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Carlo Valsecchi
Carlo Valsecchi (Brescia, 1965) lives and works in Milan. He is an Italian artist and works entirely analogue with large-format technical cameras. Valsecchi explores the effects of light on architecture and landscape, both natural and artificial. He also teaches at the Accademia di Belle Arti di Bologna.

Exhibitions
He has had a number of exhibitions, national and international, and worked closely with the Swiss publisher, editor, curator Walter Keller for many years. His earlier exhibitions were also held at his Gallery in Zürich, Switzerland.

Solo exhibitions:
Belum, Collezione Maramotti, 2022;Tamen Simul, The Open Box, Milan, 2019; Gasometro Man, Pinacoteca Nazionale di Bologna, Bologna, 2019; Developing the future, Ex Ospedale dei Bastardini, Biennale di Fotografia dell’Industria e del Lavoro, Bologna, 2017; Roberto Coda Zabetta / Carlo Valsecchi, Case Chiuse #01, Garage Soccol, Milan, 2015; Mare Nostrum, Walter Keller Gallery, Zurich, 2013; San Luis, Mart – Museo arte moderna e contemporanea di Trento e Rovereto, Rovereto, 2011.

Group exhibitions:
Civilization: the way we live now, MMCA, Seoul, 2018; UCCA, Beijing, e NGV, Melbourne, 2019; Ceramica, Latte, Macchine e Logistica. Fotografie dell’Emilia-Romagna al lavoro, MAST GALLERY, Bologna, 2016; No Man Nature, Fotografia Europea, Effetto Terra, Palazzo da Mosto, Reggio Emilia, 2015; Industria Oggi/Industry Now, MAST GALLERY, Bologna, 2015; Museo della Merda, Castelbosco, Piacenza, 2015; Landmark: The Fields of Photography, Somerset House, London, 2013; Un libro, una mostra, Galleria Carla Sozzani, Milan, 2013; Un mondo nuovo, UniCredit Art Collection, Milan, 2012; Subverted, Ivorypress, Madrid, 2012; 54th Biennale di Venezia, Italian Pavilion, invited by Norman Foster, Venezia, 2011.