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Lester Sill (January 13, 1918 – October 31, 1994) was a United States record label executive who rose to become the president of Screen Gems-Columbia Music, a director at ASCAP and president for Jobete Music (Motown Records publishing division). He is best known as the producer and music supervisor for The Monkees, and the cofounder of Philles Records in 1961.

As an independent producer in the 1950s, Sill was a moving force behind Hadda Brooks and B. B. King. He formed independent labels and publishing companies around composers like Jerry Leiber and Mike Stoller, Lee Hazlewood and Phil Spector. Rostered artists included Duane Eddy, The Coasters, The Paris Sisters, and The Crystals. Sill's productions often included musicians that went on to become the Wall of Sound, and The Wrecking Crew.

Early life and family
Sill was a dental technician who became a combat engineer in the Army because his papers said he knew about “dentures and bridges.” After serving with the 33rd Replacement Battalion in Casablanca during World War II, he was discharged from the Army in 1945 and left Philadelphia, moving to California to stay with his mother at the beach. Upon arrival, he met four year old Chuck (muddy and scared that he was in trouble), and upon entering his mother's home, he met Chuck's mother Harriet, his future wife. He opened Cotton’s Club on Western Avenue and 35th, with Harriet’s brother, Cotton's Club ran afoul of the authorities and was closed for after hours drinking. Sill took some door to door sales positions which he did not enjoy, until he met Lester Bahari of Modern Records in 1946. He soon found himself working in the record store and was offered a distribution route covering the Fresno to San Diego territory, selling R&B and rock and roll genre records to stores and refreshing jukebox inventory. On his route, he noticed that he was driving by several radio stations and began befriending disc-jockeys, Sunday radio spins helped with his Monday sales.

"We pulled up to the Sill's house and got out of the car, and were greeted by the entire family; Lester, his wife, Harriet, their four sons (their youngest, Lonnie, was close to the age of my daughters), their female collie, and six adorable, purebred tricolor collies. The puppies were so adorable that by the end of the evening we agreed to adopt one of them. To keep our new puppy's name consistent with the names of his litter-mates (all began with 'Mac') we decided to call him Macduff. All of the Sills except Harriet would attain success in Hollywood as part of the Sill/Kaye music publishing and music supervision dynasty, now in its third generation. Harriet achieved her own success as the matriarch and fighting tigress of the Sill family. You did not want to mess with a Sill or with Chuck Kay, Harriet's son from a previous marriage."

Sill's three sons became music publishers and music supervisors in film and television, Joel Sill, Greg Sill, and Lonnie Sill. His stepson Chuck Kaye a longtime music publishing executive, his grandson, Alex Sill, is a jazz guitarist with the Simon Phillips band. The film, Ratking (2022) has earned critical acclaim, starring Sill's granddaughter Natasha Sill.

Career
Sill first entered show business as a nightclub owner, but in 1945, he joined the sales and promotion staff of the Bihari brothers' Modern Records, first as a regional sales manager and then producing sessions for R&B acts including Charles Brown and Hadda Brooks. Sill shepherded the fledgling career of the songwriting team of Jerry Leiber and Mike Stoller. In 1950, Sill met Leiber at Modern Records, where the aspiring lyricist worked as a retail clerk and suggested he find a partner who could read and write music, spurring the beginning of Leiber's collaboration with Mike Stoller. Sill produced the 1951 Jimmy Witherspoon effort "Real Ugly Woman", the first recorded Leiber and Stoller collaboration.

Spark Records
Sill and Federal Records producer/talent scout Ralph Bass formed a PR agency, Brisk Enterprises, and following the success of the Leiber and Stoller hit "Hound Dog", performed by Big Mama Thornton, Sill partnered with the duo to create Spark Records, and the publishing firm, Quintet Music, Inc. in 1953. Spark enjoyed success with The Robins' "Riot in Cell Block #9". In 1955, after the release of "Smokey Joe's Café", Spark sold its catalog to Atlantic Records, which in turn named Sill its national sales manager while giving Leiber and Stoller an independent production deal. The deal signaled the end of The Robins, members Carl Gardner and Bobby Nunn continued on as The Coasters, with Sill serving as their manager.

Jamie Records
Sill's partner, Lee Hazlewood brought in a young Duane Eddy and began writing songs with him, Sill had also recently partnered with Dick Clark in Jamie Records. Eddy's first song, "Movin' and Groovin" was a moderate success. With the help of Clark's, American Bandstand television show, his next release, "RebelRouser" earned a #6 on the Billboard 100. "Duane Eddy, Lee Hazlewood, Dick Clark, and Jamie Records together comprised one of the greatest hit-producing machines in rock'n'roll history. Eddy performed fifteen of his first sixteen Jamie releases on Clark's national TV show, and the guitarist's first eighteen releases for the label appeared on the Billboard's Hot 100. Beginning with 'Rebel-'Rouser' in 1958, Eddy remained on Billboard's Hot 100 for an almost uninterrupted three-year period."

Trey Records
In late 1959, Sill and Hazlewood formed Trey Records, a Hollywood-based imprint distributed by Atlantic. Trey Records signings included Phil Spector, fresh off the success of his group The Teddy Bears', chart-topping pop classic, "To Know Him Is to Love Him". Sill allowed Spector to live in his Sherman Oaks home, sharing a room with Joel Sill. Spector worked as an apprentice to Leiber and Stoller, as a studio musician and studio technician.

Gregmark Records
At the end of 1961, Sill and Hazlewood shut down Trey but quickly formed a new label, Gregmark Records, as a vehicle for The Paris Sisters. The Paris Sisters' Gregmark debut, "Be My Boy", earned little notice, but the follow-up single, "I Love How You Love Me" cracked the Billboard top five. Spector then began work on a Paris Sisters LP, as Sill attempted to exert financial controls on the project, the master recordings went missing.

Philles Records
Sill and Phil Spector formed their own label in 1961, Philles Records, a combination of both men's names. Philles immediately reached the top 20 with the debut release of The Crystals', "There's No Other (Like My Baby)" and the 1962 follow-up, "Uptown". The Crystals charted again with "He's a Rebel" and "Then He Kissed Me". Bob B. Soxx & the Blue Jeans charted with "Zip-a-Dee-Doo-Dah" as did The Ronettes' with "Be My Baby".

Spector terminated the partnership with Sill upon the delivery of the demo recordings in 1963, "(Let's Dance) The Screw" (Part -1 and Part - 2) Spector's actions made it clear that his contractual obligations would be fulfilled with un-marketable music and he refused to pay Sill for his share in the label, the $60,000 was never paid.

Screen Gems-Columbia Music
In 1964, Sill became a consultant to Screen Gems-Columbia Music president Don Kirshner. Although the position was temporary, he ended up staying with the company for over two decades, initially as the music supervisor for The Monkees, eventually assuming Kirshner's position as president of Screen Gems-Columbia Music.

Jobete Music Inc.
In 1985, Sill was named president of Jobete Music, the publishing arm of Berry Gordy, Jr.'s Motown empire. He remained with Jobete until his death in Los Angeles on October 31, 1994.

Honors

 * Prime Ministers' Medal, presented by Abba Eban, November 1, 1976.


 * City of Los Angeles Commendation, Mayor Tom Bradley, November 1, 1976.


 * Vision Awards/Retina Pigmentosa Foundation, Lester Sill Lifetime Achievement Award recipients:
 * Burt Bacharach
 * Frances Preston

Posthumous remembrances

 * Lester Sill Humanitarian Awards: Clive Davis (2005), Frances Preston (1999)


 * ASCAP Foundation, Lester Sill Songwriters Workshop (1995 - 2005).