Talk:Rudy VanderLans

Exhibitions removed
I have removed the following list of exhibitions per MOS:ART but am preserving them here if anyone would like to use them as the basis of future research.

Solo exhibitions


 * “Emigre Magazine: Selections from the Permanent Collection,” Museum of Modern Art, San Francisco, 1997
 * “Charles Nypels Prize,” Jan van Eyck Academy, Maastricht, Netherlands, 1998
 * “Emigre in Istanbul,” Contemporary Art Center, Istanbul, Turkey, 1999
 * “Emigre in Norfolk,” Old Dominion University Gallery, Norfolk, Virginia, 2005
 * “Emigre at Gallery 16,” Gallery 16, San Francisco, 2010
 * “Emigre magazine: design, discourse and authorship,” University of Reading, UK, 2017

General exhibitions


 * “Pacific Wave: California Graphic Design,” Museo Fortuny, Venice, Italy, 1987
 * “Graphic Design in America,” Walker Art Cente r, Minneapolis, 1989
 * “Mixing Messages: Graphic Design in Contemporary Culture,” Cooper-Hewitt National Design Museum, 1996
 * “Designer as Author, Voices and Visions,” Northern Kentucky University, 1996
 * “Design Culture Now: National Design Triennial,” Cooper-Hewitt National Design Museum, 2000
 * “East Coast/West Coast” at Centre du Graphisme, Echirolles, France, 2002
 * "D-Day:le design aujourd'hui," at Centre Pompidou, Paris, 2005
 * “Digitally Mastered,” MoMA, New York, 2007
 * “Quick, Quick, Slow,” Experimentadesign Lisboa 2009, Berardo Collection Museum, Lisbon, Portugal, 2009 (featured Emigre magazine issues10–24)
 * “Typographic Tables,” Museum of Modern and Contemporary Art, Bolzano, Italy, 2011
 * “Deep Surface: Contemporary Ornament and Pattern,” Contemporary Art Museum, Raleigh, 2011
 * “Graphic Design: Now in Production,” Walker Art Center, Minneapolis, 2011 (featured "Emigre No. 70: The Look Back Issue" and Base 900)
 * “Postmodernism: Style and Subversion 1970–1990,” Victoria & Albert Museum, London, 2011
 * "Standard Deviations," MoMA, New York, 2011 (featured 23 digital typefaces for their permanent collection, including five Emigre font families: Jeffery Keedy's Keedy Sans, Jonathan Barnbrook's Mason Serif, Barry Deck's Template Gothic, Zuzana Licko's Oakland—renamed Lo-Res in 2001—and P. Scott Makela's Dead History)
 * “Work from California,” 25th International Biennial of Graphic Design, Brno, Czech Republic, 2012
 * “Revolution/Evolution,” College for Creative Studies, Detroit, 2014
 * “Typeface to Interface,” Museum of Modern Art, San Francisco, 2016
 * “California Graphic Design, 1975–95,” Los Angeles County Museum of Art, Los Angeles, 2018
 * “Between the Lines: Typography in LACMA’s Collection,” Los Angeles County Museum of Art, Los Angeles, 2019

Vegantics (talk) 18:23, 4 March 2024 (UTC)


 * In the same vein, I am removing the lists of "additional resources" that lack context.
 * ==Additional online resources==
 * Eye (Website), “Cult of the Ugly,” by Steven Heller, 1993
 * Letter to Emigre Magazine, (PDF) by Gunnar Swanson, 1994
 * 2x4 (Website), “Designer as Author,” by Michael Rock, 1996
 * SpeakUp (Website), Interview with Rudy VanderLans by Armin Vit, 2002.
 * Typotheque (Website), “Context in Critique,” review of Emigre #64, Rant, by Dmitri Siegel, 2004
 * Typotheque (Website), “Rudy VanderLans, editor of Emigre,” interview by David Casacuberta and Rosa Llop, 2004
 * AIGA (Website), “An Interview with Rudy VanderLans: Still Subversive After All These Years,” by Steven Heller, 2004
 * Design Observer (Website), “Emigre: An Ending,” by Rick Poynor, 2005
 * TapeOp (Website), “Rudy VanderLans: Emigre No. 69: The End,” review by John Baccigaluppi, 2008
 * Eye (Website), “The farewell tour syndrome,” book review by Emily King, 2009
 * Communication Arts (Website), “Emigre No.70: The Look Back Issue,” book review by Angelynn Grant, 2009
 * Dwell (Website), "Emigre No.70,” book review by Miyoko Ohtake, 2009
 * Print (Website), “Emigre’s Lucky Number,” by Steven Heller, 2009
 * Print magazine (Website), “Design Couples: Rudy VanderLans and Zuzana Licko," interview by Caitlin Dover, 2010
 * Fast Company (Website), “Type Master: An Interview with Emigre’s Rudy VanderLans," by Alissa Walker, 2010.
 * The Atlantic (Website), "Can the Rule-Breaking Font Designers of Three Decades Ago Still Break Rules?,” by Steven Heller, 2012
 * Plazm Magazine (Website), "In Conversation with Emigre" by Sara Dougher and Joshua Berger, 2013
 * Communication Arts (Website), “Emigre Fonts,” book review by Angelynn Grant, 2016
 * Print (Website), “The Legibility Wars of the ‘80s and ‘90s,” 2016
 * AIGA, Eye on Design (Website), “Emigre Type Foundry Pretty Much Designed the ‘90s—Here’s What it Looked Like,” book review by Angela Riechers, 2016
 * MyFonts (Website), interview with Zuzana Licko by Jan Middendorp, 2016.
 * Fontstand (Website), “Emigre: Time and Time Again,” by Sébastien Morlighem, 2016
 * Klim Type Foundry (Website), “Tilting at windmills,” Rudy vanderLans replies to “Welcome to the infill font foundry,” 2016
 * University of Reading (Website), “Emigre magazine: design, discourse and authorship,” an exhibition curated by Francisca Monteiro and Rick Poynor, 2017
 * Typography & Graphic Communication (Website), "Emigre magazine: design, discourse and authorship,” exhibition, 2017
 * Huffington Post (Website), “One of Today’s Most Popular Fonts Has a Wild Centuries-Long History,” by Maddie Crum, 2017
 * ReadyMag Stories (Website), “Emigre,” by Zhdan Philippov and Vitaly Volk, 2020
 * “Typography and Legibility: An Analysis of Tschichold, Licko, and VanderLans,” (PDF) by Chaney Boyle, 2020
 * MoMA (Website), Emigre Magazine, issues 1-69, permanent collection
 * MoMA (Website), Oakland typeface, permanent collection
 * ==Additional print resources==
 * Bouvet, Michel, East Coast West Coast: Graphistes aux États-unis, Paris, France, Les Éditions Textuel, 2002. Essay on history of Emigre.
 * Dawson, Peter, The Field Guide to Typography: Typefaces in the Urban Landscape, New York, NY, Prestel, 2013. Interview with Rudy VanderLans & Zuzana Licko.
 * Eskilson, Stephen J., Graphic Design: A New History, London, UK, Laurence King Publishing, 2007. Essay on Emigre in chapter on “Postmodern Typography.”
 * Heller, Stephen, ed., Design Literacy: Understanding Graphic Design. New York, NY, Allworth Press with School of Visual Arts, 2014. Essay on Emigre in chapter on "Mass Media.”
 * Lupton, Ellen, Mixing Messages: Graphic Design in Contemporary Culture, New York, NY, Princeton Architectural Press, 1996. Short profile of Emigre and Zuzana Licko's typefaces. Book published in conjunction with exhibit at Cooper-Hewitt National Design Museum.
 * McCarthy, Steven, The Designer as Author, Producer, Activist, Entrepreneur, Curator & Collaborator: New Models for Communicating, Amsterdam, Netherlands, BIS, 2013. Emigre referenced throughout, and short profile of Emigre in chapter on “Typographic Design Authorship.”
 * Meggs, Philip B., ed., A History of Graphic Design, New York, NY, John Wiley & Sons, 1998. Profile of Emigre in chapter on “Pioneers of Digital Graphic Design.”
 * Poynor, Rick, Design Without Boundaries: Visual Communication in Transition, London, UK, Booth-Clibborn Editions, 1998. Emigre referenced in essay “Cult of the Ugly,” and one essay, “Into the Digital Realm,” on Emigre.
 * Poynor, Rick, No More Rules: Graphic Design and Postmodernism, New Haven, CT, Yale University Press, 2003. Emigre referenced throughout.
 * Shaughnessy, Adrian, How to be a Graphic Designer, Without Losing Your Soul, London, UK, Laurence King Publishing, 2005. Interview with Rudy VanderLans.
 * Vegantics (talk) 18:25, 4 March 2024 (UTC)