The Postman's White Nights

The Postman's White Nights (Белые ночи почтальона Алексея Тряпицына; Belye nochi pochtalona Alekseya Tryapitsyna) is a 2014 Russian drama film directed by Andrei Konchalovsky. The film tells the story of the people of a remote Russian village, whose main contact with the outside world is a postman. All actors in the film are non-professionals, with casting taking place over the course of a year.

It was selected for the In Competition section at the 71st Venice International Film Festival and won the Silver Lion. The film received generally positive reviews from critics. In September 2014, director Konchalovsky withdrew the film from the list of films being considered for the Russian entry for the Academy Award for Best Foreign Language Film. The film was shot on location at the Kenozersky National Park, Arkhangelsk Oblast, Russia.

Cast

 * Aleksey Tryapitsyn as Postman
 * Timur Bondarenko as Timur, Irina's son
 * Irina Ermolova as Irina

Reception
As of 20 September 2020, The Postman's White Nights has an approval rating of 89% on the review aggregator website Rotten Tomatoes, based on 9 reviews, and an average rating of 8.0/10. The film also has a score of 83% on Metacritic, based on 4 reviews, indicating "universal acclaim".

Cine Vue gave the film four stars. The film was reviewed by Variety magazine, which stated that while the likable protagonists and some stunning shots are notable, they do not compensate for its weak spots. "'The setting itself is gorgeous, with its boxy cottages fringed by grassy clearings and woodlands, and the placid surface of the water stretching on for miles. It's a rare pleasure to see a film made with such an elegant compositional eye […] Deep-focus shots of Lyokha at his most pensive, standing on the shores of the lake, are loaded with a sense of place, and of belonging. The same goes for the hypnotic Steadycam sequences of him zooming along in his boat, the sound of the motor quietly giving way to a slow build of electronica composer Eduard Artemyev's stirring ambient score with choral elements.'" "''The Postman's White Nights' is being widely celebrated as a quasi-documentary, marked by a droll sense of humor that illuminates life in a forgotten corner of the world. And it is that, no doubt, but for us it went much further than mere anthropological interest. If it presents an accurate picture of this reality, then it feels like it's a reality that is unstable, so far cut off from the mainstream of life that it has begun to fray into the surreal and the magic at the edges.'"
 * The Hollywood Reporter:
 * Indiewire.com: