Thomas J. Price

Thomas J Price (born c.1981) is a British sculptor. Reaching Out (2020), Price's first individual full figure representation of a woman, has been shown as part of the art project The Line in the East End of London. Price has also been selected to create an artwork to be unveiled in 2022 commemorating the Windrush generation for Hackney Town Hall.

Price studied at Chelsea College of Art and the Royal College of Art. There have been major exhibitions of his work at the National Portrait Gallery, the Yorkshire Sculpture Park, and The Power Plant Contemporary Art Gallery, Toronto.

Reaching Out
The statue is 9 ft tall and weighs 420 kilograms. "I want this sculpture to be an opportunity for people to connect emotionally with an image of someone they might not have noticed before," Price said.

The sculpture was on Three Mills Green near Stratford, east London.

This was the first statue in the UK of a black woman by a black artist. The Guardian reported that there are only two other statues of black women in the UK.

Price wrote in TIME about the legacy of colonial monuments and the removal of the statue of Edward Colston. Within the article, Price noted "White artists are putting themselves forward to create replacement sculptures of slave owners with no sense of irony. That's a saviour complex, and that exemplifies what is wrong, when even the solution doesn't involve the Black experience."

Moments Contained
In 2023, Price returned to the fictional character depicted in Reaching Out with the statue Moments Contained, which was unveiled at the forecourt of Rotterdam Centraal station in Rotterdam, Netherlands. The statue depicts the unnamed young black woman with her hands in her pockets. Price explained, "You can see the knuckles slightly pressing through the fabric. And I think, there's also this sense of containing oneself. And that potential energy that's there. And the emotion or the psychological tension, that's just ready to emerge from this piece." At the unveiling the statue, the mayor of Rotterdam Ahmed Aboutaleb said he expected it to become the city's most photographed image. "She's not a heroine, a character with an illustrious past. She is the future, our future, and this city is her home."

Not all responses to Moments Contained were positive. Rosanne Hertzberger, writing in NRC, was critical of Moments Contained, describing its subject matter as just "someone ordinary" and that "The group to which she belonged was marginalized and therefore she is now overcompensated." But Marjolijn van der Meijden, project leader at Sculpture International Rotterdam, said, "This is a statue about softness. It doesn't stand on a plinth and isn't an exalted representation of someone exotic. It's just yourself, how you are, not a 'super' version." Public response to the statue was strongly positive and it became an immediate attraction.