Talk:My Name Is Red

Comments
Sorry for removing the bit about the sentence order in English vs. Turkish, but there was no citation -- and the insinuation that the translator might not actually even be aware of the difference is just too outrageous (and insulting) to be credible - especially given that the English translation won the International IMPAC Dublin Literary Award.

It's a bit off topic, but IMO (and not knowing anything about Turkish) a translation must largely be judged on its own merits - it is common for a novel to take a different form when translated to a different language. Moreso when that language is quite dissimilar. If the particular translation is to be discussed in the article, I think the discussion should at least make it clear what the alleged problems was with the translation and who "some readers" are, other than the wikipedian editing the article. -- Oarih 02:44, 22 July 2006 (UTC)


 * Thanks for the jolt, which is quite fair.


 * I originally added the comment about the translation, though it was afterwards edited, making it less NPOV. I have restored my original version, but omitting the suggestion that Goknar might have been unaware of the word order problem, and added a request for a citation.


 * If you compare this translation with one of Maureen Freely's translations from Pamuk (e.g. Snow) you will see what I meant.


 * The novel deserves its success, and therefore I'm glad the translation won that prize, but, as a translation, it didn't deserve to. Yes, that's POV, I admit. I'll look for a citation myself now. Andrew Dalby 08:36, 22 July 2006 (UTC)


 * By an astonishing coincidence (I swear I didn't know this was going to happen) I received today my subscription copy of The Linguist, containing an article (by Maureen Freely, whom I don't know) about the translation of Orhan Pamuk, mentioning (though naming no names) the difficulty experienced by bilingual translators of Turkish origin in converting from Turkish to English word order. I now have my citation, therefore.


 * The words from the Freely interview are as follows: "When Orhan later had trouble with his translators, he asked Maureen if she would be willing to give it a go ... She was also very aware of the problems that bilingual Turks can have when putting something into English. 'They favour Turkish structures, which are very cumbersome in English,' she says. 'It makes my head ache.'" Andrew Dalby revised 11:59, 22 July 2006 (UTC)


 * I have now checked the IMPAC prize citation. Actually, the award went to the original novel, not the translation -- this is an international prize for which novels in any language can compete. The translator was there to pick up the prize, but no mention of the quality of the translation appears in the citation. Andrew Dalby 11:53, 22 July 2006 (UTC)


 * Wow, that was quick! Thanks for the sincere and insightful response. It's funny, because I do find the language in My Name is Red to be a bit heavy in places, but at this point (I'm only partway through) I sort of enjoy that for its exoticism; I've read Haruki Murakami in English and Japanese and although the English translations are excellent, I'm occasionally annoyed by just how strong an American voice is present in some of the translations. Translation seems a very imprecise art, the evaluation of which is (beyond a certain point) highly subjective. -- Oarih 12:34, 22 July 2006 (UTC)


 * How right you are. And the novel has of course had excellent reviews in English, which means that some people must have had no great difficulty with the language. If you wanted to add a sentence expressing a contrasting view, referencing one of those many reviews, I'd be happy, of course. Andrew Dalby 14:14, 22 July 2006 (UTC)


 * Someone else has now looked in and inserted some POV. One doesn't want to start a revert war. I've asked the lateest editor to add a precise reference. Andrew Dalby 08:08, 27 July 2006 (UTC)


 * I added a reference to the 'praise' section on the publisher's website. The reviewer actually writes
 * Erdag Goknar deserves praise for the cool, smooth English in which he has rendered Pamuk's finespun sentences, passionate art appreciations, sly pedantic debates, [and] eerie urban scenes.
 * I looked over the IMPAC site again and while the award may not be given only to books that are translated into English, it's pretty reasonable to assume that most, if not all, of the jury judged the novel by its English translation. Orhan Pamuk may indeed prefer Freely's translations, but if there's anything like a consensus on Goknar's translation, it seems to me that it is positive. -- Oarih 10:09, 28 July 2006 (UTC)


 * Fair enough. Thanks for your input. Andrew Dalby 11:51, 28 July 2006 (UTC)


 * It would be a pity if the translation section couldn't be expanded a bit -- or perhaps there could be a link to a new article specifically about the difficulties involved in translating from Turkish to English? I suppose that would be a pretty specialized article, but it's certainly something that interests me now having red My Name is Red. -- Oarih 13:41, 29 July 2006 (UTC)

Edits on 13 October
Thanks for the information about international awards. I provisionally removed two details:

including the IMPAC award issued for the English translation

because the IMPAC prize citation does not mention the English translation (but if some other related document does mention it, please cite it)

(a fourth of the prize money was awarded to the translator)

because, unless this information is published somewhere, it counts as "original research", and Wikipedia has to be very careful about that, especially with living persons. If a printed or Web reference can be cited for this information, again, please cite it! I have at the same time added to the article some details from John Updike's favourable review, as cited above. Andrew Dalby 12:32, 13 October 2006 (UTC)

--


 * Hi, I'm not sure if I'm adding Talk Comments correctly, but here goes!


 * There is no "original research" here.


 * BBC article published 3 years ago: http://news.bbc.co.uk/2/hi/entertainment/3040031.stm mentions the amount awarded to the translator--since the translator received money too, the award can be seen to be issued for the English language edition.


 * In addition, the FAQ for the IMPAC prize mentions the exact monetary split than any translator gets: http://www.impacdublinaward.ie/awardfaq.htm


 * Do you want to revert those changes?


 * Noted. Thanks very much for your input. Unless you go ahead and do it first, I'll work those details in again later today. Andrew Dalby 08:22, 14 October 2006 (UTC)

Fair use rationale for Image:Orhan Pamuk My Name Is Red.png
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BetacommandBot (talk) 19:21, 2 January 2008 (UTC)

Copyedit needed
I've placed a copyedit tag on this article because parts of it are almost indecipherable, and others are just poorly worded. The passage that made me give up my attempt to copyedit the article was the following:
 * "The novel opens with master Elegant Effendi having been murdered but his (Kitab al-Ruh) ranks among the best books on the subject of the Islamic understanding of life after death according to the Qur'an, soul lingering in the after-life and Elegant Effendi reflecting on the after-life. Ibn Qayyim Al-Jawziyya’s Book of the Soul the Sunna, and the doctrine of the Salaf and the Four Imams, proposing that the dead hear the living and know of them."

Both sentences are ungrammatical and, well, confusing to say the least. The next paragraph is more grammatical, but less encyclopedic in tone. Someone familiar with this novel please copyedit this article. - dcljr (talk) 07:43, 9 July 2008 (UTC)


 * I've copy-edited this to my best ability, although I haven't read the book, which is not required for copy-editing. I've removed most of the POV and peacock text and worked on the grammar and wikilinks. It needs more references, especially in the 'outline' and 'reception' sections. Cheers, Baffle gab1978 (talk) 23:58, 17 August 2010 (UTC)

Assessment comment
Substituted at 00:41, 30 April 2016 (UTC)

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