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Charles D. Jennison

New Hampshire-based multi-instrumentalist Charlie Jennison began his jazz career in 1961 playing at rotary clubs and at other local functions while still in junior high school. Moving to New Hampshire from Florida, he formed a jazz combo at the University of New Hampshire from which he graduated in 1969 with a degree in Music Education. Jennison has studied with such major jazz figures as Jerry Bergonzi and Charlie Mariano. The defining moment in Jennison's career came early in his career when he met pianist Tom Gallant, a teacher at the Berklee School of Music and an alumnus of Woody Herman's band. Jennison played with Gallant for more than 30 years. He has also shared the stage or has been in the recording studio with such notable jazz musicians as Dizzy Gillespie, Buddy DeFranco, Alan Dawson, and Marshal Royal. He recalls Gillespie confirming that it was really Jonah Jones, not him, who threw the infamous spitball at Cab Calloway, which led to Gillespie's tumultuous dismissal from Calloway's band.

Jennison has also been on several albums including backing vocalists Kathleen Kolman and Leila Percy, as well as with the World Music group Do'a and trumpet player Clark Terry. In 1999, Jennison released his first album for Maine's Invisible Music label titled Iridescence, which features Jennison's tenor and soprano saxophone skills. In a quartet format, the album's play list is comprised of ten Jennison originals, which run the tempo gamut from ballads to faster paced material. In addition to recording projects and performing in local venues, Jennison currently holds the position of instructor of saxophone at New Hampshire's Phillip Exeter Academy.

Dave Nathan at "All About Jazz"

CD Review

Charlie Jennison's debut album for Maine's Invisible Music Records is a smooth piece of work. "Smooth" not in the sense of the saccharine stuff served up by contemporary jazz players, but smooth as in classy unpretentiousness in the playing. Jennison is an alumnus of the Do'ah Wild Music Ensemble, a New Hampshire group which recorded for Global Pacific label. He has since gravitated to jazz having recorded with singers Kathleen Kolman and Leila Percy, among others. Jennison has also worked with Dizzy Gillespie, Clark Terry and Buddy DeFranco and is on the faculty of New Hampshire's Phillips Exeter Academy. Forsaking standard material for his first album, the play list is made up of ten Jennison originals all in various tempi and style, but which start getting repetitious along the way as ideas get thin. Some of the better pieces include "To You, From Me" which features Jennison on alto with some exciting drum breaks by Ken Clark. Another piece spotlighting Jennison's alto, which sounds like Phil Woods when Woods is in a mellow mood, is the lovely ballad "Georgie," with "My Anne" rivaling "Georgie" for sheer musical attractiveness. The tenor takes over on "Watch Your Step" with Jennison showing some incredible dexterity with daring fingering technique. There's a nice blues with a funky piano solo by Jim Butka and good bass strumming from John Hunter on "Amanda's Blues." Jennison brings out his soprano on "Rain in My Coffee" which has a light Latin beat with more good piano from Jim Butka. But virtually all tunes on this session take the same course. There's an introduction establishing the basic melody structure, followed by some technically compelling fingering after which there's a return to the melody. No matter how good the instrumentalist is - -and Jennison is very good - -unless the original material is superior, it's not going to hold one's attention for a whole sitting. And that is the case here. I have heard Jennison on other albums and he handles standard stuff very well. It would have behooved him to have put a couple of those on this CD. This would have strengthened the credibility of the original material.

Tracks:Tuning In; One for Hope; To you, From Me; Georgie; Watch Your Step; Amanda's Blues; My Anne; Rain in My Coffee; Stone House Bossa; Mezomorphous

Personnel: Charlie Jennison - Alto, Soprano and Tenor Saxophones; Jim Butka - Piano; John Hunter - Bass; Ken Clark - Drums

Style: Straight-Ahead/Mainstream/Bop/Hard Bop/Cool Published: August 01, 2000