Talk:Marcia Grostein

Note
You need to add a lot more to the biography section. She is featured in several books, so summarize her life story. Don't forget to include the movements that inspired her (and make hyperlinks to those movements) and add the people/other artists with whom she worked. Provide a few more lines under each artwork to state the intent or meaning (not just the form) of the works. And finally, you will need to remove almost all the citations directly from her website. You can only use third party references, not the artist's own site. -Prof. S

Marcia Grostein 1949 is a Brazilian-born American artist and currently resides in New York City. (Marcia Grostein | The Sacred Garden of Adam | The Met https://www.metmuseum.org/art/collection/search/633003 Artist: Marcia Grostein (Brazilian, born 1949). Date: 1988. Medium: Oil on canvas. Dimensions: 78 x 60 in. (198.1 x 152.4 cm.) Classification: Paintings.) artnet Search Price DatabaseAuctionsArtistsGalleriesAuction HousesEventsNews ''' Marcia Grostein (Brazilian, born 1949) Artworks ''' Biography Timeline The artist is represented by EMMATHOMAS Gallery.

Home Auction Houses Phillips New York Select Language​▼ MARCIA GROSTEIN Marcia Grostein Lot 176: MARCIA GROSTEIN Sold: Log in to view Phillips December 12, 2009 New York, NY, US View more details More About this Item Item Overview Description: Brooklyn Bridge Signed, dated in ink, printed title, date and number APII on a Certificate of Authenticity accompanying the work. One from an edition of 5 plus artist’s proofs. Dimensions: 24 3/4 x 35 in. (62.9 x 88.9 cm). Artist or Maker: MARCIA GROSTEIN b. 1949 Medium: Color coupler print. Date: 2007 Exhibited: Curious and Furious, Vernon Gallery, Prague, 2005; Where Fashion Meets Art, Issey Miyake and Remy Toledo Gallery, New York, 2005 Provenance: Leon Tovar Gallery, New York Request more information Auction Details https://www.invaluable.com/auction-lot/marcia-grostein-176-c-9a5d6b1304

https://www.artprice.com/artist/309659/marcia-grostein

https://enciclopedia.itaucultural.org.br/pessoa10462/marcia-grostein

http://archive.nytimes.com/www.nytimes.com/slideshow/2007/05/27/opinion/20070529_ARIEFF_SLIDESHOW_2.html

http://dianevenet.com/jewelry/marcia-grostein/

https://theprnet.com/gallery/67

https://araconnects.tumblr.com/post/103344685958/whitewall-magazine-captures-the-best-in-gilded/amp

https://www.newcitybrazil.com/2018/12/18/fama-and-fortune-the-art-and-patronage-of-marcos-amaro/

Marcia is the daughter of Jewish emigrants to Brazil. Her mother came from Russia and her father from Poland. Family lore has it that a paternal ancestor was one of Napoleon's financiers. But the turmoil of Europe drove both sides of Marcia's family to South America. Marcia's extended family is spread throughout southern Brazil, Uruguay, and Argentina. Her own family settled in Sao Paulo, where her father opened a jewelry store. Her mother saw to it that Marcia received a good education, steeped in European culture. Marcia was a ballet dancer prior to being an artist and her work is deeply influenced by her time as a dancer. She was frequently taken to see an aunt, Mary Kuperman, who was an artist. Marcia's first experience with art came from spending hours copying portraits of Modigliani's neck with her aunt. Later on, one could see that influence on her sculptures. [1] She has been mentored by many great artists who have helped her portray her work. Deeply influenced by Abstract Expressionism, Pop Art, Minimal and Conceptual Art, she had her first encounter with Willem de Kooning while visiting NY in 1977, who became a mentor and, together with James Rosenquist, introduced her to the NY art scene. Her first exhibition in NY took place at the Suydam Gallery with a text written by de Kooning. [1] In 1979, she interned for Fluxus artist Joseph Beuys and worked at his retrospective held at the Guggenheim Museum in NY. The following year, Grostein was represented by Betty Parsons Gallery, and her paintings were exhibited together with Jackson Pollock’s works in the gallery’s final show. Continuing to show her work in galleries and museums in different continents. She exhibited her functional sculptures/lamps at Paul Kasmin Gallery/PK Shop in 2014, after she participated in the exhibition “Moss: Dialogues between Art & Design” at Phillips de Pury, where her chair sculptures were paired with Bob Wilson’s chairs in 2012. This exhibition crystallized Grostein’s fascination with design which quickly inspired her to begin incorporating her sculptures into lighting fixtures. Pieces of her prolific body of work are held in prominent private collections and renowned international institutions such as: MOMA/PS1, The Metropolitan Museum of Art in New York, MASP - São Paulo Museum of Art, MAM - Museum of Modern Art in Rio de Janeiro, Hara Museum of Contemporary Art in Tokyo among others. “Marcia Grostein.” Marcia Grostein, www.marciagrostein.com/. Marcia Grostein's personal history was marked by loss, rejection and violence, resulting in constant and great privation, as well as the struggles and conquest of self assertion, with all the ups and downs which this moving energy of the instincts of life imply. This is patent in each of her works, where there is no waiting, silence or rest, where taste encounters plenitude but where joy is continuous. There the creative libido overcomes anxiety and generosity fills in the empty spaces of anxiety. As if the array of image, colors and forms could compensate or neutralize the fear of nothing. As if the inventive configuration of its spectacle had the magic power of real action on things as it did for the cave man at Lascaux. “Marcia Grostein: The Wild Form; 20 Years' Survey.” by Sheila Leirner et al., Museu De Arte De São Paulo Assis Chateaubriand, 1994.

Sorces 1-Forrest D Colburn- Latin America at the end of Politics, Princeton University Press 2-Sheila Leirner -Marcia Grostein 20 years survey- catalogue for the Museu De Arte Moderna Assis Chateaubiriand MASP

ART WORKS- 1-The painting that is at the METROPOLITAN MUEUM OF ART is the'THE SACRED GARDEN OF ADAM', 79"x 60" Oil on Canvas metmuseum.org- NOT THE SACRED GARDEN OF EVE! 2-THEY WENT FOR A SWIM- the discription is completely wrong! 3-PORTABLE ART- again discription TOTALLY WRONG 4-ALICE IN WONDERLAND- ALSO WRONG DISCRPTION 5-EXTREEMELY WRONG DISCRIPTION QUESTION? I DONT UNDERSTAND WHO COULD SENT SOMETHING SO WRONG TO WIKIPEDIA AND WAS PUBLISHED WITHOUTCONSULTING?

EDUCATION CORRECTION-

1971 TO 1976 ESCOLA BRASIL:(DOIS PONTOS) 1968 TO 1970-ROYAL COLLEGE OF ART LONDON- 1967 TO 1968-MUSEU DE ARTES SãO PAULO 1963 TO 1966- IAD INSTITUTE OF ARTS AND DESIGN Exibitions- please go to https://www.marciagrostein.com/new-page-1 for references

^ Colburn, Forrest D (2002). Latin America at the End of Politics. Princeton University Press. Marcia Grostein — Preceding unsigned comment added by Marciagrostein (talk • contribs) 02:01, 25 July 2019 (UTC)

Accuracy
The user name marciagrostein has edited this page with 100% accuracy as dictated by the artist herself. Please do not edit any of these changes as they will be inaccurate. — Preceding unsigned comment added by Marciagrostein (talk • contribs) 15:49, 17 July 2019 (UTC)
 * , your username indicates you have a conflict of interest. Per our policies on biographies of living persons, this information must be supported by reliable sources that are independent of the subject. It would be best if you were to propose the changes you want to make to the article here, and we will be happy to work with you to ensure the article is accurate. The creation of autobiographies is strongly discouraged, so please don't edit the article yourself. – bradv  🍁  16:00, 17 July 2019 (UTC)


 * I am Marcia Grostein's assistant and we tried to edit the inaccuracies of this page yesterday while including the sources of texts that we used but it was deleted. I understand autobiographies are prohibited but we sourced books about her. Can these edits be un-redacted? Amarkle36 (talk) 16:00, 18 July 2019 (UTC)
 * , the text you added is a copyright violation. Wikipedia articles must be based on information provided by reliable sources that are independent of the subject. As you have a conflict of interest regarding the subject of this article, please suggest changes to the article here rather than edit it yourself. I will leave a note on your talk page with more information about managing a conflict of interest. – bradv  🍁  21:15, 18 July 2019 (UTC)