Talk:Ugo da Carpi

Untitled
To add:
 * Confirm information about the frescoes
 * Attempt to find some information about his life and his training
 * Add more information about his work, his development and the method himself
 * Find out what happened to his technique after him and how it developed; other relevant people he inspired
 * Add details about some of his works
 * Research if there was a formal relationship between Ugo and Parmigiano  — Preceding unsigned comment added by Keh52 (talk • contribs) 21:17, 7 March 2017 (UTC)

Bibliography: Keh52 (talk) 20:18, 21 February 2017 (UTC)
 * Johnson, Jan. " Ugo Di Carpi." Oxford Art Online. Jan 31, 2000. http://www.oxfordartonline.com/subscriber/article/grove/art/T014316?q=ugo+di+carpi+&search=quick&pos=4&_start=1#firsthit
 * Takahatake, Naoko. "Ugo Da Carpi." Print Quarterly 27, no. 3 (2010): 317-21. http://www.jstor.org/stable/43746984.
 * "Ugo da Carpi." National Gallery of Art. http://www.nga.gov/content/ngaweb/Collection/artist-info.3694.html
 * "Ugo da Carpi" "Metropolitan Museum of Art. http://www.metmuseum.org/toah/works-of-art/17.50.1/

Peer Review:

Note: I copyedited your article, but I will also leave more broad suggestions below. Overall, your article was very informative and really great! You're going to have a wonderful final draft! Tsd14 (talk) 17:34, 7 March 2017 (UTC)
 * Really good lead section!
 * I think you may have meant to title the "Bibliography" section as "Biography"
 * "He settled in Rome near Raphael's studio and it is clear in his work that he was influenced by Raphael's style." ...This is a really interesting point, I think you should maybe expand upon it a bit
 * "It was following this first commission that he requested a patent for his technique."...what technique are you talking about? Is it the chiaroscuro technique from earlier in the article or something else? Maybe just clarify a bit here
 * "This is suggested by the engravings' size, ranging from small to quite large"...how small is "small" and how large is "quite large?"
 * "It was originally located in the old Saint Peter's"...are you talking about the Cathedral or something else? Don't assume that your reader will know
 * It's really interesting that Ugo essentially had his own method; I think you should expand upon this in the "style" section
 * Is anything known about Ugo's personal life (i.e. his family, his followers, etc)? If so, maybe add in some information on that
 * You included a picture of "Descent from the Cross," but didn't discuss it in your writing. I would either add in a bit of information on it or include a different image instead.

Response to Peer Review:

Thanks for your comments and edits! Your comments are helpful and cover the whole breadth of the article, which I appreciate. I added more information about his work with Raphael and more information on his style and technique. Unfortunately, I am limited in my responses to some of your comments (size, personal life) because there is not very much information on those issues. I fixed your notes about the biography, specific technique, and Saint Peter's. Keh52 (talk) 19:22, 21 March 2017 (UTC)


 * Comments by Johnbod
 * Obviously a big improvement!
 * You will get a more coherent picture from: Landau, David, and Parshall, Peter. The Renaissance Print, Yale, 1996, ISBN 0300068832 (follow the index)
 * The 2nd sentence is badly messed up.
 * Is the Diogenes really such a stand-out piece in his work?
 * Some of the writing is pretty banal: "There is no comprehensive list of the works that Ugo produced, but Ugo produced numerous works during his life."
 * Linking is not good.
 * Maybe more later. Johnbod (talk) 03:22, 22 March 2017 (UTC)

Response to Johnbod: Thanks for your suggestions and comments. One question: It is unclear to me what you mean when you say "linking is not good." Is this a reference to the links to other Wikipedia articles? Could you give me an example of how I could improve this? Keh52 (talk) 16:49, 7 April 2017 (UTC)
 * Yes. The first three paras have I think 2 links - it should be about 9. They aren't hard to spot. Lots of typos too. Johnbod (talk) 03:17, 8 April 2017 (UTC)

Suggestions: Rickitpower (talk) 03:07, 19 September 2017 (UTC)
 * There seems to be some confusion in the dates. The lead has his active years from 1509-1532 while in the article/sources it shows that he was active from 1502-1532
 * The 2nd sentence in the subsection labeled "Artistic Career" seems to have a citation that doesn't match up with its claim. The sentence "He was most likely self-taught or possibly taught by local painters." seems to have no mention in the source linked and seems to be unfounded.
 * Otherwise, good article. I appreciate the time you have put into it.


 * More comments by Johnbod
 * There was a lack of understanding of basic concepts and terminology in printmaking - eg chiaroscuro woodcut not chiaroscuro, not "wood cut", and not "engraving" either. Johnbod (talk) 00:59, 20 September 2017 (UTC)

Wiki Education Foundation-supported course assignment
This article is or was the subject of a Wiki Education Foundation-supported course assignment. Further details are available on the course page. Student editor(s): Keh52. Peer reviewers: Tsd14.

Above undated message substituted from Template:Dashboard.wikiedu.org assignment by PrimeBOT (talk) 09:20, 18 January 2022 (UTC)