The National Anthem (Radiohead song)

"The National Anthem" is a song by the English rock band Radiohead, released on their fourth album, Kid A (2000). The song is set to a repeating bassline, and features horns influenced by jazz.

Recording
Radiohead's singer, Thom Yorke, wrote the "National Anthem" bassline when he was 16. In late 1997, Radiohead recorded drums and bass for the song, intending to develop it as a B-side for their third album, OK Computer (1997). Instead, they saved it for their next album, Kid A (2000).

Radiohead returned to "The National Anthem" in mid-1999 while recording in Gloucestershire. Yorke played bass, and his vocals were processed with a ring modulator. Jonny Greenwood added ondes Martenot and sampled sounds from radio stations. The guitarist Ed O'Brien said: "It's a very ill-disciplined way of recording ... You're adding things to the stew — as well as rejecting things — and then you come back to the song with fresh ears."

In November 1999, Radiohead recorded a brass section inspired by the "organised chaos" of Town Hall Concert by the jazz musician Charles Mingus. Yorke and Greenwood directed the musicians to sound like a "traffic jam". According to Yorke, he jumped up and down so much during his conducting that he broke his foot. Yorke said: "The running joke when we were in the studios was, 'Just blow. Just blow, just blow, just blow.'"

An early demo of "The National Anthem" was included in the special edition of the 2017 OK Computer reissue OKNOTOK 1997 2017.

Composition
Yorke said Radiohead tried to convey the feeling of angry people trapped in a lift or traffic. MTV described the free jazz section as "a brass band marching into a brick wall". Simon Reynolds of Spin wrote that it was "a strange, thrilling blast of kosmik highway music" that combined jazz with the Hawkwind song "Silver Machine" and the Can song "Mother Sky". Cam Lindsey of Exclaim! wrote that the song is a "radical jazz-rock fusion". David Fricke of Rolling Stone called the song "crusty funk".

Reception
Many critics disliked the jazz elements. In his review of Kid A for the New Yorker, the novelist Nick Hornby described "The National Anthem" as "an unpleasant free-jazz workout, with a discordant horn section squalling over a studiedly crude bass line". Mark Beaumont wrote that the "free-form jazz horns" produced a "mingus-in-a-tumble-dryer racket". Lorraine Ali, writing for Newsweek, described the song as "annoying pileup of squawking instruments". Rob Sheffield of Rolling Stone said the horn section "was a cornier-than-usual art-rock cliché, trying way too hard for a way-too-obvious gimmick". Yorke described meeting a fan who told him that he could not understand the horns; Yorke concluded that some listeners did not want to hear such an angry sound on a record.

Adam Downer of Sputnikmusic said that "by the end of the song, you're in awe of such a jam session" and named it a "recommended track". Siobhan Kane of The Irish Times wrote that it "distills Radiohead's worldview, with those guitars and Yorke's evocative voice, all intelligence and deep emotion". Cam Lindsey of Exclaim! cited it as the standout track on Kid A.

Reviewing the demo version released on OKNOTOK 1997 2017, Record Collector wrote that the song "could very easily have resembled the sort of latterday U2 track chosen to soundtrack Goal of the Month reels ... That Radiohead had the self-awareness to sit on it rather than go for the drive-time jugular says so much about their intuitive good taste, and the prolonged success it would bring them."

Live performances
Radiohead has performed "The National Anthem" with a wind section in their 2000 performances in New York City (one of which was at Radiohead's taping for Saturday Night Live), a 2001 performance in London for the BBC's Later with Jools Holland, during a 2001 concert in Paris, and on The Colbert Report in 2011.

Radiohead

 * Colin Greenwood
 * Jonny Greenwood
 * Ed O'Brien
 * Philip Selway
 * Thom Yorke

Additional personnel

 * Nigel Godrich – production, engineering, mixing
 * Gerard Navarro – production assistance, additional engineering
 * Graeme Stewart – additional engineering

Additional musicians

 * Henry Binns – rhythm sampling
 * Andy Bush – trumpet
 * Andy Hamilton – tenor saxophone
 * Steve Hamilton – alto saxophone
 * Stan Harrison – baritone saxophone
 * Martin Hathaway – alto saxophone
 * Liam Kirkman – trombone
 * Mike Kearsey – bass trombone
 * Mark Lockheart – tenor saxophone