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‘actor-network theory’ ‘corpus stylistics’ ‘crowd sourcing’ ‘cultural analytics’ ‘database aesthetics’ ‘Deformance and Interpretation’ http://www2.iath.virginia.edu/jjm2f/old/deform.html Lisa Samuels and Jerome McGann, in their article “Deformance and Interpretation,” take a seemingly whimsical fragment written by Emily Dickinson and read it at face value, asking how a reader can “release or expose the poem’s possibilities of meaning” and show language as “an interactive medium.” Poems, they claim, citing Shelley, lose their “vital force when they succumb to familiarization.” They imagine instead unfamiliar deformations of literature that offer “a highly regulated method for disordering the sense of a text.” In so doing, they posit that the practice of “performative” critical models provides an important “anti-theoretical” interpretation not available to traditional interpretative criticism. ‘distant reading’ ‘eleventh campuses’ ‘Every IP’ ‘history-flow’ vizualisations ‘media richness theory’ ‘quantitative stylistics’ ‘specific intellectual’ ‘tag clouds’ ‘the computationally unknown’ ‘wall of images’ 4Humanities Abstract Expressionism Bauhaus close reading 2.0 codework codex cognate Collex environment computational linguistics concordances corpora-scale text Critical Art Ensemble cyberlibertarian cyberlibertarian cybernetics cyborg data mining Early Modern tablets encoding equivocated ex nihilo folk-sonomic tags Frankfurt School global village hacktivist HASTAC hermeneutical HyperPo inchoately information theory langue metadata Mezangelle cyber-poetic mind share New Typography Pocket Full of Memories (art installation) poststructuralist pragmatics of ‘tactics’ (de Certeau) Schriftlichkeitsgesshichte SEASR Analytics for Zotero Situationist détournement social computing Software Studies Initiative Stanford Literary Lab supervening TAPoR topoi vaporware Voice of the Shuttle (website) Voyeur Web 2.0 Z-line of development