User:AndrewTeal/sandbox

WP pages to update to update/create references to Halifax Choral Society / The Holy Face
The reference list is for the main HCS page; on this page it also includes the references on all the other pages to which amendments are proposed.

Philip Wilby
Done.

John the Baptist
Updated

Oratorio
Should define the word/genre. At present it includes a list, so The Holy Face should be added to the 21st Century section, until the list itself is eliminated -- it overlaps with the List of oratorios. Not sure I want to do that off my own bat, have instituted a discussion on the Talk page.

List of oratorios -- 21st century
Done

The Holy Face
New page:

The Holy Face ...

Halifax Choral Society
Complete update to the text (change === to == on Mozart and References when using). Keep External Links and Categories. Move Wm Priestley details and reference to his own page. Infobo0x already transferred and use of logo justified in response to telling-off from B-bot, 25th April.

Halifax Choral Society is a choir based in the town of Halifax in the English county of West Yorkshire. It is notable for being the oldest amateur choral society in Britain (and possibly in the world) with an unbroken record of performance.

The idea for the Halifax Choral Society (initially called Halifax Quarterly Choral Society) emerged from a discussion in late 1817 at a dinner party hosted at his home, Crow Trees in Lightcliffe, Halifax, for his musical friends by William Priestley, an eminent local musician, antiquary and literary gentleman. Late in 1817, at a dinner party Priestley discussed the possibility of a permanent choir rather than the gatherings of singers that had presented concerts in the district for many years previously.

The choir has played an important role in the social and musical life of Halifax throughout its life, especially during the many civic and national celebrations which typified Imperial Britain in the nineteenth century. In the twentieth century the choir was able to keep going through the two world wars, and exploited the technology of radio, TV, and the gramophone and its descendants, to reach new audiences.

As well as performing with professional orchestras and top-ranking soloists, it performs with the highest ranking brass bands such as the Black Dyke Band from nearby Queensbury. The choir maintains a friendly rivalry with neighbouring Huddersfield Choral Society. This may be due in part to the Halifax Choral Society interviewing and turning down the young Malcolm Sargent for the post of conductor, and then later seeing Sargent's enormous success as conductor in Huddersfield.

Halifax Choral Society has pioneered music by such composers as Mendelssohn and Haydn. Works have also been commissioned especially for the HCS.

Mozart manuscript
The Choir made headlines when it presented for the first time in modern history the fascinating Mozart orchestration of Handel's Judas Maccabaeus. The score was found in the HCS archives where it had been preserved since the early 1850s, having been presented to HCS by the Choir's founder. The find inspired a TV recording of the first performance, broadcast in the UK and on Trio Arts (part of the Trio TV network) in the USA.

Bicentenary
The Society is preparing for its bicentenary season in 2017-18 with a programme which includes a new oratorio commission, The Holy Face, featuring the story of the life and dramatic death of Halifax's patron saint – John the Baptist, whose head is pictured on the Halifax Coat of Arms. The final concert of the season is to be a reprise of the first of the first: on 9 February 1818, in the Halifax Court House, this was Haydn's The Creation.