Talk:Mark Levinson (audio equipment designer)

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Advertising
No time or inclination to edit, but just look at this prose!

"The company's signature sound is natural dynamic range, a characteristic setting it apart from all other competitors. Daniel Hertz makes beautifully-designed, easy-to-use, high-performance equipment across a wide range of price points."

ConradArchguy (talk) 09:29, 1 February 2018 (UTC)

A Commons file used on this page or its Wikidata item has been nominated for speedy deletion
The following Wikimedia Commons file used on this page or its Wikidata item has been nominated for speedy deletion: You can see the reason for deletion at the file description page linked above. —Community Tech bot (talk) 10:37, 25 February 2020 (UTC)
 * Mark Levinson, audio equipment designer.png

Notably, playing jazz with the best for five years
I got here a year or two ago and was listening to him today — playing in that great Paul Bley (piano) trio with Levinson (bass) and Barry Altschul (drums). Until I found him here, I had no notion of why he was not in jazz after 1971.

From my perspective, if we can have an article on Allen Eager who didn't last long in jazz either (and more's the pity), then you may as well keep Levinson who contributed for five years in a trio with a marvelous drummer, led by one of the great jazz pianists.

I don't have an opinion about his audio work. What strikes me is his having achieved his accomplishments in two mostly unrelated areas: broadly speaking, as an artist and as an engineer. So someone curious about one aspect will learn about the other, FWIW. Larry Koenigsberg (talk) 20:53, 27 August 2020 (UTC)