Talk:Mary Ellen Bute

unsourced info
This statement is unrferenced and I cannot find any RS that she was a founding member of the Women's Independent Film Exchange. Removed from main space.--WomenArtistUpdates (talk) 23:31, 15 June 2024 (UTC)
 * Bute was a founding member of the Women's Independent Film Exchange. She chose film historian Cecile Starr to distribute her short films.

Removed unsourced list off main space. Return only with citations. --WomenArtistUpdates (talk) 23:25, 15 June 2024 (UTC)

Filmography

 *  Synchromy (unfinished film)|Synchromy]] – 1933, collaboration with Joseph Schillinger and Lewis Jacobs [unfinished].
 *  Rhythm in Light  – 1934 (b&w, 5 min.) in collaboration with Melville Webber and Ted Nemeth.
 *  Synchromy No. 2  – 1935 (b&w, 5.5 min.) music: Evening Star from Tannhäuser by Richard Wagner.
 *  Dada (1936 film)  – 1936 (b&w, 3min.) short for Universal Newsreel.
 *  Parabola (1937 film)  – 1937 (b&w, 9 min.) music: Création du monde by Darius Milhaud.
 *  Synchromy No. 4 - Escape (1937 film)|Synchromy No.4 - Escape]] – 1937 (color, 4.5 min.) music: Toccata in D Minor by J.S. Bach.
 *  Spook Sport – 1939 (color, 8 min.) music: Danse macabre by Camille Saint-Saëns. Animation by Norman McLaren.
 *  Tarantella (1940 film)  – 1940 (color, 5 min.)
 *  Polka Graph  – 1947 (color, 4.5 min.) music: Dmitri Shostakovich's Polka from The Age of Gold.
 *  Color Rhapsodie (1937 film)  – 1948 (color, 6 min.)
 *  Pastorale (1950 film)  – 1950 (color, 9 min.) music: Bach's Sheep May Safely Graze.
 *  Abstronic  – 1952 (color, 7 min.) music: Aaron Copland's Hoe Down and Don Gillis's Ranch House Party.
 *  Mood Contrasts  – 1953 (color, 7 min.)
 *  Imagination (1957 film)  – 1957 (color) compilation background for musical sequence, Steve Allen Show (November 17, 1957)
 *  The Boy Who Saw Through  – 1958 (b&w, 25 min.) (producer) stars a young Christopher Walken [not abstract].
 *  New Sensations in Sound  – 1959 (color, 3 min.) advertising film for RCA.
 *  Passages from James Joyce's Finnegans Wake  – 1965–67 (b&w, 97 min.) (director and co-writer) screened at the Cannes Film Festival [not abstract].