Talk:Virginia Zeani

Will paste in plagiarism momentarily
Placing large tracts of factual information into a WP-published article, without stating the source of that information, amounts to plagiarism even if from a source in the public domain, see Doing Honest Work and WP:VERIFY. The following sections have been present without a single citation for some time. They are saved here to Talk, so that edits can, sentence by sentence, section, be made to return the content to the article, with attribution of the information that is currently plagiarised.

Note, per WP policies, WP:VERIFY, etc., as BLP challenged material, the responsibility falls to the person returning the plagiarised material to provide the sources of the content concomitant with their return of the material to the article—no sources of the material, no return to the article. Le Prof 73.210.155.96 (talk) 19:48, 16 February 2017 (UTC)


 * Here is the material needing sourcing.

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 * Early life

Zeani was born Virginia Zehan in Solovăstru, Romania. She studied first in Bucharest, with Lucia Anghel, then with famed coloratura soprano Lydia Lipkowska. Her singing for the Italian Cultural Society in Bucharest so impressed the Italian ambassador, the consul and the press attaché that they quickly arranged for her to study in Italy, and in March 1947 she traveled to Milan to work with the tenor Aureliano Pertile.


 * Early career in Italy

With no previous stage experience, in May 1948 she made her professional debut in Bologna, deputising at short notice for Margherita Carosio as Violetta in La traviata, and was immediately offered a tour of thirty more performances. Violetta was a role she would sing an estimated 648 times around the world, during her career. Her partner that evening was tenor Arrigo Pola (Alfredo), the voice teacher of Luciano Pavarotti.

Her career was at first primarily focused in Italy, where she sang in many of the regional opera houses. She describes these years as "making the bones", singing many performances of big roles in smaller houses to gain strength and experience.


 * Recognition

In January 1950 she was invited to star in a three-month "tournee", or season, in Cairo and Alexandria in Egypt, singing Violetta, Nedda, Micaëla and most significantly Adina in L'elisir d'amore opposite the great Italian tenor Beniamino Gigli. She was 24, he was 60.

In 1952 came an important step when, again at short notice, conductor Tullio Serafin chose her to replace Maria Callas as Elvira in I puritani in the Teatro Comunale Florence. Soon her growing reputation led to invitations to many of the major opera houses of Europe, and Violetta was her debut role in Vienna and Paris. She made her debut at La Scala, Milan, in 1956, as (Cleopatra) in Handel's Giulio Cesare, opposite Nicola Rossi-Lemeni, whom she married shortly afterwards.

Despite having appeared in several successful tours of Great Britain she had yet to appear at the Royal Opera House, Covent Garden. Her debut eventually came in 1960, once again as an emergency replacement, but this time for the indisposed Joan Sutherland. She recalls arriving at the Royal Opera House at 4pm, after a sleepless night and flights from Vienna via Frankfurt. There was just time for costume fittings and a brief rest before she walked onto the Covent Garden stage for the very first time. She had never before met any of the cast and had to ask "Which one is my Alfredo?" That remarkable performance was broadcast world-wide and has been preserved on disc. Zeani also appeared in Barcelona, Leningrad, Moscow, Philadelphia, Bucharest etc. and eventually in New York's Metropolitan Opera, as Violetta, in 1966.


 * Repertoire

In her early career, she won considerable success in bel canto roles such as Lucia di Lammermoor, Gilda (in Rigoletto), Elvira (in I puritani), and the title role in Linda di Chamounix, and lighter lyric roles such as Massenet's Manon and Marguerite (in Gounod's Faust). As her voice matured she gradually turned to more dramatic roles including Puccini's Manon Lescaut, Madama Butterfly and Tosca, and verismo operas including Fedora and Adriana Lecouvreur. She tackled more Verdi roles including Aida, Desdemona, Elisabetta, Alzira and Lina (in Stiffelio), as well as two Wagnerian heroines, Elsa (in Lohengrin) and Senta (in The Flying Dutchman).

She created the role of Blanche in Poulenc's Dialogues des Carmélites) in the world premiere on 26 January 1957 at La Scala. She was personally chosen for the Italian premiere by the composer, who had heard her as Violetta in Paris. Later she performed his solo masterpiece for soprano La voix humaine in Italian and French.

In 1972, she enjoyed a great successes as Magda in Gian Carlo Menotti's The Consul.

In all, she sang some 69 major roles and only ever cancelled two performances.

... ["Teacher of the Year 2010" image] ...

She sang with many famous colleagues including tenors Beniamino Gigli, Mario Filippeschi, Ferruccio Tagliavini, Carlo Bergonzi, Nicolai Gedda, Alfredo Kraus, Jon Vickers, Luciano Pavarotti, and Plácido Domingo, mezzo-sopranos Giulietta Simionato, Fedora Barbieri, Shirley Verrett, Lili Chookasian, Grace Bumbry, baritones Gino Bechi, Tito Gobbi. Nicolae Herlea and basses Nicola Rossi Lemeni, Boris Christoff, etc. A warm-voiced singer with stunning looks and an affecting stage presence, she made few commercial recordings, but many of her live performances exist as bootleg recordings and YouTube postings.


 * Teaching

Zeani retired from the operatic stage in 1982, but, together with her husband, Nicola Rossi Lemeni, in 1980 began to teach singing at the music school in Indiana University (IU) in Bloomington. The couple were later both honored as "Distinguished Professors". After her husband's death in 1991 she taught at IU for many more years before moving to Florida, where she continues to teach talented young singers. In 2010, having taught for thirty years, she was named "Teacher of the Year" by the magazine Classical Singer.

Amongst Zeani's most famous pupils are Sylvia McNair, Susan Patterson, Angela Brown, Stephen Mark Brown, Elizabeth Futral, Marilyn Mims, Vivica Genaux, Mark Nicolson, Heidi Klassen, James Valenti, Elīna Garanča and Ailyn Pérez.


 * Hi User:Leprof 7272. Thanks for bringing this to the attention of other editors. The history of this article is a bit complicated. I have a feeling that the article started being written in this way first (around 2011) and was then copied onto the official site some time later. One of the main contributors is also the webmaster of the current site and has stated in an edit summary here from 2011 "Expanded the text with more information known to me as a friend and colleague of Virginia Zeani". Be all that as it may, the article needs a complete rewrite. The tone is unencyclopedic and full of "peacock" language and the material is very poorly referenced. I'll see what I can do over the next couple of days. Voceditenore (talk) 08:38, 17 February 2017 (UTC)


 * Let me point the said contributor at WP:COI. --Tagishsimon (talk) 11:45, 17 February 2017 (UTC)