Talk:Silver Age of Comic Books

Further thoughts
I've done a run through tweaking some of the wording and layout to help with the flow and did some minor noodling like adding links and templating a footnote. Seems pretty solid and informative, as far as I'm concerned.

There was just one change I thought of making but it was larger than just adding a word here or rewording there: the whole story of the golf game seems unnecessary (and confusingly worded) and it could be distilled down to a sentence with most of the background told in the footnotes. In fact it might not even need boiling down to a sentence - you could easily trim it out and go with "the success of which prompted rival Marvel Comics to introduce its own superhero team, the Fantastic Four. Timely and Atlas publisher Martin Goodman,a publishing trend-follower aware of the JLA's strong sales,FOOTNOTE WITH QUOTE directed ....". It gets over the important information, flows better and would mean we keep the quote for the curious reader wanting more information. However, as it would be a bigger change I wanted to float it here first.

I have also been keeping an eye open for more sources to help with this and I've found a few from a couple of books which might help on the change from more magical characters to more science based ones (and I know some of this is mentioned in the article but some extra sources can't hurt and it is an important theme):

Our Gods Wear Spandex sees the Silver Age as the emergence of a "clean, sharp and futuristic breed of heroes" page 138 with the emergence of the "science hero," which Moore would use specifically in his later, more Silver Age-influenced work: science hero (start of main chapter on the Silver Age). On power ring (weapon) I used The Science of Superheroes as a source for the revamp of Green Lantern from magical figure to one with a more... scientific origin story (see Science of Superheroes page 83: "Like the Flash, another Golden Age hero revived in the Silver Age of comics, the new Green Lantern was given an entirely new origin, this time based on science, not magic." The Flash changes are discussed on page 117). You can see this theme at Marvel in Stan Lee's repeated use of radiation as a source for his characters super powers. However, the science at both of the Big Two was often faulty (Science of Superheroes page 71. Also note that "Julius Schwartz, the DC comic book editor who served as one of the prime architects of the Silver Age of comics, was a longtime science fiction fan, writer, editor, and agent", which helps underline where e was coming from and how his interests helped shape developments.page 147

Hope that helps. (Emperor (talk) 20:53, 20 February 2009 (UTC))


 * Also if we are looking for a few more paper-based references:


 * You can search the The Silver Age of Comic Book Art at Google Books - the book is mentioned but not directly used.
 * There are a number of chapters in From Krakow to Krypton: Jews and Comic Books, starting page 83
 * There is a long list of references at Comic Books and Comic Strips in the United States Through 2005 which seems to be a big long list of citations so it might be worth searching in it too.


 * Not a comprehensive search but the first two seem to be the ones with the most coverage and might be useful. The third could prove useful for pushing on to FA, when you'll have wanted to try and track down and use the main references for this. (Emperor (talk) 21:08, 20 February 2009 (UTC))
 * I'll try and take a look at those soon. Thanks for the help. - Peregrine Fisher (talk) (contribs) 02:50, 21 February 2009 (UTC)


 * OK I made the edit to the Marvel Comics section I mentioned in the second paragraph above - as I thought the section reads a lot better without a length tangent but I do think the information is worth leaving in but not in the flow of the page. It might be worth using  and  tags (as we already have in the page) which might allow us to use the references in footnotes, which might make everything neater. Anyway have a look over it, revert it if it seems to be going down the wrong road but I definitely think it is worth considering. (Emperor (talk) 04:29, 24 February 2009 (UTC))
 * I update it to ref/note and think it works much better as you can now add a footnote and I feel that is the best option and reads much better. (Emperor (talk) 14:42, 24 February 2009 (UTC))


 * Something else:
 * Peter Sanderson Comics in Context #220: The King of the Silver Age, Quick Stop Entertainment, March 31, 2008
 * I'll keep dropping them in as I find them. (Emperor (talk) 04:53, 21 February 2009 (UTC))


 * Based on the above review, I've removed "silver age" from two of the headers. The other two serve as "bookmarks" to the history section, and I'm not sure that they can be reworded and still remain as concise as they are. - jc37 10:00, 6 March 2009 (UTC)

Copy-edit of lead
This has the makings of a fine article. Please revert anything I've done in the lead that is inappropriate. Inline comments need to be removed/addressed. I had a problem with the paragraph organisation. I toyed with the idea of relocating the bit about the main authors up to the end of the first para, and making the second para entirely about the main feature(s) (character?). Let me know if you sort this out, and I'll have another go, and try to move further into it. Tony  (talk)  16:06, 6 March 2009 (UTC)
 * Wow, thanks for the help. I think I addressed the issues you commented on.  If you're willing to go further, it's very appreciated. - Peregrine Fisher (talk) (contribs) 17:00, 6 March 2009 (UTC)
 * A also reordered the lead per your suggestion. It now goes history/important people, beginning/important individual issues/collecting, and important changes/other publishers/ending. - Peregrine Fisher (talk) (contribs) 17:22, 6 March 2009 (UTC)

The citation of Denny O'Neill and Neal Adams as significant writers and artists within the Silver Age is questionable, especially since the only other people mentioned are Stan Lee and Jack Kirby. O'Neill and Adams are huge figures in the comics world, but they were significant only at the tail end of the Silver Age. Gardner Fox, Edmund Hamilton, John Broome and many others are far more significant than Denny O'Neill during the Silver Age, and their work dwarfs that of O'Neill.

Adams is the same. He did great work in the late 1960s and his influence on later artists was enormous. But he probably put out about 1/10th of the pages of Curt Swan or Steve Ditko or Carmine Infantino or Gil Kane. I don't see how he makes that up no matter how (undeniably) good he was.

If you want to include them in a longer list of fine creators of the Silver Age, fine. But to put each of them in effectively the top spot for DC for the entirety of that era is a joke to anybody who remembers those days.Brainster (talk) 06:37, 12 March 2009 (UTC)
 * Hi, I wrote most of this article. I did it by summarizing reliable sources, without letting my opinion into it (much).  If you have sources for the artists you mention, please add them.  The article is not complete, and there are lots of people who were involved in the Silver Age that aren't mentioned.  Please help out.  Ask here if you have any questions. - Peregrine Fisher (talk) (contribs) 06:46, 12 March 2009 (UTC)
 * Hey Peregrine, sorry if I was a little aggressive with the way I phrased things. I guess it depends on what you mean by sources; I could pull data from the GCD or the DC Indexes to show how many stories Adams and O'Neill were involved in versus, say, Swan or Fox.  I am an expert on the topic at hand, although I understand that at this point in Wikipedia that may be less valuable than a book citation or the like, which is why I did not feel free to edit the article itself but raise these concerns here.  Swan did the vast majority of the Superman stories in the Silver Age.  Ditko created Spiderman and Dr Strange, and did major makeovers for the Hulk and Iron Man. Infantino defined the Silver Age Flash, even if he didn't create him.  Gil Kane had long runs on Green Lantern and the Atom, plus work on Spider-Man and several other features for Marvel. I can provide you with actual story lists by the creators I've mentioned if that would help to make my point.  My argument is not so much with the inclusion of Adams and O'Neill as it is with the current short length of the list of important creators.Brainster (talk) 01:03, 14 May 2009 (UTC)
 * I won't revert any edits you want to make. I would say do a few edits and we can see what we're talking about. - Peregrine Fisher (talk) (contribs) 02:45, 14 May 2009 (UTC)
 * Done. sorry it took so long.Brainster (talk) 07:01, 24 October 2009 (UTC)
 * It seems like listing all those people is better done in the body and not the lead. - Peregrine Fisher (talk) (contribs) 02:13, 25 October 2009 (UTC)
 * Your call. Like I said originally, my objection was mostly focused on the inclusion of O'Neill and Adams in a listing that only included Lee and Kirby otherwise.  —Preceding unsigned comment added by 68.106.248.97 (talk) 05:27, 25 October 2009 (UTC)

Template:ArticleHistory
Since there are 2 GA Reviews - might want to update the top of the article talk page using ArticleHistory. Cheers, Cirt (talk) 23:56, 16 March 2009 (UTC)
 * I thought there was a way to get a bot to do that? BOZ (talk) 03:10, 17 March 2009 (UTC)
 * I think a bot comes along and magically does it. - Peregrine Fisher (talk) (contribs) 03:13, 17 March 2009 (UTC)
 * That's what I thought! But maybe that won't work if the first GA nom isn't mentioned above in the first place; should we add that somehow so the bot can figure it out? BOZ (talk) 03:41, 17 March 2009 (UTC)
 * I did it by hand. Hopefully it's right. - Peregrine Fisher (talk) (contribs) 04:01, 17 March 2009 (UTC)
 * Yup. Cirt (talk) 13:51, 17 March 2009 (UTC)

Improper use of the term "interregnum"
This article is playing off the classical literary periods of Golden Age and Silver Age Latin; it tries to continue this into the article itself by mentioning an "interregnum". This was a period of five days at the beginning of the calendar before new consuls took office. —Preceding unsigned comment added by Cjk121 (talk • contribs) 23:40, 10 May 2010 (UTC)


 * It's also used to describe the period between wars, as well as metaphorically, as used in this article. --Tenebrae (talk) 19:58, 15 November 2010 (UTC)


 * Er, nope, not between wars. Interregnum, literally, is the time in-between governments, and used especially for times of turmoil when no true government or head of state exists. --87.180.222.141 (talk) 03:11, 14 February 2015 (UTC)


 * I stand corrected, partially: It is not the period between wars. However, one definition is, as I noted, "a lapse or pause in a continuous series," as per Merriam-Webster. In that sense, the word is used correctly. --Tenebrae (talk) 03:51, 14 February 2015 (UTC)

Non-RS for "Atomic Age of Comics" claim
This is a copy of my post at Golden Age of Comics, where a similar claim was made usi9ng None of the four ostensible citations that the period between the Golden Age and the Silver Age was called the Atomic Age hold up.

Aside from the fact that no contemporaneous sources use that term -- whereas comics themselves referred to the Golden Age and the Silver Age, for example, no comics sources in the surrounding eras use the term "Atomic Age of Comics" &mdash; these five cites, which include the Overstreet cite footnoted here &mdash; fall short.

I've included all five here to show the severe dearth of reputable, authoritative sources for this claim.


 * The National Association of Comics Art Educators is a dead link to a redlink organization that seems to have been composed primarily of its founder.
 * Archives Hub: "Comic Book Collection", University of the Arts. UK refers to "Atomic Age" of comics in the same breath it refers to the "Marvel Age of Comics", which is a marketing term and not a historical era, severely undermining this source's credibility as a comics authority.
 * Comic Book Predigrees is an amateur site devoted to the comic-book retailing trade, designed to help sell "pedigreed" collections, and not the work of recognized scholars or historians.
 * Christopher, Tom, "Atomic Age Comics", TomChristopher.com, is just a letter-to-the-editor &mdash; one fan's opinion; and re:

that i think 'atomic age of comics' is s stupid name without any specific meaning. I also think the demarcation between golden and silver age is the newer comics code. my memory from the 60s is that it was the Golden (or Silver) Age of Heroic Comics, because thee was little respect for old pre-code, except a few and that seemed to represent different aspects of fandom, but i was pretty young and most of fandom was organized out of science fiction. Did the comics companies create the terms Gold and Silver or just popularize them? i always thought they came from early 1960s fandom. i know we have those designations becase early fandom loved the books they read as kids and that's an ok thing to keep, bt i know as a younger reader going through boxes of old comics a book *without a code* got my attention (still does). i think in retrospect it was the code that marked the change in comics, not the loss o reemergence of superheroes,   sorry for the clumsy editing  — Preceding unsigned comment added by 65.102.112.2 (talk) 15:16, 21 June 2023 (UTC)
 * EDIT by tom christopher. this page was noted on my website stats and i wanted to comment: your writer missed the point


 * Overstreet, Robert M. Official Overstreet Comic Book Price Guide 38th Edition (New York: 2008) p. 1026: While I can't at the moment find my copy of Overstreet, this by itself isn't definitive -- who in Overstreet is making this claim? Is it a scholar or historian, or someone involved in marketing and retail, for whom a trendy name (as real-estate people give to neighborhoods) is a way to help sell something and has nothing to do with scholarly or academic analysis.

The bottom line is that to in essence create a whole new era, the bar is set very high in terms of documentation and widespread general agreement among the field's scholars and historians.

That consensus widely exists for Golden Age and Silver Age. A few scattered mentions by questionable or non-reliable sources is hardly enough documentation to stake a claim for a brand new era. --Tenebrae (talk) 03:25, 27 June 2010 (UTC)


 * RE today's edits: A single price guide using a term that lacks objective provenance in books and professional articles by comics historians isn't really definitive enough to use as the foundation of an encyclopedic claim. The term "Atomic Age of Comics" is not in any sort of standard use like "Golden Age," "Silver Age" and"Bronze Age." --Tenebrae (talk) 15:09, 6 February 2015 (UTC)

Superman enters the Silver Age
It should be mentioned that Superman, most well known superhero of all time, entered the Silver Age with Superman 241 from June 1958, the story was the Superkey to Fort Superman. —Preceding unsigned comment added by 81.173.224.17 (talk) 20:14, 13 September 2010 (UTC)

Underground comix
An IP editor has made some smart and potentially valuable contributions to the section here on underground comix, but it's severaly lengthened a section that should only be a basic introductory paragraph since underground comix has its own article where this material would better fit. This section of Silver Age of Comic Books does need a "main article" link to make this clear. Unless someone else would like to take this on, preferably the original editor, I'll come back to it later. --Tenebrae (talk) 19:55, 15 November 2010 (UTC)
 * Underground Comix doesn't really seem connected to Silver Age as a whole. Partly because it arrived so late, when Silver Age really had started to fade away (so the section might fit better in the "Bronze Age" article), but also because it differed from it in all aspects beside the medium and publishing form - creators, readership, vending venues, surrounding attitudes etc. The different venues and attitudes separating the mainstream and the underground only began to merge around maybe the late 70's- early 80's with the rise of the alternative and independent markets (Elfquest, Cerebus, Love and Rockets etc.). 惑乱 Wakuran (talk) 17:24, 2 March 2013 (UTC)
 * About the time period, the Silver Age is believed to have ended about 1970, while the Underground Comix movement is generally considered to have lasted roughly between the late 60's and early 80's. An attempt to bring the underground sensibilities to a mainstream audience, Comix Book was published between 1974 and 1976. 惑乱 Wakuran (talk) 17:34, 2 March 2013 (UTC)

Suggestion to end Silver Age when most Silver Age writers were gone in 1972
Most of the cited points to end the Silver Age don't provide a good end bracket to encompass that age. Defining the end of an age needs to provide an end or transition from the thematic beginning of that age. The Wikipedia description for the Silver Age was "a period of artistic advancement and commercial success in mainstream American comic books, predominantly those in the superhero genre." Even though the Silver Age starts with DC reinventing their superheroes, the Silver Age is really the Marvel Age. Marvel redefined what superhero comics could be. It was Marvel's more complex characters and plots, spanning multiple issues, which caught the eyes of an older audience and the media. About the only general agreement for the end of the Silver Age is that it happened in the early 1970s.

Looking for an ending point for the Silver Age is largely going to be a matter of looking for a transitional phase for Marvel and then seeing if something similar happened at DC. Stan Lee giving up his writing chores at Marvel represents a good transitional phase. It marks the end of the superhero revolution that Stan co-created and largely wrote. It signals the end of Silver Age writers regularly writing monthly comic books at Marvel. By 1972, a similar transition had also occurred at DC. DC's writing stable had also shifted to a younger group. Batman and Wonder Women were being written by Denny O'Neill, Superman and World's Finest by Elliott S! Maggin, Len Wein on Justice League, Cary Bates on Action Comics, etc. There may have been a few of the older writers left, but the end of 1972 marked a near wholesale changing of the guard. The writers that resurrected and redefined the superhero genre during the Silver Age of comics were largely gone. That marks a nice logical point to declare 1972 as being the end of the Silver Age. Past that point, comics were being written by a new stable of writers. I haven't checked credits for every single Marvel and DC comic (or other publishers), but only found one older writer at DC past 1972 in the dozen titles I looked at (Bob Haney on Brave and the Bold).

It would be many years later before most of the Silver Age artists were gone. John Romita was still drawing Spider-Man. Curt Swan would be doing Superman for a few more years. Jack Kirby was creating new comics at DC. New artists were starting to come in, but the big books were still being drawn by the guys that were working in the Silver Age.

The currently suggested ends for the Silver Age are:

1. 1969 with the last 12 cent comic. The Silver Age didn't start with the advent of 12 cent comics, so it's not the greatest end point. Besides, if comics are going to be grouped by price, why are there no other ages encompassing other price changes?

2. 1971 with Spider-Man #100 and the end of 15 cent comics. The Silver Age started with DC. Should the Age end simply because a Marvel comic hit 100 issues? The end of the Comics Code occurred in the same year and that's a more interesting note to end the Silver Age. The Comics Code helped kill the Golden Age of Comics. In the end, the demise of the Code had little effect on most comics. The end of the Comics Code did bring in a slew of new horror comics, but most were gone within a decade.

3. 1970 when Denny O'Neill and Neal Adams took over Green Lantern and started bringing modern relevancies to comics. It was interesting stuff, but wasn't enough to stop Green Lantern from being cancelled. It wasn't a widely emulated experiment, so it's not a good end point.

4. 1973 when Gwen Stacy was killed in Spider-Man. As I already mentioned, one Marvel comic does not make a whole end to the Silver Age. Besides, the Bronze Age page already usurped that comic as one of its mainstays. http://en.wikipedia.org/wiki/Bronze_Age_of_Comic_Books

The near wholesale replacement of the old generation of comic book writers was a much more significant event to differentiate between the Silver Age and the next. The transition was gradual, but Stan Lee stepping down as a regular scripter marks a good end to the Silver Age because that's when an entire company, Marvel, left its future to a younger generation of writers. DC's transition was more gradual, but no Silver Age writers were working on their flagship titles by the end of 1972. That leaves the Bronze Age of Comics to the next generation of creators. I'm not sure that an external source needs to be cited for this demarcation because there is no universally accepted end point. Unlike many factual events documented in Wikipedia, the end of the Silver Age is less a fact than an idea. From that standpoint, I don't think that there is anything wrong with an online encyclopedia proposing that demarcation.

For the sake of completeness, Mark Quattro suggests 1968 as the end of the Silver Age in this article. http://www.comicartville.com/newages.htm Gagnonrich (talk) 03:50, 12 January 2013 (UTC)


 * Hi, Gagnonrich. I commend your enthusiasm and the effort you've put in. I gather you're a new contributor, with only a three edits in March 2010 and now this one. Whatever the merits of your reasoning above, it's what Wikipedia calls original-research synthesis, where you're reaching a conclusion based on your own analysis. Wikipedia doesn't allow this &mdash; it only allows us to state conclusions reached by authoritative sources.


 * Moreover &mdash; and I say this with great respect toward Ken Quattro's research-oriented articles, which I've cited myself &mdash; the 2004 Quattro article "The New Ages: Rethinking Comic-Book History," is a case of fringe theories, which Wikipedia defines as departing significantly from the mainstream and having little support. The start of the Silver Age as Showcase #4 has been widely accepted by the comics mainstream for decades, and in the eight to nine years since Quattro's article appeared there has been little, if any, support for such new terms he proposes, such as a "Genre Age," a "Code Age," and a 1968-1986 "Neo-Silver Age." We don't include things like this since, as WP:FRINGE states, "[I]f the only statements about a fringe theory come from the inventors or promoters of that theory, then various 'What Wikipedia is not' rules come into play."


 * That said, you've brought attention to the fact that some of what's already here in that section of this article is itself poorly footnoted and in some cases uncited. That does a service, in getting editors to go in and double-check the sourcing and lack thereof. So while your posting itself can't be used as the basis of edits, it's still contributed to the betterment of this article, and as a longtime member of WikiProject Comics, I, for one, thank you, and I know other veteran editors would as well. --Tenebrae (talk) 08:49, 12 January 2013 (UTC)


 * That is why I did not make an entry into the main Wiki article. Maybe, Wikipedia cannot cite Stan Lee's retirement from scripting as an event signalling the end of the Silver Age. Shouldn't that information, along with the fact that a similar change of the guard also gradually occurred at DC, be added to the entry to at least signify that by the end of the Silver Age, whatever that end point is, the majority of the Silver Age writers were no longer writing comics? It at least adds factual background information that is relevant to help differentiate between the creative talent that defined the Silver Age and the new talent at work in the Bronze Age. The citation would be the actual comic books that were published in 1972 since they credit the people that made them. This data does not need to be called the end of the Silver Age.


 * I don't know if it's worth adding another often overlooked innovation that Marvel started: which was expanding comic stories to full issues and continued issues. This allowed more complex plots and stories to be told. When combined with the plot elements that spanned across stories, Marvel eventually started adding footnotes to past issues to help readers find earlier comics that had a bearing on the current ones. Other publishers, at the time, plotted stories the way primetime TV did. All the stories could be tossed in a bin, pulled out and put in any order without it mattering what happened in an earlier tale. With Marvel, the things that happened in earlier issues had a bearing on subsequent ones. The greater attention paid to continuity and references to past tales helped spur the back issue market for older comics. A person could be reading an issue of Spider-Man and see a footnote to something happening in that comic that was based on an event in an earlier issue. That would make a reader interested in picking up that older comic to better understand a past event that impacted what they were currently reading. The back-issue market for comics in the sixties was fairly small and were mostly sold out of second-hand bookstores and a few other outlets. There might be a few adults seeking a nostalgic return to past favorites, but there wasn't a large demand for them. Comics were largely marketed to kids as throw-away items. Kids didn't have the kind of spending power that would support a stand-alone comic book store. That changed as comic readership grew older. The first comic book store opened in 1971 (Golden Age Collectables). That eventually led to direct sales to comic stores. Direct sales eventually led to the advent of the independent publishing market that competed directly with DC and Marvel for talent by offering better rights.

173.3.119.164 (talk) 06:07, 14 January 2013 (UTC)

Golf Game
The golf game mentioned at the end is interesting, but how is it relevant? What happened because these two allegedly played a round together? Did the course of the industry change? Were new characters developed? Were story lines merged? Why does this incident matter to the history of comic books?

2601:183:4103:8370:2D3F:436E:89F0:2D21 (talk) 01:25, 8 May 2016 (UTC)

"Commercial success"?
No evidence is offered for the characterization of the Silver Age as "a period of artistic advancement and commercial success in mainstream American comic books." In particular, I believe it has been established that circulations of the most popular comic books were extremely high during the Golden Age. Is there any evidence that circulations at any time during the Silver Age even approached those of the Golden Age? Of course, "commercial success" is a subjective concept. The "artistic advancement" characterization, though debatable, seems easier to back up.Matt Thorn (talk) 21:32, 4 July 2016 (UTC)

List of First, Last, and Silver Age Comic Books
I was looking for a definitive list of Silver Age comics, and couldn't find one. I searched the Internet and queried the FB group "Comic Book Historians" (6,500 members, including many experts and creators), and didn't get a definitive list, just links to many long articles. So I'm creating one here. Many issues are dead simple, like the first monsters-to-superheroes titles at Marvel. Others are harder to pin down, but I'll give it a shot. If nothing else, it'll spark debate. Clayton Emery, January 9, 2017 — Preceding unsigned comment added by Clayton Emery (talk • contribs) 00:18, 10 January 2017 (UTC)   OK, somebody whacked my changes. Care to talk? CE


 * The initiative is appreciated. I think it would do well if you first familiarized yourself with the Five Pillars of Wikipedia, which lay down the basic core principles of verification, reliable-source citing, and no original research. Facebook Groups or any type of forum where anyone can say anything are disallowed as referenced citations. So are personal research and opinion, and we certainly don't want anything that will "spark debate" — indeed, everything here, as much as humanly possible, should be as concrete and definitive, with well-cited authoritative, independent sourcing. Let's start with that. --Tenebrae (talk) 17:06, 10 January 2017 (UTC)

OK, Five Pillars read. Thanks for your kind words and aid. Much appreciated. Several issues here: 1) I'm not creating anything new, just augmenting an already-existing list of key "Collectible" Silver Age issues. 2) By aggregating the list, I'm not arguing the start-stop of the Silver Age (the argument is endless), simply including a key issue. As an example, I've included "Superman's Pal, Jimmy Olsen 1". 3) The "Collectibility" section is laid out wrong. It's really a Timetable of Key Silver Age Issues.  The fact that Spider-Man 1 is collectible and sold for a million is "so what?"  That can be bumped up to the Legacy section. 4) And the table is sortable, which is dumb. Why would anyone sort on issue numbers of Relevance? It should be in fixed chronological order. Than we can include key issues that MAY OR MAY NOT signal the start-stop of the Silver Age, but are *definitely* key and part of the continuum. 5) The current entries are sparse and uncited. I've cited Superman's Pal Jimmy Olsen at the Grand Comics Database.  I could also cite the issue/magazine itself.  Will this suffice?  Any preferences?  6) As far as controversy, by listing key issues this way, the *only* controversy is whether an issue should be cited at all. For instance, comic historians argue endlessly about Detective 225, first appearance of the Martian Manhunter. Some cite it as the first Silver Age hero because he was original: no Golden Age counterpart. Some historians dismiss him as a "gimmick detective" not a "superhero" and would not cite it, instead using Showcase 4, first Silver Age Flash, as the start. I figure, include both as "key issues" in chronological order, and let people decide for themselves. Plus chronological order shows what begat what. A revamp of (Golden Age) Flash with a new super-science origin, transforming him into the new Silver Age Flash (a different character with the same name) a year later begat the super-science revamp of Golden Age Hawkman into the new Silver Age Hawkman. 7) Most historians agree on key issues. The biggest controversy is where the long-running titles switched over.  Some editor ON THIS VERY PAGE ABOVE says the list needs Superman 146, because that was the first Silver Age Superman, leaving off the Golden Age Superman.  These transitions of Superman and Batman are about the only big controversies.  Everything else is subject to interpretation.  BUT by including key issues - a simple aggregate list - we put them all in one place ****WHICH DOES NOT EXIST ANYWHERE ON THE INTERNET****.  8) So, again, just trying to help without injecting my opinion, and thanks for your kind patience as I fumble along. (I'm pretty good at fumbling, BTW, since I spent 30 years as an award-winning technical writer for business, nuclear industry, and the federal government.)

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Etymology
This is a Compound (linguistics) and has an etymology. Catchpoke (talk) 15:33, 12 July 2021 (UTC)