User:Andrzejbanas/Dopesmoker

Jerusalem and Dopesmoker were the final albums by the American heavy metal band Sleep. The albums were released in 1999 and 2003 respectively. The music for these albums was written during a four year period when the group was working one a single song that was around an hour in length. Sleep had signed to London Records who financed the album. When recording had finished, London Records were unhappy with the finished product and did not release the groups work when Sleep refused to change it.

The album has been released in various forms after it's completion. It was first released at 52 minute running time by Rise Above/Music Cartel Records under the title Jerusalem in 1999. It was released again in 2003 by Tee Pee Records under the title Dopesmoker with the title track running ten minutes longer. Both versions of the album received very positive reception from music critics who have described it as a high watermark in both the stoner metal and doom metal genres.

Production
After the positive review from the heavy metal press and release on Sleep's Holy Mountain (1992) on Earache Records, the label announced that they would Sleep's follow-up record. Sleep had been touring in Europe with Cathedral and in the United States with Hawkwind in support of their album Sleep's Holy Mountain when the group felt they had to write new material. The new album was going to be an hour long song. This song was written and practiced at sound checks, motel rooms and in friend's houses. Matt Pike said the songwriting process was long and that they were "working on [the song] for like four years. We also had two other songs that were working on that were really long, too—like 15 and 20 minutes. But we never recorded them." Al Cisneros stated that smoking cannabis was important to the song's creative process: "I was really dependant on the space I got into when I was using it, and some of the lyrics are about that...The line, "Drop out of life [with bong in hand]," was kind of a creed at that point." The song was originally known and performed live under the title "Dopesmoker". After their tour, the group began to be interested in a Middle Eastern desert theme which led to Sleep referring to the song "Jerusalem" during later practice sessions.

Sleep were ready to record the album in 1995 but did not record it until 1996 as the band was still signed to Earache Records who they were on contract with. Al Cisneros said that there was "about a year and half of legal wrangling between their managers and lawyers at Earache" and that Earache Records owner Digby Pearson "waited to make the most prime conditions for himself before he let [Sleep's] contract go]" Sleep were in talks with both London Records and Elektra Records to release their next album. They chose to sign to London, as they were promised complete artistic freedom, more money and since the label did not have any metal bands, they felt they would receive special treatment. The members of Sleep were poor, and used the majority of money they received from London Records to cover for the dept they were in at that time.

Dopesmoker was recorded at Record Two. While recording the song, it began to form differently than the band had originally visioned it. Matt Pike stated that the "song was getting slower and slower and then it got weird. We started tripping out and second guessing ourselves." Recording the album was difficult. Pike recalled that "there was so much to memorize for that album, and we had to do it in like three different sections because a reel-to-reel only holds 22 minutes. It was really cool, but it was one of the hardest things I've ever done in in my life." Sleep were in the studio for one month then went home to rehearse and returned for another month. Pike noted that they ended up with two or three different versions of the song.

Release
Within a few weeks of singing with London, the A&R member who was negotiating with Sleep had been transfered and replaced. After sending the finished album to London Records, the label told Slepp that they were not going to release the album in it's current format. London Records had David Sardy attempt to remix the album. Sleep refused to have the album be released in any edited form which lead to a deadlock between London and the band. The members of Sleep have mixed feelings whether the album should have been released in general. Cisneros felt it should not have been released while Pike was content with it's release, saying "We did all the work so why leave it sitting around?"

Four versions of the album have been released. a rare London Records promo disc, a bootleg with cover art by Arik Roper, the Rise Above/Music Cartel Records album and a release by Tee Pee Records. The Rise Above/Music Cartel release was an unauthorized edited version was released in 1999 under the title Jerusalem The Jerusalem album runs at 52 minutes and is a single composition split into six identically named tracks. The version of the album titled Dopesmoker was released on April 22, 2003 by Tee Pee Records on compact disc and vinyl with a 52 minute running time. Cisneros spoke most positvely about the 2003 Dopesmoker release, saying "I don't think the Dopesmoker thing is the exact version that we submitted, but that's the closest one that's come out of the four. If I had to pick a favorite, that would be it." Parts of the song were used in the film The Limits of Control by Jim Jarmusch. Jarmusch stated that he was a fan of Sleep listed them along with Earth and Sunn O))) as an influence for the film stating "I love these kind of visual landscapes they make, and they really inspired things for me for my film The Limits of Control".

Release and reception
Both Dopesmoker and early releases of the album received positive reviews from the music press. In the December 2000 issue of Spin the album was referred to as "brilliant" and as a "stoner touchstone". CMJ New Music Monthly wrote positively about the song, saying that the "monotony rarely becomes tedious, because Al Cisneros and company are unpredictable and sensual in their drug-induced pounding of early Sabbath terrain." Online music database Allmusic gave the Jerusalem album four stars out of five stating that "Either version is worth investigating for adventurous metal enthusiasts, but Dopesmoker is clearly the final and definitive presentation of this work". In 2006, the extreme metal magazine Decibel included the album in their hall of fame of "extreme metal masterpieces".

The album continued to receive praise after the release of Dopesmoker. Eduardo Rivadavia of online music database Allmusic gave the album four and a half stars out of five stating "Dopesmoker is ... an instant doom metal classic — some might even say a masterpiece". The British music magazine Mojo gave the album a rating of 5 out of 5 stars proclaiming that Dopesmoker is "A benchmark by which all that dares call itself stoner rock must surely be judged.." Exclaim! gave Dopesmoker a praised Dopesmoker's production value and noted that the album was "ultimately better version of 1999’s stoner opus Jerusalem."

Track listing
All music written and composed by Sleep.

Jerusalem

 * 1) "Jerusalem" – 9:26
 * 2) "Jerusalem" – 8:26
 * 3) "Jerusalem" – 9:01
 * 4) "Jerusalem" – 10:28
 * 5) "Jerusalem" – 5:45
 * 6) "Jerusalem" – 9:03

Dopesmoker

 * 1) "Dopesmoker" – 63:31
 * 2) "Sonic Titan (live)" – 9:36

Band

 * Al Cisneros – vocals, bass guitar
 * Matt Pike – guitar
 * Chris Hakius – drums

Technical personnel (Jerusalem)

 * Sleep – producer
 * Philp Hayward – assistant engineer
 * Doug Henderson – assistant engineer
 * Fred Kervorkian – editing
 * Adam Muñoz – assistant engineer

Technical personnel (Dopesmoker)

 * Sleep – producer, liner notes
 * Billy Anderson – producer, engineer
 * Mark Keaton – mastering
 * Arik Roper – artwork