Talk:Systaime

Please reorganize
This article needs to be trimmed down so it doesn't include every little work he has done, but should be summarized to the most notable ones and exhibitions. It also needs to be translated better into English and supported by appropriate article links. There shouldn't be subsection headers like Oeuvre. Once it's cleaned up, you can try to resubmit for copyediting. -AngusWOOF (talk) 06:26, 29 March 2014 (UTC)


 * The works section still looks like a copypaste job from his website: http://www.systaime.com/blog/infos/, and should be restructured into

Online Works; Exhibitions; Discography; Filmography (DVD, VHS); Bibliography. Member of Jury stuff doesn't need to be listed. The second lead paragraph detail should go in his bio, and a shortened version of it kept in lead. -AngusWOOF (talk) 17:06, 1 April 2014 (UTC)

Moved to talk page
I removed the following content from the main article as they are just listings of events that Systaime has participated in as a featured act, without regard to notability or significance. Only the works should be included in the main article, although events can be highlighted in the prose to accompany the work. -AngusWOOF (talk) 21:11, 1 April 2014 (UTC)

Audio/Video Lives
2012 2011
 * Sunday Matine, Streamin' Party, Systaime + Miyö Van Stenis, MAC, Contemporary Art Museum, Bogota.
 * A̶ ̶C̶r̶e̶e̶p̶y̶ ̶N̶i̶g̶t̶h̶ ̶L̶i̶g̶h̶t̶ ̶R̶e̶f̶l̶e̶c̶t̶i̶n̶g̶ ̶o̶n̶ ̶Y̶o̶u̶r̶ ̶S̶c̶r̶e̶e̶n̶, Systaime + Miyö Van Stenis, Open Stream Live, Online, Caracas.
 * Hardi que te débouré, Festiv'art, Festival du court métrage, Limoges.
 * Energy Conatus Flux, Systaime + Hector kafka, Open Your Web, Futur en seine, Paris.
 * Synchronicity No. 1, Flux Save the Queen / My SPAMM is Rich, Transnumeriques, Brussels, Belgique.
 * Systaime Vs Sporto Kantes, La Machine du Moulin Rouge, Paris.
 * ThTh/Systaime, Soirées IRL, Paris.
 * Burning Man Night, La Machine du moulin rouge, Paris.
 * Grasscut, La Fourmi, Limoges.

2010
 * Who's Next, Paris.
 * Mars au musées, Villa Arson, Nice.
 * Le Bonbon 1 an, Divan du Monde, Paris.
 * Re: Media, Collectif 12, Mantes la jolie.
 * RADart 3 : Mobile, Paris.
 * La Machine du moulin rouge, Paris.
 * Grolsch Party Swing at the Top, Paris.

2009
 * Premiere partie DJ Cam, Limoges.
 * Btraxx, Nouveau Casino, Paris.

2008
 * Vision'R, Fluides Neuromantiques, Paris.

2007
 * Première partie CharlElie Couture, Bataclan, Paris.
 * Projet 101, Hope in the darkness, Paris.
 * Videoformes, Nuits des arts electroniques,Numerik Soufi avec Loiez Deniel, Clermont-Ferrand.
 * Mal aux pixels, Paris.

2006
 * Citadelles d'arts, Modane.
 * Time is Mine Systaime vs Telemakfilms, Opa, Paris.
 * Vidéoformes, Nuit des arts électroniques, Clermont-Ferrand

2004
 * Cinemacoustic, Paris.

2003
 * Systaime trash Batofar Bato Multimedia, Batofar, Paris.
 * Camping / Ensad / Limoges.
 * Japan is not only Sushi, Point Ephémère, Paris.
 * Finally, Élysée Montmartre, Paris.

2002
 * Jazz à Auxerre, Auxerre.
 * Glaz'art, Paris.

Collective exhibitions
This is a list of the exhibitions that he participated in. Rather than have this in the main article, I suggest that his actual works be listed and then cited by these attendances. It can also be used to beef up his career history.-AngusWOOF (talk) 21:00, 1 April 2014 (UTC)

Solo Exhibitions
2012 2009
 * Win Alert, Cloaque.org, online exhibition.
 * Welcome To Our Futur, Carte, Vecteur interface, Blockhaus DY10, Nantes.
 * Carte blanche à Systaime, Galerie La Vitrine, Limoges.

2004
 * Seoul Net Film Festival Senef, Séoul, Corée.

2001
 * Systaime open Minds, Galerie Ars Longa, Paris.

2000
 * Systaime Love you, Galerie Ars Longa, Paris.

1995/1999
 * Zapping Systaime, Mairie Chaptelat, Haute-Vienne.
 * Gohead Systaime, Mairie Panazol, Haute-Vienne.
 * Boucle Systaime, Galerie Reïs Reï, Limoges.

2013 2012 2011 2010
 * Notacon 10, Cleveland, USA.
 * REMOTE WJ-S APERO/DEMO @ Galerie des Ecluses, Paris.
 * Spamm Cupcake @ PROJECT-ion, on the invitation of Mark Brown, New York City.
 * When analog was peridodical, Z Bar, Berlin.
 * [STREET_TEAM:NYC], Metropolitan Museum of Art, New York.
 * Diamonds, Online Exhibition.
 * La Vanité du Monde, Spamm.arte.tv, Online exhibition.
 * I Bienal de Arte Emergente, El Legado Cinético, Museos Nacionales y el Museo de Arte Contemporáneo, Caracas, Republica Bolivariana de Venezuela.
 * Projet Octopus, Pour une exposition en ligne, Online Exhibition.
 * Gamerz 08, Waaar, Romain Senatore, Aix-en-Provence, France.
 * Tranoi, The Smart_Dress, Olympe75018, Palais de la Bourse, The Design talents exhibition, Paris, France.
 * Lafiac, La Fin d'un Monde, Online Exhibition.
 * Sheroes # 12, The Beaver, Toronto, Ontario, Canada.
 * Camera / Whore, On Main Gallery, Vancouver, Canada.
 * Mashup Film Festival, Futur en Seine, Forum des Images, Paris.
 * Spamm IRL, Transnumeriques, Galeries, Brussels, Belgique.
 * The Internet Pavilion, Bienale d'art de Venise, Italie.
 * Lafiac.com, Paris.
 * Open Internet Speed Show Vol.5, Brussels, Belgique.
 * Open Internet Speed Show Vol.5, Paris.
 * Gamer Festival # 7, Machinima program, curated by Isabelle Arvers, Arcade, Aix-en-Provence.
 * Lafiac.com, Paris.

2005
 * Once upon a night, Tokyo Japon.

2002
 * Copyloft Demo, Paris.

Conférences
2012
 * Open Web Studio 6.4.2012, Boston.
 * "Arts en réseau, supports immatériels, quels enjeux de production et de diffusion ?", Transcultures, Brussels, Belgique.
 * Vernissage et conférences Irl Spamm (Super Modern Art Museum), intervenants : Maurice Benayoun,Margherita Balzerani, Pierre Cornette de Saint-Cyr, Fred Forest, La Cantine, Silicon Sentier, Paris.
 * Spamm Detected : Enlarge your art, (Entre)Ouverture, Palais de Tokyo, Paris.

2011
 * Outils numériques en ligne : de l'appropriation au détournement. Comment nos usages du web réinventent la production d'une culture populaire ?, AADN, Lyon.
 * Regards d'artistes sur les médias sociaux, MCDate, Paris.

2009
 * Wj-s – Wj-Spots # 1, 15 ans de création artistique sur internet, Paris.

2008
 * Image contemporaine et démarche artistique, Ensad, Limoges.

2003
 * Le net-art : proche ou loin du webdesign ?, Webdesign International Festival, Haute-Vienne.

Créations d'événements
2012 2011
 * Open your Web # 3, Conception, coproduction et programmation, Futur en Seine, Le 104, Paris.
 * Open your Web # 2, Conception, coproduction et programmation, Carte blanche à Systaime, MCDate, Paris.
 * Open your Web # 1, Conception, coproduction et programmation, Futur en seine, Le 104, Paris.

2009
 * Kiss my Pixel Party, Conception, production et programmation, Le Péniche Cinema, Paris.

Passages Tv
2012
 * Arte, Tracks, Web footage, Extension du domaine de la toile.
 * Canal +, Spamm, L'œil de Links.

2011
 * Canal +, Spécial Facebook, L'œil de links.
 * Canal +, Jérôme Lefdup présente Systaime, L'œil de links.
 * Lci, Lci est @ Vous.

2010
 * Lci, Lci est @ Vous.
 * Canal +, Les Nouvelles Tribus.
 * Canal +, La Matinale.

2009
 * Canal +, La Matinale.

2008
 * Canal +, Demain le monde.

Oeuvre
I moved this section to the talk page. Although it describes his artistic style, it has so much wordy text such "acrid cogs of the digital mechanics" that seems to be copy pasted from some other writer's review of his work, so that needs to be cited and placed in context. If Borras is the source, then quote that. -AngusWOOF (talk) 21:11, 1 April 2014 (UTC)

Michaël Borras realizes regularly numeric on-line works, videos, remix, mash up, sounds, blogs, gifs, clips and divert (hijack) the social networks. He also realizes works of art, books, DVD, cd, as well as installations and Audio / video performances. Systaime works the internet flow. In every new configuration of the internet "sphere" he decides to investigate the emergent digital cultures, in a didactic way, he elaborates the themes which illustrate the aesthetics of the "bug" and the "glitch", pursuing the acrid cogs of the digital mechanics, the artist makes visible by the gap various strata of a culture of the decomposition. Rather than to undergo, Systaime prefers to steal into flows, to hijack them and to divert confuse them, infesting all the platforms, " pushing at most the limits of this object which we put us between hands "