Talk:Tunnel of Love Express Tour/GA1

GA Review
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Reviewer: Khazar2 (talk · contribs) 03:02, 18 October 2013 (UTC)

Hey Wasted Time R, I'll be glad to take this one. Sorry it's had to wait so long for a review--thanks in advance for your work on it! Comments to follow in the next 1-5 days (hopefully 1!). -- Khazar2 (talk) 03:02, 18 October 2013 (UTC)

Ok, I have some specific comments and initial impressions so far (below). With regard to sourcing, this looks quite good, with just one or two points I've noted, and the coverage seems comprehensive. The biggest recommendations I have early on is that the prose be rewritten at points for neutrality and a more encyclopedic tone.

(moved below)
 * "Max Weinberg and Danny Federici, Garry Tallent and Nils Lofgren, the horn section" -- this clarification comes far enough in the sentence from "band members entered the stage two by two" that I had to look at it a few times to understand what it meant. Maybe move it back to the phrase it's clarifying and set it off with dashes?
 * I've done some rewriting in "The Show" to try to put this in more straightforward, encyclopedic prose, particularly avoiding sentence fragments; let me know if you have any objections to the changes
 * "than on any tour before" -- this refers to just Springsteen's tours, right? Or do you mean tours generally?
 * "The country-influenced rock and serious ballads of the new album were not ideal stage material" -- this opinion should be attributed to an author/authors in-text for neutrality.
 * "wrote of the sparks flying from" -- rewrite per WP:IDIOM

The biggest problem I see with the article in a quick skim is that it feels rather self-consciously prosy at points, in a way that's not compatible with clear and concise encyclopedic writing. A small but extreme example is the odd ellipsis in "now was ... 'Be True'"; I understand that the idea here is to try to create more of an effect for the reader, but it would be better to simply say what happened. I assume the sentence fragments in the Show section are intended to create a similar effect; the constant variation in verb tense in describing the tour's show (sometimes past, sometimes present, occasionally future conditional) probably stems from a similar problem. Other sentences jump out at me that feel more like storytelling/music criticism than straightforward encyclopedic writing:


 * "But his quest to undermine his Born in the U.S.A.-era fame with a more subdued album and smaller-scale tour had ended up in most unexpected fashion"
 * "And so the show's theme was established — an examination of relationships, often of the failed, sour variety, much as the album had been"
 * "Next came Patti Scialfa in a tight mini-skirt,[19] big hair and carrying a bunch of balloons: more foreshadowing"
 * "with immediate audience response sacrificed for what might be a slower but deeper understanding"
 * "Perhaps tame by the standards of Prince or Madonna at the time, but for Springsteen and his audience, a line had been crossed."
 * "A tabloid fever was underway"
 * "Out come Scialfa and two women from backstage, three temptresses for the six assembled men"
 * "Amplified deep breathing." -- (what is this fragment even doing here?)
 * " In tours past, this was a classic moment of Springsteen the relentless showman"
 * New York, New York is tagged as needing disambiguation.

My twin suggestions here are to revise for syntax--preferring straightforward sentences to "prosy" ones--and to attribute many of these opinions more clearly to individual authors/critics. For example, discussion of the show's theme should probably be written as something like "Critic X describes the show's main theme as ..." The Prince/Madonna/Springsteen "line has been crossed" comparison is WP:OR unless attributed to a critic.

But I don't want to start in on a significant rewrite without discussing with you first. Are these changes you're up for making? Let me know your thoughts and we can get down to more detail. And thanks again for all your work on this one! I've never been a Springsteen fan, but this was interesting to read about. -- Khazar2 (talk) 18:30, 19 October 2013 (UTC)


 * Thanks very much for doing the review, and the wait is no problem - it's expected for GA nominations.


 * Yes, I've done it a little differently this time around. The key here is the last thing you wrote.  I was trying to make this interesting.  For why should anyone want to read about a rock tour that happened 25 years ago?  I've gotten over 40 articles to GA and I've reviewed more than that, so I know the expected WP writing style.  But WP articles are often dull as dishwater.  For some topics this may be appropriate but for others, such as ones on popular culture, it really misses the mark.  I can't tell you how many articles I've read on music that fail to capture the spirit or the essence of an artist or a recording or a performance.  And I'm not sure how much of this is comes from real WP guidelines and how much just comes from an expected norm - the "encyclopedic tone" that editors and reviewers keep making reference to.  WP:TONE says "Standards for formal tone vary depending upon the subject matter, but should follow the style used by reliable sources, while remaining clear and understandable."  WP:WIAFA talks about "prose [that] is engaging, even brilliant, and of a professional standard".  Well, there are no professional music writers and no published music sources whose presentation and writing is as dull as what you see in WP.  So in this sense, what I am doing is in accordance with these guidelines.  But am I also doing a bit of WP:IAR as well?  Maybe.


 * Now, I don't mean to sacrifice clarity and if anything is unclear then I am happy to rework it. And if something is completely unsourced, I will source it or remove it.  And it looks like an editing botch or two is in there, such as the "Amplified deep breathing" fragment, which I will take care of.  But things like the 'odd ellipsis' and most of the phrases that you highlight are indeed intentional.  Wasted Time R (talk) 12:41, 20 October 2013 (UTC)
 * I understand where you're coming from, though I don't entirely agree. I found your McGovern article absolutely fascinating, for example, despite its being in standard syntax and formal language. Admittedly, much of this comes down to personal writing philosophy. My personal take is that it's the content that sells the article--the unusual, telling detail, or the wickedly funny quotation from a critic--and the best thing that the prose can do is get out of its way. Efforts to dress up prose can backfire a bit by creating the sense that the author is trying to "sell" an impression rather than the impression organically selling itself, sort of like a comedian laughing hard at her own jokes. (A crude example from when I used to teach creative writing is the way that first-year students would overuse exclamation points. "She opened the door and the murderer was right there with a knife! She ran!" I understand the temptation, but I feel like it hurts more than it helps.) And to be honest, that was my reaction as a reader at some points here; I felt like the most interesting parts of the article were those where you as the editor were most "invisible", such as chronicling different newspaper reactions to Springsteen's affair.
 * All that said, though, I'll make a point in this review to clearly distinguish between what seems to me GA-required and what isn't. I really appreciate all your work on this and will give you whatever slack I can to take it in your own direction. Tone and neutrality overlap, but aren't the same, and syntax is only a problem when it gets into things like switching verb tenses or interferes with clarity. Later today or tomorrow I'll sit down and list some specific action points beyond what I've already mentioned. And if at any point you feel I'm going too far in my suggestions, we can ask for a second opinion from the GAN regulars. Sound good? -- Khazar2 (talk) 13:52, 20 October 2013 (UTC)

Review
Okay, points to consider: I was around and many thought when coming to Stockholm it would be a dark show. Instead he played the 2 best concerts on Swedish ground. Rockring a lot harder than 1985.
 * "reflected the ambivalence of the album" -- as a critical judgement, should be attributed in-text
 * "Max Weinberg and Danny Federici, Garry Tallent and Nils Lofgren, the horn section" -- this clarification comes far enough in the sentence from "band members entered the stage two by two" that I had to look at it a few times to understand what it meant. Maybe move it back to the phrase it's clarifying and set it off with dashes?
 * I've done some rewriting in "The Show" to try to put this in more straightforward, encyclopedic prose, particularly avoiding sentence fragments; let me know if you have any objections to the changes
 * "more foreshadowing." --foreshadowing of what?
 * "than on any tour before" -- this refers to just Springsteen's tours, right? Or do you mean tours generally?
 * "The country-influenced rock and serious ballads of the new album were not ideal stage material" -- this opinion should be attributed to an author/authors in-text for neutrality.
 * "wrote of the sparks flying from" -- rewrite per WP:IDIOM
 * "the show overall more subdued than in the past,[10] with the return to arenas making the show more accessible" -- critical opinion should be attributed in-text
 * "Yet at the same time the stage presentation was more stylized and choreographed than on any tour before" -- attribute in-text
 * "an obscure, lightweight B-side" -- "lightweight" judgement should be attributed in-text
 * "And so the show's theme was established — an examination of relationships, often of the failed, sour variety, much as the album had been" -- discussion of the show and album's themes should be attributed in-text
 * "Theatrics were up throughout:" -- what do you mean by "up"? "Present"? Or that they were at higher-than-normal Springsteen levels?
 * "A tortured rendition of the Biblical "Adam Raised a Cain", sitting on a park bench with Clemons in a long prologue to "All That Heaven Will Allow",[24] the horn section throughout swooping and swaying and doing every bit of stage shtick known to horn sections." -- the inaccurate hyperbole should be cut ("doing every bit of stage shtick known to horn sections"); the "tortured" part should be attributed in-text
 * "with immediate audience response sacrificed for what might be a slower but deeper understanding" -- again wandering into analysis; in-text attribution would be preferable for neutrality
 * "it now served to sum up a set's worth of personal struggles and counter any mistaken notions about the song's patriotic intent." --another spot where the interpretation shouldn't be placed in "Wikipedia's voice"
 * "and unlikely attempts at Roy Orbison's "Crying"" -- "attempts" seems like a clear judgement here; should be attributed in-text
 * "Amplified deep breathing.[26]" -- ???
 * " Perhaps tame by the standards of Prince or Madonna at the time, but for Springsteen and his audience, a line had been crossed." -- interpretation needs in-text attribution
 * "But his quest to undermine his Born in the U.S.A.-era fame with a more subdued album and smaller-scale tour had ended up in most unexpected fashion" -- this commentary should have in-text attribution. If you were not around at the time this means simply that the more subtle tour from the beginning had turned in to the greatest rockshow on earth by the time it hit Europe. And that was because he played stadiums in Europe and had to change the tour.
 * Are http://www.greasylake.org/setlists_lists.php and http://brucebase.wikispaces.com/ reliable sources? The latter seems to be a wiki.
 * I've fixed some of this, but as mentioned above, the verb tenses need to be looked at--no reason to switch between three verb tenses (past, present, conditional future) to describe the standard show. -- Khazar2 (talk) 22:38, 23 October 2013 (UTC)