Talk:Suite, Op. 14 (Bartók)

This article contains a claim, one part of which is misleading and the other part false: "there is a twelve-tone row in the second movement, which is probably the only one in Bartók's entire oeuvre." First, it is anachronistic to call this a twelve-tone row, since it precedes the formulation of the twelve-tone serial method by many years! Second, twelve-tone rows can be found in other pieces, such as the fourth string quartet and the violin concerto. I do not know the book cited, but either it is mistakenly cited, or it is not a good source.
 * Not my article, but here are my two cents: the fact that it features a twelve-tone doesn't mean it is necessarily dodecaphonic. If you feel the source is unreliable you can try and remove it. If nobody reverts your edit, it probably was a good contribution. Ron Oliver (talk) 16:57, 29 March 2021 (UTC)