Talk:Shakespeare's late romances

Note
The tempest is a prime example for the discussion of the use of the fantastical in the romances. The entire plot is seated on one man's ability to control the elements, minds, characters etc. This is ofcourse on of the essentails which Ryan mentions is present in Shakespeare's romances. — Preceding unsigned comment added by 205.214.198.3 (talk • contribs) 20:54, 10 April 2004

New Line
This line: "Much ado about Nothing can also be related to the late romances" was added to the bottom of this page. I fixed up the two typos in it, but it should be mixed into the body of the article, right? I'd do it myself, but I have no idea if the comment is true or not. JayDee 06:06, 25 January 2006 (UTC)

Move discussion in progress
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Assessment
At least C-class now. -- Ssilvers (talk) 22:26, 9 December 2014 (UTC)

Move discussion in progress
There is a move discussion in progress on Talk:Shakespeare's handwriting which affects this page. Please participate on that page and not in this talk page section. Thank you. —RMCD bot 13:36, 24 July 2021 (UTC)