novels: The Keepers [1998], The Celestial Connection [1999], Just a Stone's Throw 	[2000], The Wisdom Knot [2001], From Out of the Blue, Trompin' the Wraparound [2002].


 * Books and articles in books


 * Mantle Hood, "Balinese Gamelan Semar Pegulingan: the Modal System," To the Four Corners, a Festschrift in Honor of Rose Brandel, edited by Ellen C. Leichtman, Michigan: Harmonie Park Press, 1994, 11–23.
 * "Voiceprints in Omani Traditional Music," in a festschrift for J. H. Nketia African Musicology.
 * Current Trends, Vol. II, Los Angeles: University of California Press, 1992, 191-244.
 * ditto, co-published as another festscrift by the Sultanate of Oman, Muscat, Oman, 1995.
 * Paragon of the Roaring Sea. THE EVOLUTION OF JAVANESE GAMELAN, BOOK III. Wilhelmshaven: Florian Noetzel Verlag, 1988.
 * "All Musical Cultures are about Equally Complex." 	(chapter in) More than Drumming.  Westport: Greenwood Press, 1985.
 * Legacy of the Roaring Sea. THE EVOLUTION OF JAVANESE GAMELAN, BOOK II.  Wilhelmshaven: Heinrichshofen, 1984.
 * The Ethnomusicologist. New Edition. Kent, Ohio: Kent State University Press, 1982; translations complete or in process: Arabic, Chinese, Indonesian, Korean, Polish (1986 -).
 * Music of the Roaring Sea. THE EVOLUTION OF JAVANESE GAMELAN, BOOK I.  Wilhelmshaven: Heinrichshofen, 1980.
 * The Nuclear Theme as a Determinant of Patet in Javanese Music. Deluxe Editions (reprint of dissertation), New York: Da Capo Press, 1977.
 * "Slendro and Pelog Redefined" (chapter in) Readings in Ethnomusicology.  David P. McAllester, editor; reprint, 2nd ed.  New York: Johnson Reprint, 1976.
 * The Nuclear Theme as a Determinant of Patet in 	Javanese Music, (reprint of 1954 dissertation), New York: Da Capo., 1977.
 * "The Consensus Makers of Asian Music." (chapter in) Perspectives in Musicology.  Editors: Barry S. Brook, Edward O. D. Downes, Sherman Van Solkema.  New York: W. W. Norton, 1972.
 * "Music of Indonesia." (chapter in) Handbuch der Orientalistik.  Leiden: E. J. Brille, 1972.
 * The Ethnomusicologist. New York: McGraw-Hill, 1971.
 * Toch, Ernst. Placed as a Link in this Chain - a Medley of Observations.  Selection, organization, and Introduction by Mantle Hood.  Los Angeles: University of California Press, 1971.
 * Hood, Mantle and Hardja Susilo. Music of the Venerable Dark Cloud.  Los Angeles: Institute of Ethnomusicology, 		UCLA, 1967.
 * McPhee, Colin. Music in Bali.  Forward and indices by Mantle Hood.  New Haven: Yale University Press, 1966.
 * Harrison, Frank, Mantle Hood, Claud Palisca. Musicology. New Jersey: Prentice-Hall, 1963.
 * Hood, Mantle. "Indonesia."  (chapter in) Asia in the Modern World.  Helen G. Mathew, ed. New York: Mentor Books, 1963.
 * "The Enduring Traditions." (chapter in) Indonesia. Ruth McVey, ed.  New Haven: Yale University Press, 1963.
 * Institute of Ethnomusicology. Los Angeles: Institute of Ethnomusicology, 1961.
 * Javanese Gamelan in the World of Music. (Gamelan Djawa Dilihat Dari Segi Dunia Musik, Trans. H. Susilo) Jogyakarta: Kedaulatan Rakjat, 1958.
 * Mellema, R. Wayang Puppets, Carving, Coloring, Symbols. Trans. from the Dutch by Mantle Hood.  Amsterdam: Koninklijk Instituut voor de Tropen, 1954.
 * Hood, Mantle. The Nuclear Theme as a Determinant of Patet in Javanese Music.  Groningen: J. B. Wolters, 1954.


 * Encyclopedias


 * Mantle Hood, "Composition and Improvisation," Encyclopedia of Communications, University of Pennsylvania, 1987.
 * "Southeast Asia." The New Grove Dictionary of Music and Musicians, 6th ed.  London: Macmillan, 1980, 20 vols.
 * "Bronze drum." The New Grove Dictionary of Music and Musicians, 6th ed.  London: Macmillan, 1980, 20 vols.
 * "Indonesia." The New Grove Dictionary of Music and Musicians, 6th ed.  London: Macmillan, 1980, 20 vols.
 * "Ethnomusicology." Harvard Dictionary of Music, 2nd ed.  Cambridge: Harvard University Press, 1969.
 * "Pelog." Harvard Dictionary of Music, 2nd ed.  Cambridge: Harvard University Press, 1969.
 * "Slendro." Harvard Dictionary of Music, 2nd ed. Cambridge: Harvard University Press, 1969.
 * "Indonesie." Encyclopedie de la musique. Paris: Fosquelle, 1963.
 * "Pelog." Encyclopedie de la musique.  Paris: Fosquelle, 1963.
 * "Slendro." Encyclopedie de la musique.  Paris: Fosquelle, 1963.
 * "Music in History, II - The Orient," Home Encyclopedia of Music, Columbia Records, 1961.
 * "Balinesische Musik." Riekmann Musiklexikon.  Reiburg: Briesgau, 1960.
 * "Javanische Musik." Riemann Musiklexikon. Reiburg: Briesgau, 1960.
 * "Indonesie." Encyclopedia van de Muziek. Amsterdam: Elseviers, 1958.
 * "Pelog." Encyclopedia van de Muziek. Amsterdam: Elseviers, 1958.
 * "Slendro." Encyclopedia van de Muziek.  Amsterdam: Elseviers, 1958.


 * Articles


 * Hood, Mantle, "Ethnomusicology"s Bronze Age in Y2K," 	Ethnomusicology, Vo. 44, No. 3, 2000
 * "Ethnomusioclogy's Bronze Age in Y2K," World Music 	Reports, Vol. I, No. 4, 2000
 * "Il Rasa del suono," Musica/Realta, 53, Luglio, 1997.
 * "The Quantum Theory of Music II," World Music Reports, Vol. I, No.l, Center for World Music, 1996; 	published in Chinese (China News, 1992); published in Croat, 1992 (see below).
 * "The Quantum Theory of Music (I)," (prepublished and read in ESEM Congress, Berlin, 1990),China News, (published in Chinese), Beijing, 1991; (viz II) in Croat, 1992; Mudra, (in English) Bali, 1996.
 * John Blacking Memorial Lecture, "The Musical River 	of Change and Innovation," European Seminar in Ethnomusicology, pub. By Oideion, Internet, 1995.
 * "Angkep-angkepan," Ndroje balendro, Musiques, terrains et disciplines, Peters, Paris, 1995.
 * "ENTRETIENS: LA VOIE DUR GAMELAN, Entretien avec Ki Mantle Hood," Cahiers de musiques traditionnelles, 6, 1993.
 * "Gli 'Indescrivibili' della Musica," EM, Accademia 	Nazionale di Santa Cecilia, Archivi di Etnomusicologia, Libreria Musicale Italiana, Rome, 1993
 * "The Untalkables of Music," International Workshop SONIC REPRESENTATION AND TRANSFORM, International School for Advanced Studies, Laboratorio Interdisciplinare per le Scienze Naturali ed Umanistiche, Trieste, Italy, in press, 1992.
 * "Teorija kvantuma u glazbi (II)," Arti Musices 23/2, Zagreb, 1992, 157-164.
 * "Polyphonic Stratification in the Music of 	Southeast Asia," Proceedings, ESEM, 1992.
 * "Universal Aspects of Javanese Musical Improvisation," Premio Internazionale Latina di Studi Musicali, Camp Internazionale di Musica, Latina, Italy, 1990; also in Chinese translation in Chinese News, Central Academy of Music, Beijing, 1991.
 * "Balinese Gamelan Semar Pegulingan, The Modal System," Progress Reports in Ethnomusicology, Vol. 3, No. 2, 1990.
 * "Ethnomusicology in the United States," Campus Internazionale di Musica, Latina, Italy; also in Chinese Translation in Chinese News, Central Academy of Music, Beijing, 1990.
 * "The Quantum Theory of Music,"European Seminar in Ethnomusicology, VII,International Institute for Comparative Music Studies and Documentation, 1990, 273-277; also in Chinese translation in Chinese News, Central Academy of Music, Beijing, 1990.
 * , Frank L. Vice, and others,"Cervical Auscultation of Suckle Feeding in Newborn Infants," Developmental Medicine and Child Neurology, 32, 1990, 760–768.
 * "L'Arte della composiqione e dell improvvisazion nella dMusica tradizionale Giavanese," Ethnomusicologica, Seminari Internazionali di Ethnomusicologica, 1977–89, XLIII, 91–106.
 * "Music from Galileo to Einstein - A Quantum Leap," keynote address, Progress Reports in Ethnomusicology, Vol. II, No. 3., 1989.
 * "Music from Galileo to Einstein . . ." Chinese transl., Chinese News, Journal of The Central Academy of Music, Beijing, China, 1989.
 * "The 'Ha' of Music," Keynote Address, Twenty-fifth Anniversary of the Academy of the Arts, Cairo; in press, 1989.
 * "A Courtly Edict for Javanese Music," Papers of the Third International Conference on Chinese Ethnomusicology, Taipai, Taiwan, 1988, 13–23.
 * "Musical Ornamentation as History: the Hawaiian Steel Guitar," Newsletter, Hawaiian Steel Guitar Association, 1988.
 * "Indonesia Antica, Musica Nova," Musica e Dossier, Anno II,. Numbero IV, Septembre, 1987, 28–31.
 * "Indonesian New Music, " Journal, Accadmia Musicale Chigiana, Siena, Italy (in press), 1987.
 * "Javanese Gamelan Sekati, Its Sanctity and Age," Acta Musicologica, Vol. LVII, Fasc. I, 1985. 33–37.
 * "The Computer in Ethnomusicology." Marlene Brown and C. Herbert Gilliland, eds.  Anapolis: U. S. Naval Academy, 1984.  65–70.
 * "Bronze Drum," International Dictionary of Musical Instruments. London: Macmillan, 1984. 3 vols.
 * "The Epic Identity and the Arts," keynote address (summary), XXXI International Congress of Human Sciences in Asia and North Africa 1983, the Toho Solskai: Tokyo, 1984. 663–665.
 * "Musical Ornamentation as History: the Hawaiian Steel Guitar," Yearbook for Traditional Music, 15:141–48. Biblio., music, 1983.
 * "The Bronze Drums of Dongson Culture as Musical Instruments," Proceedings, International Musicological Society, 1982
 * "Historical Reconstructions for Oral Traditions of Music," The World of Music, Vol. XXIII, No. 2, 1981.
 * "Reminiscent of Charles Seeger," Bulletin, IFMC, 1980.
 * "Tribute to Charles Seeger," The World of Music, 1979
 * "Universal Attributes of Music," The World of Music, 1977.
 * "Improvisation in the Stratified Ensembles of Southeast Asia," Selected Reports, Vol. II, No. 2, 1974.
 * "Aspects of Group Improvisation in the Javanese Gamelan," Musics of Asia, National Music Council, Manila, 1971.
 * "Epilogue," Musics of Asia, National Music Council, Manila, 1971.
 * "Musical Literacy in the 1970's," Journal, College Music Society, Vol. II, Fall, 1971.
 * "Effect of Medieval Technology on Musical Style in the Orient," Selected Reports, Vol. I, No. 3, 1970.
 * "Music of the Venerable Dark Cloud," Harper's Bazar, January, 1968.
 * "Slendro and Pelog Redefined," Selected Reports, Vol. 1, No. 1, 1966.
 * "Non-Western Music in Western Education," Education News, Vol. 10 (North Sydney, Australia), 1965.
 * "Improvisation as a Discipline in Javanese Music" (reprint), Music Educators Journal, Washington, D.C., 1964.
 * "Improvisation as a Discipline in Javanese Music," International Music Education, No. 8, Washington, D.C., 1963.
 * "The Quest for Norms in Ethnomusicology," Inter-American Music Bulletin, No. 35, Washington, D.C., 1963.
 * "Musical Significance," Ethnomusicology, Anniversary edition, 1963.
 * "Javanese Music for American Children," Music Educators Journal, 1962.
 * "The Javanese Rebab," Music, Libraries and Instruments, Hinrichsen, 1961.
 * "The Reliability of Oral Tradition," Journal, American Musicological Society, 1960.
 * "The Challenge of 'Bi-musicality'," Ethnomusicology, 1960; (numerous reprints in readers, 1980s.
 * "Music of the Javanese Gamelan," Festival of Oriental Music and the Related Arts, May 8–22, UCLA, 1960.
 * "Asian Music on an American Campus," Pan Pipes, 1960.
 * "Changing Patterns in the Arts of Java," Bulletin of the Institute of Traditional Cultures, UNESCO, MADRAS, 1959.
 * "Wajang Purwa," Catalogue, Los Angeles County Museum, 1959.
 * "Asian Music on an American Campus," Asia Society Letter, 1959.
 * "Folk Imitations of the Javanese Gamelan," Viltis, 1956.
 * "De Componist Roy Harris," Concertgebouw Nieuws, 1953.
 * "The First Television Opera," New Outlook, 1952.
 * "The Music of Other Peoples," New Outlook, 1952.
 * "Back to Pre-Bach," New Outlook, 1951.
 * "A New Art Form" (Part I), New Outlook, 1951.
 * "Color-Music: a New Art Form" (Part II), New Outlook, 1951.
 * "Technique is not Enough," New Outlook, 1951.
 * "A 'Sacrilegious' Requiem," New Outlook, 1951.
 * "A Glance at Gian-Carlo Menotti," New Outlook, 1951.
 * "Our Listening Altitude," New Outlook, 1951.
 * "The Semantics of Music," New Outlook, 1951.


 * Documentary films


 * Atumpan (see Honors and Awards), 1985.
 * Tari Topeng Sunda, 10' color-sound, masked dance style of West Java, filmed in Indonesia, 1972. (Also VHS)
 * The Puppet Play of West Java, 6' color-sound, filmed in Indonesia, 1970. (Also VHS)
 * The Shadow Play of Bali, 6' color-sound, filmed in Indonesia, 1970. (Also VHS)
 * Atumpan, the Talking Drums of Ghana, edited for Macmillan, New York, 1969.
 * Ghanaian Dance Ensemble, filmed on UCLA campus, 1968.
 * Three for Dance, original music, directed and narrated for Educational Television, Honololo, 1968. (Also VHS)
 * 8,000 feet of 16mm film and sound documentation of classes given by and attended by Regents Lecturer, Ravi Shankar, 1965. (Edited but not released.)
 * 4,000 feet of 16mm film and sound documentation of teaching methods and solo performance techniques of Indian tabla performed by the virtuoso Alla Rhaka, 1965. (Edited but not released.)
 * Atumpan, the Talking Drums of Ghana, 42' color-sound documentary-narrative, 16mm, filmed in Ghana, 1963–64. (Also VHS)


 * Recordings


 * "Marta Budaja," release by Balungan, Lou Harrison, ed., 1993.
 * "Implosion" (see HONORS AND AWARDS), 1989.
 * Supervision of editing and engineering "Bali North, LP recording master from field collection of Dr. Ruby Orstein,. 1972.
 * "Bali South," LP recording issued by the Institute of Ethnomusicology, UCLA, from the field collection of	Gertrude Rivers Robinson, 1972.
 * Three LPs (untitled) from collection of Mantle Hood for the book The Ethnomusicologist (see Books), 1971.
 * "Africa East and West," materials selected and edited from Mantle Hood collection and others, LP recording narrated by Mantle Hood and released by African Studies Center, UCLA, 1969. (IER 6751)
 * "Music of the Venerable Dark Cloud," LP recorded by Columbia Masterworks (CBS studios), programmed by Mantle Hood, including supervision of recording, engineering and mastering, released by the Institute of Ethnomusicology, UCLA, 1967. (IER 7501)
 * "African Music," LP master, supervision of editing, engineering, and programming of examples from field collection of Professor Klaus Wachsmann, 1967.
 * "Persian Music," LP master, supervision of editing, engineering, and programming of examples from field collection of Professor Hormoz Farhat, 1967.
 * "Japanese Traditional Music," LP master of Keiji Yagi, studio recording by Mantle Hood, 1967.
 * "Lord Jim," LP from sound track of Columia motion picture Lord Jim, 1964. (Colpix CP 521)
 * "The Exotic Sounds of Bali," LP issued in Columbia Masterworks series (MI 6445, stereo, MI 5845, monaural, 1963), nominated for a Grammy, 1964; reissued on Odyssey, 1963 (No. 32160366); programmed by Mantle Hood, including supervision of engineering and mastering.

Morskyjezek (talk) 12:56, 25 February 2014 (UTC)