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Themes
Other than feminism and sexuality, Lee uses a wide range of other themes in her stories. From 1975-80, she began writing gothic science fiction; her first gothic novel “Sabella or the Bloodstone” features themes of loneliness and fear. Lee’s most celebrated story “Elle Est Trois”, which examines the relationship between self-destruction and creativity “has themes of psychosis and sexuality, the subjugation of women, and the persuasive power of myth interwoven through it”. You will see myth again (along with race) in her stories “The Storm Lord”, “Anackire”, and “The White Serpent”. Three unique Horror series were produced by Lee in the 90’s; the first story, The Book of the Damned, features themes of body thievery and shape-shifting. Themes of Homophobia, racism, and sexism are seen in Lee’s sequence The Blood Opera, and The Venus Cycle features themes of love, loss, and revenge. Her collection “Disturbed By Her Song”, features themes of eroticism, despair, isolation, and the pressure of an unforgiving and unwelcoming society. These themes reoccur in her 1976 novel Don’t Bite the Sun where the characters are involved in a very erotic lifestyle and the protagonist experiences despair. Eroticism shows up again in her novel “Death’s Master” which examines the childhood origins of eroticism and the “later conflicts that arise from it”. The sequal to Don’t Bite The Sun, Drinking Sapphire Wine, is thematically similar to her other works, whereas it features themes of Death and renewal, sexuality, and love. The theme of recognition also appears in Drinking Sapphire Wine, where the characters are forced to recognize others and themselves in a world where physical form is so readily alterable.