The Steve Howe Album

The Steve Howe Album is Yes guitarist Steve Howe's second solo album. It was released in 1979. The album features Yes band members Alan White, Bill Bruford and Patrick Moraz. Also featured is Jethro Tull's former drummer Clive Bunker on percussion on Cactus Boogie. Ronnie Leahy is also featured on keyboards for two songs; he would later play with Jon Anderson on his second solo album, Song of Seven in 1980.

Critical reception
The Globe and Mail wrote that the album "is a nightmare in over-dubs, and despite the fact that Howe's playing ... is technically precise, it has all the passion of a chess match between two computers." AllMusic, on the other hand, said that this "is his most essential recording" and "a culmination of everything Howe represents, every genre of music he loves so dearly, exquisitely played and arranged."

Track listing
All songs written by Steve Howe except where noted.

Side one

 * 1) "Pennants" – 4:35
 * 2) "Cactus Boogie" – 2:00
 * 3) "All's a Chord" – 4:55
 * 4) "Diary of a Man Who Vanished" (Leoš Janáček; arranged by Steve Howe) – 2:35
 * 5) "Look Over Your Shoulder" – 5:00

Side two
1. "Meadow Rag" – 2:40

2. "The Continental" (Con Conrad, Herb Magidson) – 2:50

3. "Surface Tension" – 3:25

4. "Double Rondo" (music by Steve Howe; orchestrated by Andrew Jackman) – 8:12

5. "Concerto in D (Second Movement)" (Vivaldi; arranged by Steve Howe) – 4:50

Personnel

 * Steve Howe – guitars (acoustic, electric, bass, Spanish, Danelectro electric sitar, pedal steel), mandolin, six-string banjo, Moog synthesizer, vocals (3)
 * Claire Hamill – vocals (5)
 * Ronnie Leahy – Korg & ARP synthesizers, Hammond organ (1, 5)
 * Patrick Moraz – piano (3)
 * Alan White – drums (1, 5)
 * Bill Bruford – drums (3)
 * Clive Bunker – percussion (2)
 * Graham Preskett – violin (7)
 * 59 piece classical orchestra arranged and conducted by Andrew Jackman (9)
 * String ensemble (10)

Guitars used on the recording
The inner part of the gatefold album artwork features pictures of the guitars that were used during the recording and a legend to indicate the tracks on which they were played. The photographs of the guitars are credited to Miki Slingsby.