Talk:Pygmalion (Rousseau)

Opera or play?
Why is this piece tagged as an opera? I don't see anything in the article suggesting it's more than a play with music added. Aristophanes 68  (talk)  03:09, 8 July 2011 (UTC)


 * In general monodramas are lumped together with operas by music historians, although I personally think they are their own genre that should not be lumped with either operas or plays as they are a genre inbetween the two. The concept of the monodrama is of course to create a work where both the spoken drama and the music are used with equal emphasis to dramatize the story. Neither one is viewed as more important than the other, but as working in tandem with one another. In contrast, a play with incidental music uses music in a supporting role to the dialogue. One possible explanation for the monodrama's link with opera is the fact that Rousseau and other composers which followed experimented with monodrama devices in works where they did include some sung arias such as Rousseau's Le Devin du village (1752). Another link between melodrama and opera is the fact that monodramas were programmed as part of the opera season in opera houses. Straight theatre companies never staged them because the works required an orchestra.


 * In doing some research, here are some books which describe Rousseau's Pygmalion as an operatic work:




 * I hope this is helpful to you.4meter4 (talk) 14:32, 12 June 2012 (UTC)