The Bigelow Theatre

The Bigelow Theatre (also known as Bigelow-Sanford Theater and as Hollywood Half Hour and Marquee Theater in syndication) is an American anthology series originally broadcast on CBS Television and on the DuMont Television Network.

This series is not to be confused with the similarly named The Bigelow Show, a musical variety program which aired on NBC and CBS in the late 1940s.

The series was sponsored by the Bigelow-Sanford Carpet Company.

Broadcast history
The series aired on CBS on Sunday nights at 6pm EST from December 10, 1950, to June 3, 1951. There were no regularly featured actors on The Bigelow Theatre, but guest stars included James Dean, George C. Scott, Raymond Burr, Cesar Romero, Lloyd Bridges, Martin Milner, Gig Young, Ann Dvorak, Ruth Warrick, Gale Storm, and Chico Marx.

After the series ended on CBS because the network was unable to get enough stations to carry it, the show was retitled The Bigelow-Sanford Theatre and aired on DuMont on Thursdays at 10pm EST from September 6 through December 27, 1951. There were 27 episodes on CBS, and 15 on DuMont, however, some of the DuMont episodes were reruns of the CBS series.

Seventeen filmed episodes of the program were leased and run after having been shown originally on The Silver Theatre.

Episode status
Nine episodes are held by the UCLA Film and Television Archive, at least two of which (October 4 and the December 27 finale) aired on DuMont.

One CBS episode from February 11, 1951, "Agent From Scotland Yard", is held by the Library of Congress in the J. Fred MacDonald collection.

Production
The Bigelow Theatre was filmed in Los Angeles at Jerry Fairbanks's studios. Production of episodes used multiple cameras that were "directed and monitored by a control room staff" as was done with live TV, but the cameras' output was recorded on film. Frank Woodruff was the producer and director.

Critical response
Jack Gould, reviewing the premiere episode in The New York Times, deemed it "acceptable". He complimented the work of the actors, led by Victor Jory, and wrote, "the work held interest and did not try to do too much in the limited time." The review's major complaint was about the use of film for the episode, "which was hard to watch in comparison with the quality of the average 'live' show."