User:Arista.w/sandbox

Phonology
Each beatbox preformer can produce an infinite number of unique sounds, but there are three distinct linguistic categories of sound within beatboxing. Ejectives are the strong puffs of air from the voicebox that give intensity to percussive sounds. The "t," "p," "k," "d," "b," and "g" sounds can all be made into ejectives. “Ch” and “j” are examples of ejective affricates.

Nonstandard fricatives are the the mechanical sounds such as snare drums, cymbals, and other buzzing noises in beatboxing that are made with fricatives. Certain sounds, such as velar lateral fricatives, bilabial lateral fricatives, and linguolabial fricatives, are all judged impossible according to the IPA but are technically possible and are sounds that are commonly used in beatboxing.

Coarticulation is the act of controlling a sound in two places at once. A common example of this is the sound created by rolling an “r” sound while saying a “v” sound. This is called a voiced alveolar trill with labiodental articulation. Similarly, epenthesis is the sound created when beatboxers sing and do percussion at the same time. Contrary to what the sound suggests, heir tongue is not in two places at once. This effect is created by placing percussive sounds in the middle of words.