Talk:Yve Lomax

"Bibliography"
Long, unsourced CV/resume-like bibliography moved here per WP:NOTWEBHOST.

Authored Books
Figure, calling (London: Copy Press, Common Intellectual no 11, 2017), ISBN 978-1-909570-04-7.

Pure Means; writing, photographs and an insurrection of being (London: Paraclete, Copy Press, 2013), ISBN 978-0-9553792-9-1.

Passionate Being: Language, Singularity and Perseverance (London and New York: I.B.Tauris, 2010 as of 2018 Bloomsbury Publishers), ISBN 978 1 84885 097 2.

Sounding the Event: Escapades in dialogue and matters of art, nature and time (London and New York: I.B. Tauris, London and New York, 2005), ISBN 1 85043 673 8.

Writing the Image: An adventure with theory and art (London and New York I.B.Tauris, 2000),  ISBN 1 86064 4740.

Chapters, Journals
‘Without Reminder or Residue: example, making use, transposition’, in Transposition: Aesthetico—Epistemic Operators in Artistic Research, ed. Micheal Schwab (Ghent Belguim: Orpheus Institute, Leuven University Press, 2018), ISBN 978 94 6270 1410.

‘Vocation’ in Monica Ross, Ethical Actions: A Critical Fine Art Practice, eds. Susan Hiller and Suzanne Treister, (Berlin: Sternberg Press, 2016), ISBN 978 3 95679 202 1.

‘Michel Tournier, Giorgio Agamben and a Golden Droplet’, Photography and Literature, Photographies, Vol 4, Issue 1, ed. Oliver Richon (Taylor & Francis, 2011),

‘To Become an Author (Necessity)’, The Happy Hypocrite—for and about experimental art writing, Issue 4, ed. Maria Fusco (London: Bookworks, 2009), ISBN 978 1 906012 15 1.

‘To not happen’, parallax, Vol 15, no 4, Eve Kalyva (ed), (Leeds: University of Leeds, 2009),

‘Besides/In a paradigmatic way’, Journal of Visual Arts Practice, ed. Mary Ann Francis (London: Intellect, 2008),

‘To Be an Example’, Artist’s pages, n.paradoxa, Vol 22 (London, 2008),

‘Meanwhile’,Source, issue 54 (Belfast, 2008)

‘Thinking Stillness’, Stillness and Time: Photography and the Moving Image, eds, David Green and Joanna Lowry (Brighton: Photoworks/Photoforum, 2006), ISBN 1 903796 18 0.

‘Folds in the Photograph’, Contamination, Third Text, No.32, (London, 1995),

‘Never/As simple as A,B,C: The Work of Gary Stevens, A Split Second of Paradise: Live Art, Installation and Performance, eds. Nicky Childs and Jeni Walwin (London and New York: Rivers Oram Press, 1998), ISBN 1 85489 099 9.

‘The world is indeed a fabulous tale: Yve Lomax—a practice around photography, Hilary Gresty in dialogue with Yve Lomax’, The Postmodern Arts: An Introduction, ed. Nigel Wheale (London and New York: Routledge, 1995), ISBN 0 415 12611 8. Netherzone (talk) 13:13, 14 September 2022 (UTC)