User:Amarie2003/Choose an Article

Article Selection
Please list articles that you're considering for your Wikipedia assignment below. Begin to critique these articles and find relevant sources.

Option 1

 * The Black and White Minstrel Shows
 * I think I would like to add to the legacy category and discuss where the culture of minstrelsy still appears in film media today. This article's content is relevant to the topic, written neutrally, and each claim has a citation. Also, the citations are reliable and the article tackles one of Wikipedia's equity gaps because the article discusses how minstrel shows are seen as racist and offensive.
 * Sources
 * Abate, M. A. (2019). “Do You Want to Build on a Racist Tradition?”: Olaf from Disney’s Frozen and Blackface Minstrelsy. Journal of Popular Culture, 52(5), 1058–1080.
 * Sources
 * Abate, M. A. (2019). “Do You Want to Build on a Racist Tradition?”: Olaf from Disney’s Frozen and Blackface Minstrelsy. Journal of Popular Culture, 52(5), 1058–1080.

'''Abate, M. A. (2019). “The New Millennium Minstrel Show”: Blackface Elements in Seinfeld, Parks and Recreation, and Miranda Sings. JOURNAL OF POPULAR FILM AND TELEVISION, 47(3), 132–151. https://doi.org/10.1080/01956051.2018.1540394 '''

Option 2

 * African-American Representation in Hollywood
 * I think I would like to add information about the representation of African Americans in the Jordan Peele films. This article's content is relevant to the topic, written neutrally, and each claim has a citation. Also, the citations are reliable and the article tackles one of Wikipedia's equity gaps because the article discusses the thoughts, feelings, and experiences of African-Americans who are involved in the industry.
 * Sources
 * Tyree, T. C. M. (2020). African American Representation [Special Issue]. The Howard Journal of Communications, 31 (5), 411–414. https://doi.org/10.1080/10646175.2020.1819918
 * Menzies, A. L., & Ryalls, E. D. (2020). Depicting Black Women, the Politics of Respectability, and HIV in Precious: (Special Issue on African American Representation in Traditional and Digital Media). Howard Journal of Communications, 31 (5), 481–492. https://doi.org/10.1080/10646175.2019.1707134
 * Tyree, T. C. M. (2020). African American Representation [Special Issue]. The Howard Journal of Communications, 31 (5), 411–414. https://doi.org/10.1080/10646175.2020.1819918
 * Menzies, A. L., & Ryalls, E. D. (2020). Depicting Black Women, the Politics of Respectability, and HIV in Precious: (Special Issue on African American Representation in Traditional and Digital Media). Howard Journal of Communications, 31 (5), 481–492. https://doi.org/10.1080/10646175.2019.1707134
 * Menzies, A. L., & Ryalls, E. D. (2020). Depicting Black Women, the Politics of Respectability, and HIV in Precious: (Special Issue on African American Representation in Traditional and Digital Media). Howard Journal of Communications, 31 (5), 481–492. https://doi.org/10.1080/10646175.2019.1707134

Option 3

 * Color-Blind Casting
 * I think I would like to add information about the color-blind casting used in the show Bridgerton and how it failed. This article's content is relevant to the topic, written neutrally, and each claim has a citation. Also, the citations are reliable and the article tackles one of Wikipedia's equity gaps because the article discusses the thoughts, feelings, and experiences of people of color who are involved in the industry.
 * Sources
 * Hopkins, K. (2018). There's No Business Like Show Business: Abandoning Color-Blind Casting and Embracing Color-Conscious Casting in American Theatre. Harvard Journal of Sports and Entertainment Law, 9(2), 131-156.
 * Sources
 * Hopkins, K. (2018). There's No Business Like Show Business: Abandoning Color-Blind Casting and Embracing Color-Conscious Casting in American Theatre. Harvard Journal of Sports and Entertainment Law, 9(2), 131-156.

'''HILLMAN, M. (2013). IN THE LAND OF THE “Color-Blind.” Theatre Bay Area, 38(1), 14–17.'''

Option 4

 * Native Americans in Film
 * I think I would like to add details about the relationship between Native Americans as they were involved and portrayed in the Twilight series. This article's content is relevant to the topic, written neutrally, and each claim has a citation. Also, the citations are reliable and the article tackles one of Wikipedia's equity gaps because the article discusses the thoughts, feelings, and experiences of the Native Americans who are involved in the industry.
 * Sources
 * CROWE, J. (2013). The Twilight of Forks?: The Effect of Social Infrasturcture on Film Tourism and Community Development in Forks, Wa. Journal of Rural Social Sciences, 28(1), 1–25.
 * Sources
 * CROWE, J. (2013). The Twilight of Forks?: The Effect of Social Infrasturcture on Film Tourism and Community Development in Forks, Wa. Journal of Rural Social Sciences, 28(1), 1–25.

'''Mihelich, J. (2001). Smoke or Signals? American Popular Culture and the Challenge to Hegemonic Images of American Indians in Native American Film. Wíčazo Ša Review 16(2), 129-137. doi:10.1353/wic.2001.0029.'''

Option 5

 * White Savior Narrative in Film
 * I think I would like to add more elaboration on how the films that are used as examples fit the white savior narrative. This article's content is relevant to the topic, written neutrally, and each claim has a citation. Also, the citations are reliable and the article tackles one of Wikipedia's equity gaps because the article discusses films that fit this trope and how and why these films fit this trope.
 * Sources
 * Murphy, M. K., & Harris, T. M. (2018). White Innocence and Black Subservience: The Rhetoric of White Heroism in The Help. Howard Journal of Communications, 29 (1), 49–62. https://doi.org/10.1080/10646175.2017.1327378
 * Belcher, C. (2016). There Is No Such Thing as a Post-racial Prison: Neoliberal Multiculturalism and the White Savior Complex on Orange Is the New Black. TELEVISION & NEW MEDIA, 17 (6), 491–503. https://doi.org/10.1177/1527476416647498
 * Murphy, M. K., & Harris, T. M. (2018). White Innocence and Black Subservience: The Rhetoric of White Heroism in The Help. Howard Journal of Communications, 29 (1), 49–62. https://doi.org/10.1080/10646175.2017.1327378
 * Belcher, C. (2016). There Is No Such Thing as a Post-racial Prison: Neoliberal Multiculturalism and the White Savior Complex on Orange Is the New Black. TELEVISION & NEW MEDIA, 17 (6), 491–503. https://doi.org/10.1177/1527476416647498
 * Belcher, C. (2016). There Is No Such Thing as a Post-racial Prison: Neoliberal Multiculturalism and the White Savior Complex on Orange Is the New Black. TELEVISION & NEW MEDIA, 17 (6), 491–503. https://doi.org/10.1177/1527476416647498