Talk:Pride & Prejudice (2005 film)

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Different Ending
The ending that I saw, was with the Darcy's next to the lake, with Darcy calling Elizabeth 'Mrs. Darcy', which version is this? Saw it on HBO in Taiwan.--ValerioC 10:05, 15 September 2007 (UTC)

I believe this is the American release version. See section of article entitled 'Changes between release versions'. Oberschlesien 06:28, 16 September 2007 (UTC)

Pride and Prejudice Template?
I added Template:Pride and Prejudice, but since the Template:Jane Austen and the Template:Joe Wright are already in place, the section looks too crowded. Should we remove the P&P template, the JA template, the JW template or keep them all? Please discuss. ImperialJaineite (talk) 02:07, 26 February 2010 (UTC)


 * Three templates is not a lot, but they should all be set to "hide" as a default. That will keep the vertical space short. - BilCat (talk) 02:24, 26 February 2010 (UTC)


 * Fixed - they are now collapsed on the article pages. - BilCat (talk) 02:38, 26 February 2010 (UTC)


 * Also, don't forget to rename the template's name field when you move them to mainspace. Template:Pride and Prejudice was set to "ImperialJaineite/Sandbox 2". Easy mistake - I've done it a few times myself! - BilCat (talk) 02:47, 26 February 2010 (UTC)

Distributors
I think we can add both Universal Pictures can Focus Features. Because: 1) there is no official rule to restrict infobox to contain only "home market" distributor. As discussed in here. 2) After adding Universal Pictures and Focus Features, the size still isn't too big. 3) Some people in here states the important of listing the distributors in all English-speaking countries in English wiki. And  I simply use two lines to totally reveal the film's distributors in all English-speaking countries. --Marychan41 (talk) 6:06, 29 May 2012 (UTC)


 * You've been asked by two editors to discuss this on the talk page. Discuss does not just mean putting your side of the argument and then reverting other people's edits. It means discussing and gaining consensus before further edits take place.
 * Just for starters the information you added is incorrect: I know of eleven distribution companies involved in this film (and there will be a number of others as well as the ones I know of do not cover a numbver of major markets)
 * Just adding UP becuase of the connection to one market is not enough of a justification
 * The English-speaking connection was suggested by one person in the dicsussion. No-one else agreed or backed it up: that does not add up to consensus. - SchroCat ( ^  •  @ ) 06:42, 29 May 2012 (UTC)


 * I'm sorry. here is my Points.
 * 1) IMDB is wrong. StudioCanal only owns the France rights of this films, just like many other Working Titles films they produced.
 * 2) In other countries except North America, Universal released the film theatrically through its distribution partners in different countries (including United International Pictures in English-speaking countries), but Universal still control all aspects of distribution and own the library rights of the film. (so "Universal Pictures presents" is still on the film's credit in the most versions of the film)
 * 3) In North America, the situation is different; Universal Pictures gives the film to its division Focus Features. In the North America, Focus Features control all aspects of distribution and own the library rights of the film. (in the North America version of the film, "Focus Features presents" is  on the film's credit instead of "Universal Pictures presents".
 * 4) In that discussion, there are more the one person to suggest about English-speaking connection. (including me, of course)--Marychan41 (talk) 7:11, 29 May 2012 (UTC)


 * 1) I didn't get my information from IMdB—I never do as it's almost always partially wrong. I'd advise against complete faith in snappy journalistic articles—they simplify the situation to the point of being wrong, especially when it's a US journo who can't comprehend what the rest of the world is like;
 * 2) Focus only distributed in one territory. Is that really sufficient reason for including them? Not really—we may as well list all the companies who distribute on that basis.
 * 3) In the discussion only one person (Ring Cinema) suggested listing the English language distributor. No-one agreed that that was the best way to go—so that hardly classifies as a consensus on which to build. -  SchroCat ( ^  •  @ ) 18:29, 29 May 2012 (UTC)


 * Variety isn't a snappy media. It is a trade magazine that is read by professionals in film industry.
 * There is hardly any consensus from that discussion, except the fact that there is still no official rule to restrict infobox to contain only "home market" distributor.--Marychan41 (talk) 21:18, 29 May 2012 (UTC)

Just weighing in here -- I am in favor of consistency across articles. Selecting one country (the US) because of its large market share seems arbitrary. If we started giving one country special treatment, what would stop that from spreading to other countries with large markets (China, France etc)? It's a slippery slope that could easily end up violating the purpose of the infobox (which is meant to be a concise summary). WP:FILMRELEASE is (in my opinion) perfectly clear on this.

Also, part of my concerns with Marychan41's edits to this article related to the fact that they were unsourced. I would be happy to enter the details s/he added to the infobox into the main body of the article, providing that reliable sources are given.  Ruby  2010/  2013  19:08, 29 May 2012 (UTC)


 * Which parts of my info are unsourced? I would like to provide more info. And according to WP:FILMRELEASE, there is still no official rule to restrict infobox to contain only "home market".
 * Anyway, there are only three main distributors for this film in worldwide: Focus distributed the film in North America, StudioCanal released the film in French-speaking countries (through Mars Distribution), Universal (through UIP) released the film in all other countries It is just similar to what they did with Joe Wright's next film "Atonement" . If we put both Universal Pictures and Focus in the distributor field, the size of the filed still isn't too big, and it can totally reveal the film's distributors in all English-speaking countries.--Marychan41 (talk) 21:18, 29 May 2012 (UTC)


 * Marychan, what's your obsession with putting the US market distributor into articles? Do you work for one of these companies or something?! Please try and keep in mind the purpose of the infobox, which is not to put in every piece of information you can find. I'll summarise the policy again for you: "keep in mind the purpose of an infobox: to summarize key facts in the article in which it appears. The less information it contains, the more effectively it serves that purpose". The information you are trying to add is already covered in the article and does not need to go in here too. If we go down your path of putting Focus goes in, why not all the other companies—Mars, UIP, Bontonfilm, Solar Entertainment et al? - SchroCat ( ^  •  @ ) 08:28, 30 May 2012 (UTC)
 * I'm not obsession and I'm not working for any companies. I also don't want to regard it as personal matter and I don't want to attack anyone personal, but your words make me feel rather rude (and I'm not the only one who think so  ).  Why did I make you so angry?
 * Bontonfilm, Solar Entertainment and Mars didn't control the distribution of this film. Solar Entertainment is only the local affiliate of UIP, so as Bontonfilm (the film's Czech Republic poster also show the UIP logo and states that the film is "Universal Release").  Mars was StudioCanal's division.
 * In short, there are only THREE companies control the film's distribution and has the library rights: Focus Features, Universal Pictures and StudioCanal. If all three distributors are added in the distributor field, the field still won't be too big. I agree with what Betty Logan said in the past: "if there is only a handful of distributors I don't see a common sense reason for restricting the listing. Common sense would only need to prevail if the list became inordinately large.". --Marychan41 (talk) 11:48, 30 May 2012 (UTC)


 * Goodness—what on earth have I said that's rude, either in this conversation or the previous one? I asked Ring the same question in the previous discussion and he couldn't provide any answer then either. I'm not attacking you and I think you may have misinterpreted an otherwise innocuous comment that way. As to Betty's comments, try quoting her in full, as she begins her sentence "If it were solely left to common sense then it wouldn't be listed for any"—a sentiment I would back up fully and delete the field from the box as being rather pointless in the grand scheme of things. - SchroCat ( ^  •  @ ) 12:15, 30 May 2012 (UTC)
 * I'm also bemused by your edit on Atonement (film) to—again—list the US distributor where there is no US interest in making the film. Would you like to go back to WikiProject Film about this to clarify what the point is of adding various random countries into the infobox is? - SchroCat ( ^  •  @ ) 12:31, 30 May 2012 (UTC)
 * I didn't add Focus Features on the infobox of Atonement (film). Focus Features was already on the infobox and the article long before I made my edit.  Please check the fact.--Marychan41 (talk) 13:56, 30 May 2012 (UTC)
 * Then you won't mind if I take it out then. - SchroCat ( ^  •  @ ) 14:00, 30 May 2012 (UTC)
 * No. please start in talk before star an editing war. I will put the talk on the main page.--Marychan41 (talk) 14:02, 30 May 2012 (UTC)
 * Here is the talk: --Marychan41 (talk) 14:35, 30 May 2012 (UTC)

Congratulations!
One question: The film's themes emphasise realism, romanticism and family.  Do you really mean "Romanticism" or do you mean "romance"? In a film that dealt with "Romanticism" one would expect rugged landscape with at least one cataract, a few lightening bolts and a shipwreck. Romanticism also demands a duel, bolting horses and at least one example of action that is truly heroic. I think the movie deals with "Romance". Amandajm (talk) 02:01, 2 October 2013 (UTC)
 * Hi, thanks for commenting. I see your point, but yes, romanticism is the correct term per the sources used (see in particular this, this, and this (p. 132). The scholars often seem to use romanticism and romance interchangeably, so both are correct. I've added the term "romance" into the themes section to help clear up any potential confusion. Thanks,  Ruby  2010/  2013  03:12, 2 October 2013 (UTC)
 * "the Romantic conception of self" (with a capital R) is a good line from that essay that justifies the use of the term "Romantic". Amandajm (talk) 05:56, 2 October 2013 (UTC)

Symbolism and Art references in the movie
The main article might benefit from a section that highlights the use of symbolism in the movie (e.g. Darcy's hands throughout the movie, ham on the table during Mr. Collins' proposal to Elizabeth, Elizabeth's visit to Pemberley's art gallery as eye-opening and sexual awakening, Elizabeth's earthy clothing colors, blackbirds singing in the background every time something is happening with Elizabeth, the same music playing at beginning of movie (Elizabeth's home), at Rosings (badly played by Elizabeth because it's not her home), and at Pemberley (Elizabeth's future home).

The movie also sets a few scenes in a way reminiscent of classical paintings, e.g. the scene in the drawing room at Netherfield, when the Bennets visit the day they pick up Jane, the scene at Roslings with Darcy, Colonel Fitzwilliam, and Mr. Collins standing in the middle while the ladies sit on the couches). Macauley86 (talk) 22:20, 7 February 2016 (UTC)

RomCom?
Would romantic comedy be a better descriptor than romance film? The book is accepted as the first and best romcom and the film is faithful to the book. Xxanthippe (talk) 00:34, 16 April 2016 (UTC).
 * Yes. —  Film Fan  09:15, 16 April 2016 (UTC)
 * Thanks, done. Xxanthippe (talk) 10:01, 16 April 2016 (UTC).

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Removing deprecated source
I've removed claims sourced to the Daily Mail. It's a deprecated source, and it absolutely should not be present in a Featured Article - it's literally the opposite of a Reliable Source, and grossly unreliable sources are a reason for defeaturing.

I see the use of this awful, awful source has in fact been questioned here in the past. 

Per extensive WP:RSN discussion, and two wide general RFCs (WP:DAILYMAIL1), the Mail literally cannot be trusted for factual claims, nor for fidelitously recording the words of claimed interviewees. Recent discussion on RSN is about the Mail being caught fabricating past content on dailymail.co.uk - you literally can't trust the Mail as a source for the content of the Mail.

Rather than using such a stupendously bad source in a FA, I've removed the cites and the claims backed by them - which were generally added-colour side details, of the sort the Mail specialises in pleasing its readers with when it's being careless with facts, so shouldn't damage the article structurally. Those little details can be added back piecemeal as and when there are RS cites for them. - David Gerard (talk) 19:38, 17 May 2020 (UTC)

David Gerard is on a crusade against the Daily Mail. He thinks deprecated means any reference to the Daily Mail should be deleted on sight. For anyone checking here's the diff where he deleted two references to the DailyMail.co.uk and any text that appeared to depend on those references. It might be possible to find alternative references for at least some of what was deleted.

One of the sources was from the "Mail on Sunday", and it has been argued that as the Mail on Sunday is a different newspaper with separate editorial oversight, it should still be allowed as a source. The discussion is/was ongoing, see Reliable_sources/Noticeboard. -- 109.76.143.144 (talk) 07:01, 7 October 2020 (UTC)
 * See WP:RSPS, The Mail on Sunday has been deprecated.Archive of discussion to deprecated Mail on Sunday.
 * The discussion was closed with the words "editors should make reasonable efforts to find an alternate source for that assertion when removing this source." which will certainly be ignored as editors have already shown they will take a source being deprecated as justification to delete on sight, and not bother to make any effort to find replacement sources. -- 109.79.166.37 (talk) 15:36, 9 December 2020 (UTC)

American Ending
A subsection titled "American Ending" was recently added to the Plot section. I think it should not have been added and should be deleted. This is not an essential plot detail, and should be trimmed on the basis of WP:FILMPLOT alone, but also the different ending is already covered in the Production section under "Editing". -- 109.77.195.80 (talk) 14:53, 15 October 2020 (UTC)
 * Trimmed.[] -- 109.77.200.213 (talk) 11:39, 19 October 2020 (UTC)

I am new to editing Wikipedia (it is a requirement for my Digital Media Literacy course!) and hope to successfully contribute to this community. I would like to add in an interesting fact regarding the 2005 Pride and Prejudice film starring Keira Knightly and Matthew Macfayden. It is in regards to the iconic "Almost Kiss" scene that is unique to this particular adaptation since it is an action that was created during the screen test between Knightly and Macfayden due to their chemistry. Adding this to the blurb about casting and the difficulties of finding the right actors for the roles would add a unique piece of trivia for fans of the movie. https://screenrant.com/pride-and-prejudice-2005-behind-the-scenes/

Ashchurch (talk) 00:13, 29 April 2022 (UTC)