User:Angusmclellan/Mac Bethad

Mac Bethad was the son of Findláech mac Ruaidrí. No contemporary source names his mother. Findláech was killed in 1020. According to the Annals of Ulster he was killed by his own people while the Annals of Tigernach say that the sons of his brother Máel Brigte were responsible. One of these sons, Máel Coluim son of Máel Brigte, died in 1029. A second son, Gille Coemgáin, was killed in 1032, burned in a house with fifty of his men. It has been proposed that Gille Coemgáin's death was the doing of Mac Bethad, in revenge for his father's death, or of Máel Coluim son of Cináed, to rid himself of a rival.

It is not clear whether Gruoch's father was a son of King Kenneth II (Cináed mac Maíl Coluim) (d. 1005) or of King Kenneth III (Cináed mac Duib)(d. 997), either is possible chronologically. After Gille Coemgáin's death, Macbeth married his widow and took Lulach as his stepson. Gruoch's brother, or nephew (his name is not recorded), was killed in 1033 by Malcolm II.

Cnut and Donnchad
When Canute the Great came north in 1031 to accept the submission of King Malcolm II, Macbeth too submitted to him: ... Malcolm, king of the Scots, submitted to him, and became his man, with two other kings, Macbeth and Iehmarc ... Some have seen this as a sign of Macbeth's power, others have seen his presence, together with Iehmarc, who may be Echmarcach mac Ragnaill, as proof that Malcolm II was overlord of Moray and of the Kingdom of the Isles. Whatever the true state of affairs in the early 1030s, it seems more probable that Macbeth was subject to the king of Alba, Malcolm II, who died at Glamis, on 25 November, 1034. The Prophecy of Berchan is apparently alone in near contemporary sources in reporting a violent death, calling it a kinslaying. Tigernan's chronicle says only: Máel Coluim son of Cináed, king of Alba, the honour of western Europe, died.

Malcolm II's grandson Duncan (Donnchad mac Crínáin), later King Duncan I, was acclaimed as king of Alba on 30 November, 1034, apparently without opposition. Duncan appears to have been tánaise ríg, the king in waiting, so that far from being an abandonment of tanistry, as has sometimes been argued, his kingship was a vindication of the practice. Previous successions had involved strife between various rígdomna - men of royal blood. Far from being the aged King Duncan of Shakespeare's play, the real King Duncan was a young man in 1034, and even at his death in 1040 his youthfulness is remarked upon.

Due to his youth, Duncan's early reign was apparently uneventful. His later reign, in line with his description as "the man of many sorrows" in the Prophecy of Berchán, was not successful. In 1039, Strathclyde was attacked by the Northumbrians, and a retaliatory raid led by Duncan against Durham in 1040 turned into a disaster. Later that year Duncan led an army into Moray, where he was killed by Macbeth on 15 August 1040 at Pitgaveny (then called Bothnagowan) near Elgin.

High-King of Alba
On Duncan's death, Macbeth became king. No resistance is known at this time, but it would be entirely normal if his reign were not universally accepted. In 1045, Duncan's father Crínán of Dunkeld was killed in a battle between two Scottish armies.

John of Fordun wrote that Duncan's wife fled Scotland, taking her children, including the future kings Malcolm III (Máel Coluim mac Donnchada) and Donald III (Domnall Bán mac Donnchada, or Donalbane) with her. Based on the author's beliefs as to whom Duncan married, various places of exile, Northumbria and Orkney among them, have been proposed. However, the simplest solution is that offered long ago by E. William Robertson: the safest place for Duncan's widow and her children would be with her or Duncan's kin and supporters in Atholl.

After the defeat of Crínán, Macbeth was evidently unchallenged. Marianus Scotus tells how the king made a pilgrimage to Rome in 1050, where, Marianus says, he gave money to the poor as if it were seed.

Karl Hundason
The Orkneyinga Saga says that a dispute between Thorfinn Sigurdsson, Earl of Orkney, and Karl Hundason began when Karl Hundason became "King of Scots" and claimed Caithness. The identity of Karl Hundason, unknown to Scots and Irish sources, has long been a matter of dispute, and it is far from clear that the matter is settled. The most common assumption is that Karl Hundason was an insulting byname (Old Norse for "Churl, son of a Dog") given to Macbeth by his enemies. William Forbes Skene's suggestion that he was Duncan I of Scotland has been revived in recent years. Lastly, the idea that the whole affair is a poetic invention has been raised.

According to the Orkneyinga Saga, in the war which followed, Thorfinn defeated Karl in a sea-battle off Deerness at the east end of the Orkney Mainland. Then Karl's nephew Mutatan or Muddan, appointed to rule Caithness for him, was killed at Thurso by Thorkel the Fosterer. Finally, a great battle on the south side of the Dornoch Firth ended with Karl defeated and fugitive or dead. Thorfinn, the saga says, then marched south through Scotland as far as Fife, burning and plundering as he passed. A later note in the saga claims that Thorfinn won nine Scottish earldoms.

Whoever Karl son of Hundi may have been, it appears that the saga is reporting a local conflict with a Scots ruler of Moray or Ross: [T]he whole narrative is consistent with the idea that the struggle of Thorfinn and Karl is a continuation of that which had been waged since the ninth century by the Orkney earls, notably Sigurd Rognvald's son, Ljot, and Sigurd the Stout, against the princes or mormaers of Moray, Sutherland, Ross, and Argyll, and that, in fine, Malcolm and Karl were mormaers of one of these four provinces.

Final years
In 1052, Macbeth was involved indirectly in the strife in the Kingdom of England between Godwin, Earl of Wessex and Edward the Confessor when he received a number of Norman exiles from England in his court, perhaps becoming the first king of Scots to introduce feudalism to Scotland. In 1054, Edward's Earl of Northumbria, Siward, led a very large invasion of Scotland. The campaign led to a bloody battle in which the Annals of Ulster report 3,000 Scots and 1,500 English dead, which can be taken as meaning very many on both sides, and one of Siward's sons and a son-in-law were among the dead. The result of the invasion was that one Máel Coluim, "son of the king of the Cumbrians" (not to be confused with Máel Coluim mac Donnchada, the future Malcolm III of Scotland) was restored to his throne, i.e., as ruler of the kingdom of Strathclyde. It may be that the events of 1054 are responsible for the idea, which appears in Shakespeare's play, that Malcolm III was put in power by the English.

Macbeth certainly survived the English invasion, for he was defeated and mortally wounded or killed by the future Malcolm III on the north side of the Mounth in 1057, after retreating with his men over the Cairnamounth Pass to take his last stand at the battle at Lumphanan. The Prophecy of Berchán has it that he was wounded and died at Scone, sixty miles to the south, some days later. Macbeth's stepson Lulach mac Gille Coemgáin was installed as king soon after.

Unlike later writers, no near contemporary source remarks on Macbeth as a tyrant. The Duan Albanach, which survives in a form dating to the reign of Malcolm III calls him "Mac Bethad the renowned". The Prophecy of Berchán, a verse history which purports to be a prophecy, describes him as "the generous king of Fortriu", and says: The red, tall, golden-haired one, he will be pleasant to me among them; Scotland will be brimful west and east during the reign of the furious red one.

Life to legend


Macbeth's life, like that of King Duncan I, had progressed far towards legend by the end of the 14th century, when John of Fordun and Andrew of Wyntoun wrote their histories. Hector Boece, Walter Bower, and George Buchanan all contributed to the legend.

The influence of William Shakespeare's Macbeth towers over mere histories, and has made the name of Macbeth infamous. Even his wife has gained some fame along the way, lending her Shakespeare-given title to a short story by Nikolai Leskov and the opera by Dmitri Shostakovich entitled Lady Macbeth of Mtsensk. The historical content of Shakespeare's play is drawn from Raphael Holinshed's Chronicles of England, Scotland, and Ireland, which in turn borrows from Boece's 1527 Scotorum Historiae which flattered the antecedents of Boece's patron, King James V of Scotland.

In modern times, Dorothy Dunnett's novel King Hereafter aims to portray a historical Macbeth, but proposes that Macbeth and his rival and sometime ally Thorfinn of Orkney are one and the same (Thorfinn is his birth name and Macbeth is his baptismal name). John Cargill Thompson's play Macbeth Speaks 1997, a reworking of his earlier Macbeth Speaks, is a monologue delivered by the historical Macbeth, aware of what Shakespeare and posterity have done to him.

Scottish author Nigel Tranter based one of his historical novels on the historical figure (MacBeth the King). Tranter, a recognized expert among modern historians, describes Macbeth as originally the King of Moray, under the rule of Duncan, who fell suspect to Duncan's insecurities, and was attacked. Macbeth joined forces with his half-brother Thorfinn, who was the son of Macbeth's father's second wife, a Norse woman. Duncan was defeated and killed in battle, and Macbeth took the throne. The book mentions various feats during Macbeth's tenure as king, which are based on some fact, such as his support of the celtic catholic church, as opposed to the roman catholic branch which was in charge in England. It mentions his trip to Rome to petition the celtic church to the Pope, and it claims he travelled in his brother's Viking ships, and there was mention in the annuals in Rome of vikings sailing up to the city. Though the two cannot be confirmed accurately. It mentions his defiance of England's claim over the Scottish throne, and that being the reason Macbeth was attacked, and the more English friendly Malcolm III being installed.

The animated television series Gargoyles also included a character based on the historic Macbeth, while retaining elements from Shakespeare's play.