User:2-Door/sandbox

https://en.wikipedia.org/wiki/Tyler_Bates

The article I propose to revise is on Tyler Bates, a music producer and composer for movies. His career started in 1993 with a movie called Blue Flame, and since then, he has gone on to be the music producer for large movies such as 300, Dawn of the Dead, The Day the Earth Stood Still, Watchmen, and most recently Guardians of the Galaxy. In 2014, he partnered up with Marilyn Manson to compose and produce his newest album The Pale Emperor. After creating the album, he then went on tour with Manson across the US as well as several other countries.

My revision plans for this article revolve around the process of doing a musical score for a movie, in my case specifically Guardians of the Galaxy. There is no mention in his article about anything involving his process in creating the music, nor anything about his relationship with the people he works for and how it affects his work. Since this is a major part of how he has become one of the more successful people in his line of work, i believe it deserves being mentioned.

http://www.hitfix.com/news/interview-tyler-bates-on-the-relief-of-finishing-the-guardians-of-the-galaxy-score

This article starts off by talking about the close relationship between Tyler and the director James Gunn. it then goes into his process on the early stages of creating the music score since everyone higher up has a different view on what it should be. there is mention of his hardest parts to write, as well as some of the details on his work environment such as the time they had to put in to create this. the article then drifts into his career with Manson and how it was a nice break from writing for movies. since this is an interview, this information is quite reliable. however, there are some added pieces of info that are not from the interview about the past experiences he has had that seem accurate but might require more checking to be positive.

http://www.wearemoviegeeks.com/2014/07/interview-wamg-talks-guardians-galaxy-composer-tyler-bates/

this article covers an interview of Tyler Bates pertaining to the moive Guardians of the Galaxy. Here he talks about the process and steps he took to create the soundtrack as well as the challenges he faced along the way. Since this information was given during an interview, there is going to be a more positive spin on the matters at hand since he cannot state anything too negative if he wants to continue working on future projects. Apart from that, the information given is reliable since it comes right from Tyler himself.

https://www.youtube.com/watch?v=1_t0-F7vldw

this video clip is an interview of Tyler at comic con about creating the score for Guardians of the Galaxy. in this clip he talks about how he created the music around the visual effects and the process he had for creating a few of the songs. he also goes into the things he felt while creating the score for the movie and his relationship with the director, James Gunn. since this is directly from his mouth, the information is as accurate it can possibly be since it is his process.

for the soundtrack information:

http://filmmusicreporter.com/2014/07/16/guardians-of-the-galaxy-deluxe-edition-soundtrack-score-album-details/

Tyler Bates Guardians Article RD

One of Tyler's most recent, and successful movies, was Guardians of the Galaxy. Having worked with James Gunn in the past, Bates had a good idea on how Gunn wanted things done. Before any of the cinematography actually started, Gunn had Bates write several themes prior to shooting so the scene could be matched to the music instead of the score being created to fit the scene. This required a fair bit of cooperation between Bates and Gunn in advance since these scores would not only be the final piece, instead of a temporary filler acting as a place holder, but they also influenced the actual performance of everyone on set. This amount of work and effort required a massive undertaking by both Bates and his team. For 4 months, they clocked upwards of 100 hour work weeks to produce this finished product. After all the work, they had a total of 29 different soundtracks giving a combined total of 64:34 of music. "At least half the cues in the movie have more than 500 tracks of audio," Bates was quoted in an interview with Melinda Newman on HitFix. This was a result of there being orchestral passages that were doubled or tripled, choirs, overdubs, and other instrumentals.


 * remove mention of the super and slither, already stated in first paragraph in article***

(find and add more, polish up, and add in the links/citations/ect.)