Talk:Steven Woloshen

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Since his return to filmmaking in 1996, after a hiatus of more than a decade spent working in various capacities in the film industry, Steven Woloshen has been extraordinarily productive, seemingly increasing his output year by year even as he faces the usual obstacles that tend to slow an independent filmmaker’s career (parenthood, the need to earn a living, lack of financing). It’s clear that the years he spent working on film sets and in labs were far from wasted: Woloshen’s work “post-hiatus” is extraordinarily assured compared to his promising films from the 80s, showing enormous progress in aesthetics, graphic technique and understanding of lab processes. (Most of his work now is in 35mm, and often in CinemaScope, an unusual format for this kind of animation.) Since 1999’s Get Happy, it seems, Woloshen has found his rhythm and his method. And happily, following the huge festival success of Ditty Dot Comma (2001) and a subsequent retrospective at the 2002 Ottawa International Animation Festival, his work has been increasingly seen and recognized at festivals, cinematheques and other venues around the world.76.68.205.228 (talk) 17:46, 21 April 2009 (UTC) Chris Gehman

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