User:Amitchell125/sandbox Daniell works

Thistlethwaite (Norfolk Arch.):


 * 1) Church tower and trees (p8)
 * 2) Cottage and trees
 * 3) River scene with cottage and trees (p9)
 * 4) River scene with man fishing from a boat
 * 5) Milbrook
 * 6) Roadside inn (p10)
 * 7) Waterside Drain
 * 8) Flordon Bridge
 * 9) Butter Hills, Norwich
 * 10) Near Norwich
 * 11) Chalk pit (p11)
 * 12) River scene
 * 13) Whitlingham Staithe, looking towards Norwich
 * 14) Landscape with bridge Millgate, Aylsham
 * 15) Bure Bridge, Aylsham (p12)
 * 16) Ronda, Andalusia
 * 17) Gardin in Spain (p13)

Dickes: here

see Beecheno for catalogue

details of paintings Catalogue of drawings by British artists and artists of foreign origin working in Great Britain



[1-46.] Drawings made during the first tour.

1. Larnaka, Cyprus, from the Sea. The town is seen at some distance, built along the shore, with a tall minaret and palm trees 1. and the mountains of Santa Croce and Troodos behind it towards the r. ; in the foreground a small sailing boat. Probably sketched by Daniell on his way from Syria to Smyrna. Water colours on buff-tinted paper ; imp., 9| X 20J in.

2. Two on one mount, imp., viz. : —

(a) Cos, from the Karaboglia Islands. A long view of a barren rocky coast

with purple mountains beyond a gulf ; seen over a tranquil sea. Water colours with pen outlines on buff paper; 4J x 14 in.

(b) The Lycian Coast with the Valley of the Xanthus, from the Sea.

A sketch of hilly coast, broken in the centre by the valley of the Xanthus, with the snowy Massicytus Mountains in the distance. Water colours on buff paper, heightened with white ; 6J X 20 in.

3. Two on one mount, imp., viz. : —

(a) The Islands of Calymnus and Leros. The mountainous coast of Calymnus projecting from the 1., with Leros towards the r., sea in the foreground. Inscribed, Calimno Lero. Water colours with pen outlines on buff paper ; 4J x 14 in.

(&) In the Gulf of Makri. The mouth of the gulf seen from the sea, backed by mountains of the Taurus range, and enclosed by the rocky coast. Dated, Dec. 23 rd, 1841.

Water colours and body colours on buff paper ; 9J X 20£ in.

4. Makri, the ancient Telmessus, looking West. View from a height, looking

across a valley to the rocky hill on which are the ruins of Telmessus; beyond are the bare, rose-coloured hills enclosing r. the waters of the gulf, on which H.M.S. Beacon is seen at anchor. Dated, Maori, January 3, 1842. Water colours with pen outlines on buff paper ; imp., 14 x 20£ in.

5. The Acropolis of Telmessus, looking North East. The acropolis of the ancient town, on its isolated hill, rises toward the 1., a wooded valley between it and steep crags r., in which are rock tombs. In the foreground a road leading down past a tomb 1., which a Turk with a pack horse is passing. Beneath 1. is a glimpse of sea ; beyond, the bare plain enclosed by mountains, with the distant snow of Taurus r.

Water colours and body colours on buff paper ; imp., 13 J x 20J in.

6. Rock Tombs at Telmessus. A wall of cliff, with a view 1. over the plain to distant mountains ; in the face of the cliff a number of rock tombs ; a figure on a path in the 1. foreground.

Pen sketch on buff paper ; imp., 20 J X 14 in.

Compare views of the same tombs in * Eeisen in Lykien,' I., Plates xiv. and xv. ; and in Scharf's ' Lycia' (1847), Plate v.

7. Two on one mount, imp., viz. : —

(a) Monument on the Sea Side of Mount Cragus. A square limestone column, hollowed at the summit, with a small window near the top (Spratt and Forbes, p. 21). A Turk is seated at the foot of the column 1., beyond which the ground slopes in a hollow to the sea, with the mountains rising 1.

Water-colour and pen sketch on buff paper; 10^ x 13 J in.

(b) The Massicytus Mountains, from Pinara. View from high ground, looking east across tbe valley of the Xanthus, glimpses of which are visible in the distance, to the hills with broken gorges rising 1. into snowy peaks. Dated, From Pinara, Jan!/. 5, 1842.

Water-colour and pen sketch on buff paper; 10J X 13£ in.

8. Two on one mount, imp., viz. : —

(a) Valley between Cragus and Anticragus. The valley with its woods

lying in luminous shadow and rising beyond into a bold peak, with further ranges r., coloured by sunset. In the foreground a hut and three figures seated by a tree.

Pen and ink sketch washed with water colours and body colours on buff paper; imp., 10 J x 14 in.

(b) Massicytus Mountains, from Pinara. View from the acropolis of Pinara, the massive wall of which crowns the precipice 1. above the plain of Xanthus, to the distant rosy snows of Massicytus ; in the foreground a turbaned figure.

Pen sketch, washed with water colours and body colours, on buff paper ; 10 x 14 in.

9. Xanthus, from the South, with the Kiosk op Kinik. The river flows into the 1. foreground from under the heights of the ancient town, which occupy the middle distance ; the Kiosk of the modern village of Kinik is under plane-trees on the gentle slope of the bank r. ; on the same bank a horse drinks from the water near a group of women washing clothes ; another group is under a plane farther up the stream ; and in the foreground a woman moves away alone. Pen and pencil sketch on buff paper ; imp., 13f X 20| in.

10. The Valley op the Xanthtjs, looking South, fkom above the ancient City. A vast prospect over the plain to the distant sea. The river winds to the sea from the r., under the ancient town which occupies the centre, the Harpy Tomb standing conspicuous to the r. of the theatre ; in the foreground are rocky elopes, and in the distance fiat-topped hills.

Pen sketch on drab paper ; imp., 14 x 20 in.

Compare similar views in Spratt and Forbes, p. 28 (by Spratt) ; in Scharf's 'Lycia ' ; and in ' Keisen in Lykien,' I., Plate xxm.

11. The 'Horse' Tomb, Xanthus; now in the British Museum. The top of a hill sloping 1., with bushes and scattered stone fragments, among which rises the tomb, showing a frieze of warriors on its sides ; nearer, r., lies the arched top, which had been taken off by the men of Sir Charles Fellows' expedition before removing it to England (Fellows' 'Travels in Asia Minor and Lycia,' 1852, p. 448) ; in the distance, 1., the plain stretches to the sea.

Water colours on drab paper ; imp., 14 X 20 in.

12. View of Xanthus, looking South, from the Eastern Ascent to the Upper

Acropolis. The slopes of the acropolis, with a tall square monument, still standing (' Ktisen in Lykien,' I., Plate xxv.) on the brow of the hill r. Two figures are at the base of the monument, and another stands on the lower ground in the centre near the overthrown ' Horse ' Tomb ; beyond, the plain, and distant flat-topped hills.

Pen sketch on pale buff paper ; imp., 14 x 20| in.

13. Interior of a House at Xanthus. A man in European clothes and a fez (pro- bably Spratt or Forbes) seated reading in the middle of a large room, with roof of rafters, a bed in a wooden recess r., and an open door beyond 1. ; knapsack and broad hat hang at the foot of the bed, and a box lies under the window 1., through which a turbaned figure is visible.

Water colours and pen on pale buff paper ; imp., 13| x 19 J in.

14. The Harpy Tomb, Xanthus. The Harpy Tomb, a tall square monument as it appeared before the reliefs were removed from it, stands towards the r. ; further off 1. another tomb with arched top ; fragments of stone lie around and brushwood beyond, with a turbaned figure r., and in the r. distance a hill.

Water colours on pale buff paper ; imp., 13f X 20£ in.

15. Two on one mount, imp., viz. : —

(a) Interior of a Turkish Cottage at Pinara. Three Europeans (probably Spratt, Forbes and Hoskyn), seated on the floor of a low room, with fire burning 1., and a window and door in the further wall. Two natives stand r. ; one inside and one outside the door. (Spratt & Forbes, p. 6.)

Water colours ; 5f x 10J in.

(b) Junction of the Mangyr Tschai with the Xanthus. The Mangyr

comes down from the r., and joins the Xanthus as it sweeps on in a broad channel towards the 1. The snow-crowned mass of Anticragus bounds the horizon; and lower hills fill the middle distance, sloping down to the Xanthus from the 1.

Water colours and pen on pale buff paper, heightened with white; 10J x 14 in.

16. Source of the Xanthus. The river source bubbles up among rocks, foaming down in a strong stream to the r. Trees hang over it in the foreground, and beyond rises the mountain side. ' The Xanthus is born a full grown river ' (Spratt and Forbes, I. p. 39).

Water colours and pen on buff paper, heightened with white ; imp., 14 x 20J in-

17. Tlos, from the North-East. A rough hill-side with scattered trees sloping 1. into a woody glen, beyond which rises a massive height crowned 1. by the acropolis of Tlos, and descending towards the r. in perpendicular cliffs, honey- combed with rock-tombs. Further r. appears the level plain of the Xanthus, and the snow-capped ridges of Anticragus above Pinara. In the foreground 1. is a man with a mule.

Water colours and pen, on buff paper, heightened with white ; imp., 13£ x 20| in.

Compare the drawing of Tlos, made from an almost identical point, by Miiller, also iu the department (described, infra, under Miilhr, W. J.). Although both sketches were taken in winter, the colouring is very different in the two. A similar view, by Forbes, is lithographed in Spratt and Forbes (I. p. 38), and a photograph of the acropolis and cliffs is reproduced in ' Eeisen in Lykien,' I., Plate xlii.

18. Tlos from the South-West. Tlos rises in the centre on its hill, beyond a

great stretch of level ground, with dark purple ranges in the distance 1., and r. the crowding peaks of Massicytus, flushed with sunset under rosy clouds. Scattered ruins appear on the slopes beneath the acropolis, and broken ivy- covered masses of Roman buildings nearer r.

Water colours, with some pen work, on buff paper ; imp., 14 x 20 in.

19. Two on one mount, imp., viz. : —

(a) Belleuophon Tomb, Tlos. Part of the face of the cliff (described above in No. 18); to the r., a temple tomb cut in the face of the cliff, with pediment supported on tapering square columns; towards the 1. an inscrip- tion, and a low doorway cut in the rock beneath. (Spratt and Forbes, I., p. 34.)

Water-colour and pencil sketch on buff paper; imp., 13g x 10 in.

(6) Pinara. A towering mass of rouk, faced by a precipice, in which numberless tombs are pierced, and crowned with ruins, rising in a ravine, with the sheer heights of Cragus around. (Spratt and Forbes, I., p. 8.) Pen sketch on buff paper ; imp., 6£ X 12£ in.

20. Two on one mount, imp., viz. : —

(a) Pedestal of a Monument at Tlos. A quadrangular pedestal with a bas-relief representing Tlos besieged ; above, a fragment with lower part of a relief of a warrior. (Spratt and Forbes, I., p. 34.)

Water-colour sketch, on buff paper ; 7§ X i2| in.

Casts from the reliefs on this monument are in the British Museum.

(b) Gate of the City of Patara. A gate with three round arches and bushes growing about the top of it; beyond, the plain, with scattered ruins and tombs and a glimpse of the sea between two hills. In the foreground r. a Lycian boy and two sheep.

Water colours and pen on buff paper, heightened with white ; 7| X 14 in.

21. Orahn, the ancient Araxa. A broad hollow, with high bank 1., on which are

the village houses among trees. Beyond, 1. and r., the near and lofty peaks of Taurus. (Spratt and Forbes, I., p. 38.) Unfinished pen sketch on buff paper; imp., 10J x 19§ in.

22. The Harbour of Antiphellus ; with the Island of Castelorizo. View from a height looking down on the little port of Antiphilo, with tombs and remains of the ancient Antiphellus clustered by the shore of a bay, which lies calm under noonday sunshine. A long promontory, enclosing the bay, runs out r., with islands and the harbour of Vathy beyond ; 1. appears the head of another cape, and between them is the island of Castelorizo (Megibte).

Water colours and body colours on buff paper; imp., 12£ x 19§ in.

23. The Valley of Kassabar from Phellus, looking West. View from a height The side of a mountain slopes steeply down towards the 1., with tombs carved in the rock ; at the 1. beneath rises a tower and fortification, and beyond, the plain of Kassabar, with the Dembra winding through it, stretches to distant mountains.

Water colours and body colours, with some pen work, on buff paper ; imp., 13 x 19J in.

24. Eemains of an ancient Christian Cathedral, Kassabar. View from the

interior of the ruin under the central dome, looking north-east, the eastern end r. consisting of a semicircle with tall windows, broken at the top ; under the great northern arch of the dome 1. are two figures. (Spratt and Forbes, L, p. 105.) Peu sketch on buff paper ; 12§ x 19§ in.

25. Portico op a Turkish House at Kassabar. Interior of a long outer corridor of woodwork on the fir^t floor of a house, a raised seat or platform 1., and a view of Kassabar village and mountains beyond. At the end of the corridor, a divan, and near it a Turk and a European, standing above an outer staircase leading up from below, on which are two more figures. The house is that in which the travellers stayed at Kassabar. (Spratt and Forbes, I., p. 88.)

Sepia sketch with pen outlines; atl., 14J x 27 in.

26. The Gorge or the Dembra. A gorge between towering pine-covered precipices under which a torrent streams among scattered boulders ; a small party of horsemen at some distance 1. follow a path which borders the torrent and is lost towards the r. in the winding of the gorge. (Spratt and Forbes, I., p. 123.)

Pen sketch partly washed with sepia on buff paper, heightened with white ; imp., 19§ x 13J in.

27. Myra. View over the plain to the near mountains ; in the centre of the foreground two massive Boman walls form an angle ; close under the mountain towards the 1. is the theatre of Myra, with tombs in the rock-face above it. (Spratt & Forbes. I., p. 132.)

Water colours, body colours, and pen on buff paper; imp., 13^ x 19J in.

28. Theatre of Myra. A field in the foreground, with the remains of the theatre r., its ruined arches opening on the field ; immediately above, the steep wall of the mountain, with numberless rock-tombs in its face. Two figures near the foreground I., and another r.

Water colours, body colours and pen on buff paper ; imp., 13 X 19J in.

29. Ruins of Sura, near Myra. A hillside sloping down to the 1., where there is a glimpse of distant sea, the slope strewn with rocks and ruins, among which is conspicuous a tomb with a hollow chamber, surmounted by an arched, crested monument ; higher up r. is another rock-tomb, and in the foreground r. a great block carved with turban-headed tombstones. Inscribed by Daniell, ^OVPA.

Pen sketch, washed with water colours and body colours on buff paper; imp., 9£ x 14 in.

30. The Plain and Bay of Phineka. A vast prospect from a height, crowned with ruins i f an Hellenic fortress, and sloping suddenly down I. to the shore of the bay, which stretches to the distance r. Beyond the great plain, through which two rivers, the Arycandus and Limyrus, come blue from the 1. into the sea, rises the Solyma range, and in the far distance the snowy ridge of the Pamphylian Taurus.

Water colours and body colours, with some pen-work, on buff paper ; 13 x 19| in.

31. Two on one mount, imp, viz. : —

(a) Bock Tombs at Limyra. A hillside of stratified limestone, with a great

number of tombs excavated along the outcrop of each stratum ; the hill slopes down to the 1., where the plain of Phineka appears, and mountains rising beyond. In the foreground, 1., on rising ground, four natives. (Spratt and Forbes, I, p. 148.)

Pen sketch on buff paper; 10 x 14 in.

Compare the photograph reproduced in ' Beisen in Lykien,' PI. xn.

(b) Summer Dwelling in a 'Jaila' or Upland. A group of trees, between

the stems of which is built a low shed, with roof of boughs, containing three seated figures ; a third figure stands outside, near the foreground ; 1. a wall runs from the trees, with horse tethered near the end of it, and mountains appear in the distance.

Pen sketch on buff paper; 10 X 14 in.

32. Village op Armudly, on the Plain op Phineka. The level plain, with cattle feeding in the foreground, and a Turk standing of a hillock r. ; the scattered buildings of the village, with small mosque and minaret in the centre, appear at a little distance close under the mountains.

Pen over pencil on buff paper ; imp., 9^ x 19| in.

33. Two on one mount, imp., viz. : —

(a) Kaeditsch. A wide view from a height, over a rocky region, descending into a valley, with a stream (the Limyrus ?), beyond which rises a snow- topped mountain range. In the foreground the village of Karditsch, a few huts and sheds.

Pen sketch, slightly washed with water colours and body colours, on buff paper; 10 x 14 in.

(6) Rock Tombs in Lycia. View down a narrow valley, with rock-tombs, mostly arched at the top, clustered up its sides, which rise into precipices r. ; at the end of the valley a great hollow of undulating country, closed by a mountain range. Pen sketch over pencil, on buff paper; 10 x 14 in.

34. Distant View op Acalissus and Edebessus. View from a mountain side over a vast and wild valley, sloping up steeply into precipitous ridges against the sky. Half-way up the slope a few tombs and ruins show the site of Acalissus, and close under the mountain wall, further off, are the remains of Edebessus.

Pencil on buff paper ; imp., 13J x 19£ in.

35. Olympus in Lycia. A narrow river flowing out from the r. foreground into the sea. The ruins of Olympus cover a hill rising 1. above the river at its mouth, and there are other ruins on the low bank r. A road in the 1. foreground follows the stream to the foot of the hill ; a Turk rides along it, and a number of planks lie on the bank.

Pen on buff paper ; imp., 12 X 19J in.

36. Mount Solyma prom Deliktash (Olympus). The sandy shore of a bay, with a vessel lying moored in the shallow water ; r. an isolated steep rock, 1. the ruin- covered hill of Olympus, beyond which, and all along the further shore of the blue bay, rises the range of Solyma, culminating in a snowy peak.

"Water colours and body colours over pencil, on buff paper; imp., 13 X 19|in.

37. The Valley op the Chimera, near Olympus. A wild and rocky ravine, descending steeply from the 1., with the r. side in shadow ; the slopes broken into frequent precipices, with scattered trees.

Water colours and pen, on buff paper ; imp., 20J X 13£ in.

38. The Fire of the Chimera. A mountain side, sloping steeply up from the foreground to a wooded ridge ; some way up the slope a heap of ruins, at the corner of which, 1., shoots out the flame of the Chimsera ; and beneath the ruins a cavity in the rock, in which a Turk is standing, while another sits on the brink. (Spratt and Forbes, I., p. 193.)

Pen, washed with water colours and body colours, on buff paper; imp., 19J X 13£ in.

Compare the two photographs reproduced in ' Eeisen in Lykien,' IL, PI. xvii.

The legendary terror, famous as the Chimsera, which Bellerophon subdued, Virgil's 'flammis armata Chimsera,' is a jet of inflammable gas issuing from a crevice in the rock ; it is now resorted to without fear by both Greeks and Turks, and used for purposes of cooking.

39. The Solyma Kange from the South. Broad sands enclosing a bay r., by the edge of which, near the foreground, are two natives, one seated. At the end of the sands a low range of hills, the site of Phaselis, backed by the towering mountains of Solyma ; two great peaks, with a hollow between them, rising conspicuous in the centre.

Water colours, body colours, and pen on buff paper ; imp., 11 x 19| in.

40. Termessus, looking S.E. View from a height looking down on a plateau covered with the ruins of the city, the theatre being conspicuous at the further edge towards the 1. From the gorges bounding the plateau and overlooking

the city, mountain ranges rising into a bold rocky mass 1., and stretching r. to the plain of Adalia, the long sweep of the coast and the sea.

Water colours and body colours on grey paper, with pen outlines; atl., 19 x 27£ in.

41. Ruins of the Great "Wall in the Pass below Termessus. View from the side

of the pass, on the opposite side of which the mountain, broken into precipices, rises 1. to a great height, and falls r. into a valley which continues the pass at right angles, winding away into the distant hills. The wall, guarded by towers, crosses the pass at the 1. (Spratt and Forbes, I., pp. 231 and 240.)

Pencil, partly washed with water colours on buff paper; imp., 13§ X 19§ in.

42. Stadium op Cibyra. View from the hillside in which the stadium is excavated, looking east over the Cibyratic plain to the mountains, with the lake of Gjolhissar in the distance 1. ; the curved end of the stadium rises r. in tiers of seats, surmounted by a ruined tower. (Spratt and Forbes, I., p. 258.)

Water colours, body colours, and pen on buff paper; imp., 13J X 19J in. Compare the view by Spratt (Spratt and Forbefi, I., p. 260), and the photograph reproduced in • Keisen in Lykien,' II., PI. xxx.

43. Front or the Odeum at Cibyra. A long high wall, with five low arched

doorways in the centre and a square doorway on each side, flanked 1. by another wall, seen in perspective; the whole building is ruined at the top. (Spratt and Forbes, I., p. 257.)

Pencil and pen, slightly washed with Indian ink, on buff paper ; imp., 12£ X 19i in.

Compare the photograph reproduced in 'Keisen in Lykien,' II., PI. xxxi.

44. The Town of Elmaly. Part of an undulating plain, with a group of trees toward the 1., bounded by a low range of hills, on the slopes of which is the town.

Pen, and slight sepia wash on buff paper ; imp., 13§ X 20| in. Compare the photograph reproduced in ' Keisen in Lykien,' II., PI. xxi.

45. Village of Gjombe (Komba). A village with a few square and massive buildings clustered on the top of an isolated hill rising in a valley, with a steep height overhanging it r. and mountain ranges beyond.

Water colours on buff paper ; imp., 13| X 20£ in.

46. A Mountain Pass in Lycia. A pass under high bills r., capped by precipitous crags winding round to the r., with a mountain rising darkly 1., broken into an isolated peak.

Perhaps a view of the Acropolis of Pinara, from the S.W. Water colours and pen ; imp., 9£ x 19| in.

[47-55.] Drawings made during the second tour.

47. Rhodes, from the Sea. The battlemented wall of the harbour, projecting towards the r. in a bastion with a tall fortified tower; behind the wall 1. the roofs and minarets of the town, and r. the open country.

Water colours and body colours on buff paper; imp., 10 X 20| in.

48. Seraidjik. The upper part of a craggy hill, rising in a barren valley among mountains. On the hill are scattered trees, and near the foreground fragments of a wall and other ruins. Dated Sahar-raji, July 4'\ 1842.

Body colours, water colours and pen on buff paper ; imp., 13| X 19£ in.

49. Tschandyr, with Euins, probably of Marmora. A precipitous crag, crowned with ancient fortifications, rising almost sheer in front from a valley in which are rock-tombs 1., and sloping down among trees r. ; beyond, a wide valley rising into conical peaks and opening 1. on the plain of Adalia, washed r. by the blue sea, and bounded by far-off mountains.

Water colours and pen on buff paper; imp., 19| x 13J in.

In Daniell's account of his last tour (Spratt and Forbes, II., p. 13), he says, 'I passed Ihe entire of next day among the ruins, and iu making an upright sketch ; ' doubtless the drawing just described. The ruins were supposed by Daniell to be those of Olbia, but according to Spratt and Forbes, as also Benndorf and Niemann, are probably those of Marmora.

50. Stadium and Theatre of Perge, in Pamphtlia, prom the Fortifications. View from a ruined wall running straight from the 1. foreground to a tower, behind which are the remains of other buildings, and beyond them, at some distance, a low flat-topped hill with a ruin, perhaps of the Gymnasium, at its r. extremity ; the end of a similar hill is visible, r., with the theatre built on its lower slope ; and between this and the foreground is the stadium, in the midst of level fields ; the figures of three natives in the foreground.

Water colours, body colours and pen, on buff paper ; imp., 13 X 19| in. Compare the plan of Perge in Lanckoronski's ' Villes de Pamphylie et de la Pisidie,' tome I., p. 36.

51. Sillyum, in Pamphylia. View from the south-west. The Acropolis, an isolated hill, rises from an undulating foreground, and occupies the whole view, except for a glimpse of mountain-peaks in the 1. distance ; at the top it is broken into precipices, and all up the slope are remains of massive architecture and fortified roads. A native pitcher, a bow and arrows, lie in the foreground, r., at the side of a road, along which a Turk is driving an ox, followed by a boy.

Water colours, body colours, and pen on buff paper ; imp., ] 3J X 19| in.

52. Theatre and Stadium of Selge, in Pisidia, from the South- West. The remains of a Eoman building, with two natives seated, r., in the foreground, looking over a row of square arches and down the length of the stadium to the theatre, built on a slope opposite towards the 1. Below the theatre, in a hollow r., are a row of columns and other scattered ruins ; beyond, the ground gradually rises to distant mountain ridges sharp against the sky.

Body colours and water colours on buff paper ; imp., 13J x 19J in.

This sketch is lithographed in Spratt and Forbes, II., p. 26, where Daniel 1 mentions it as a ' sketch of the first view that struck me. . . I did not finish the outline till nearly four o'clock.'

53. Selge, from below the Theatre, looking South-West. View looking up to the height from which the preceding sketch was made ; a row of Ionic columns stands in the foreground, with a path winding past them to the r., and five natives in single file coming down it from the huts of the modem village, Serhghe or Surk ; to the 1. is level ground, with scattered ruins and trees rising up to the heights which bound the view, their slopes covered with various remains of buildings (Spratt and Forbes, II., p. 27).

Water colours and pen on buff paper ; imp., 12£ x 19J in.

54. Bozboroun, from Selge. View from a height, looking down on a vast square ruin rising in the foreground, 1., above the valley, which stretches away, continually rising to the distance, in a succession of snail-shaped hillocks ; bounding the view, Bozboroun springs sheer from the slope, its steep face darkened by an approaching storm.

Water colours and pencil on buff paper ; imp., 19£ x 13J in.

"On my fourth day," writes Daniell (Spratt and Forbes, II., p. 27), ' I determined to attempt the glories of Boz-boroom ; but I had scarcely begun to colour when the whole effect was changed by a thunderstorm, and huge rolling clouds, not concealing the mountain, but. . . completely changing the effect. . . The rain reached me at two o'clock, just as I was about to complete my foreground.'

55. Aqueduct of Aspendus, in Pamphylia. from the Acropolis. View looking north to the mountains, from which the aqueduct brought water to the city. The slope of the Acropolis occupies the r. foreground, and the ruined aqueduct runs from the r. half way across the middle distance, then turns at right angles and crosses the undulating plain to the foot of the hills ; at the angle, and at the further end, are remains of two towers ; to the 1. is open country, and in the centre foreground is a Turk with his wife and child, moving away.

Water colours, body colours and pen on buff paper; imp., 13£ X 19J in. Compare a similar view in Lanckoronski (II., p. 126), who also gives an elevation of the aqueduct and its towers.

All purchased November, 1872. etches named - for list of works