User:Beland/sandbox

=Vaccine schedule update=

United States
Vaccine schedule recommendations for the United States are made by the National Center for Immunization and Respiratory Diseases at the Centers for Disease Control and Prevention. The National Childhood Vaccine Injury Act requires all health-care providers to provide parents or patients with copies of Vaccine Information Statements before administering vaccines.

Injuries caused by any of the recommended vaccines (except dengue, PPSV23, RSVPPSV23, RSV, and RZV) are compensated through either the National Vaccine Injury Compensation Program or the Countermeasures Injury Compensation Program.

 See references for more details.



Special circumstances
All vaccines have specific medical conditions for which they are counterindicated (administration is recommended against), and some have special administration guidance for certain conditions.

The CDC recommends pregnant women receive some vaccines, such as the measles, mumps, rubella (MMR) vaccine a month or more before pregnancy. The Tdap vaccine (to help protect against whooping cough) is recommended during pregnancy. Other vaccines, like the flu shot, can be given before or during pregnancy, depending on whether or not it is flu season. Vaccination is safe right after giving birth, even while breastfeeding.

=Sparkle=
 * User talk:Beland/Praise

=Notes to self: Follow ups=
 * User:Beland/Todo
 * User:Beland/Civilization restart
 * Draft history of Christianity nav template

Geographical list titles
Note to self re: Talk:Mains electricity by country/Archive 4: -- Beland (talk) 18:35, 23 May 2018 (UTC)
 * List of average human height worldwide
 * Geography of association football
 * Prostitution by region
 * Giant pandas around the world
 * List of United Nations organizations by location
 * List of accidents and incidents involving airliners by location
 * List of sovereign states and dependent territories by continent
 * Basic income around the world

Other followup needed on: -- Beland (talk) 02:11, 6 May 2019 (UTC)
 * Talk:Mains electricity - British title for global article
 * Maybe rescope along with Electrical grid and Electric power distribution?
 * AC power plugs and sockets - compatibility table was removed, article still too long - Talk:AC power plugs and sockets, Talk:AC power plugs and sockets/Archive 8
 * Talk:Mains_electricity/Archive_1
 * Talk:Mains electricity by country/Archive 3
 * Talk:Mains electricity by country/Archive 4 (other topics)
 * Talk:Mains electricity by country/Archive 5

=Fixups, random=

Rhyme
(results from 2023-06-01 dump)

Need to research notation:
 * Comtessa de Dia - Typical subject matter used by Comtessa de Dia in her lyrics includes optimism, praise of herself and her love, as well as betrayal. In A chantar, Comtessa plays the part of a betrayed lover, and although she has been betrayed, continues to defend and praise herself. In Fin ioi me don'alegranssa, however, the Comtessa makes fun of the lausengier, a person known for gossiping, comparing those who gossip to a "cloud that obscures the sun." In writing style, Comtessa uses a process known as coblas singulars in A chantar, repeating the same rhyme scheme in each strophe, but changing the a rhyme each time. Ab ioi, on the other hand, uses coblas doblas, with a rhyme scheme of ab' ab' b' aab'. A chantar uses some of the motifs of Idyll II of Theocritus.
 * Canso (song)
 * Egidius waer bestu bleven - The lyrics of the song may be two verses shorter than shown below. After all, the manuscript does not contain them, see the site of the Koninklijke Bibliotheek. In that case, the rhyme scheme is perfectly symmetrical: ABA bbaba ABA ababb ABA. That could indicate that the most important verse of the song is the B verse: “mi lanct na di, gheselle mijn”. The rhyme scheme therefore only has two rhyme sounds (which is normal for a rondelle), namely '-even' and '-ijn' (which is pronounced 'ien' in Middle Dutch). These sharp sounds do not only occur in rhyme position, they are also hidden in the name Egidius and are also quite common elsewhere in the song, for example in the B-verse. In a song about death one would expect mostly dull sounds: oo, oe and aa, but not here; only “du coors die dead” sounds heavy. The light, happy, sharp sounds seem at first glance to be a contrast to the heaviness of the subject, but they also suggest the sharpness of the pain of being cut off. Gerrit Komrij: "The pain of death has opened his eyes to the pain of life." The choice for the sharp sounds (especially ie) may be prompted by the name of the regretted, but there is also a simpler explanation; in Latin literature, the ie was a sound associated with sadness.

General queue:
 * List of most-viewed YouTube videos - | align=center | 19. || "Baa Baa Black Sheep" || Cocomelon – Nursery Rhymes || align=center | 3.64 || align=right | June 25, 2018 ||
 * Mid-Atlantic accent - *No weak vowel merger: The vowels in "Rosas" and "roses" are distinguished, with the former being pronounced as and the latter as either  or . This is done in General American, as well, but in the Mid-Atlantic accent, the same distinction means the retention of historic  in weak preconsonantal positions (as in RP), so "rabbit" does not rhyme with "abbot".
 * Minnesang - From around 1170, German lyric poets came under the influence of the Provençal troubadours and the French trouvères. This is most obvious in the adoption of the strophic form of the canzone, at its most basic a seven-line strophe with the rhyme scheme ab|ab|cxc, and a musical AAB structure, but capable of many variations.
 * Music of Puerto Rico - Jíbaros are small farmers of mixed descent who constituted the overwhelming majority of the Puerto Rican population until the mid-twentieth century. They are traditionally recognized as romantic icons of land cultivation, hard-working, self-sufficient, hospitable, and with an innate love of song and dance. Their instruments were relatives of the Spanish vihuela, especially the cuatro — which evolved from four single strings to five pairs of double strings — and the lesser known tiple. A typical jíbaro group nowadays might feature a cuatro, guitar, and percussion instrument such as the güiro scraper and/or bongo. Lyrics to jíbaro music are generally in the décima form, consisting of ten octosyllabic lines in the rhyme scheme abba, accddc. Décima form derives from 16th century Spain. Although it has largely died out in that country (except the Canaries), it took root in various places in Latin America—especially Cuba and Puerto Rico—where it is sung in diverse styles. A sung décima might be pre-composed, derived from a publication by some literati, or ideally, improvised on the spot, especially in the form of a “controversia” in which two singer-poets trade witty insults or argue on some topic. In between the décimas, lively improvisations can be played on the cuatro. This music form is also known as "típica" as well as "trópica".
 * Niggers in the White House - The poem is composed of 14 stanzas with four lines per stanza. Every stanza is written in the simple 4-line rhyme scheme (abcb). The term "nigger" is used in all the stanzas of the poem except two. It is ascribed to "unchained poet", whose identity is unknown.
 * O Come, O Come, Emmanuel - Each stanza of the hymn consists of a four-line verse (in 88.88 meter with an aabb rhyme scheme), paraphrasing one of the O antiphons. There is also a new two-line refrain (again in 88 meter): "Gaude, gaude! Emmanuel / nascetur pro te, Israel", i.e., "Rejoice, Rejoice! Emmanuel will be born for you, O Israel". There are only five verses: two of the antiphons are omitted and the order of the remaining verses differs from that of the O Antiphons, most notably the last antiphon ("O Emmanuel") becomes the first verse of the hymn and gives the hymn its title of “Veni, veni, Emmanuel”:
 * O Sacred Love of the Beloved Country - The poem is written in lines of 11 syllables, in ottava rima (rhyming ab ab ab cc).
 * Pantoum - Baudelaire's famous poem "Harmonie du soir" is usually cited as an example of the form, but it is irregular. The stanzas rhyme abba rather than the expected abab, and the last line, which is supposed to be the same as the first, is original.
 * Pantun - In its most basic form, the pantun consists of a quatrain which employs an abab rhyme scheme. A pantun is traditionally recited according to a fixed rhythm and as a rule of thumb, in order not to deviate from the rhythm, every line should contain between eight and 12 syllables. "The pantun is a four-lined verse consisting of alternating, roughly rhyming lines. The first and second lines sometimes appear completely disconnected in meaning from the third and fourth, but there is almost invariably a link of some sort. Whether it be a mere association of ideas, or of feeling, expressed through assonance or through the faintest nuance of thought, it is nearly always traceable" (Sim, page 12). The pantun is highly allusive and in order to understand it, readers generally need to know the traditional meaning of the symbols the poem employs. An example (followed by a translation by Katharine Sim):
 * Pantun - Sometimes a pantun may consist of a series of interwoven quatrains, in which case it is known as a pantun berkait. This follows the abab rhyme scheme with the second and fourth lines of each stanza becoming the first and third lines of the following stanza. Finally, the first and third lines of the first stanza become the second and fourth lines of the last stanza, usually in reverse order so that the first and last lines of the poem are identical. This form of pantun has exercised the most influence on Western literature, in which it is known as the pantoum.
 * Paul-Jean Toulet - As a writer, Toulet is best known for Les Contrerimes, poems written in a verse form of his own invention, the rhyme scheme abba, with the lines alternating long, short, long, short. The collection was published posthumously, although many of the poems appeared in various literary magazines, either in earlier versions or finished forms (Toulet was an inveterate polisher of his verse).
 * Paul-Jean Toulet - Toulet was known for his acerbic wit, opium addiction, and friendship with Maurice Sailland. Born to a wealthy sugar planter family, he gained fame for his poetry collection, Les Contrerimes, featuring a unique abba rhyme scheme. Although his novels are mostly unreadable today, Mon amie Nane is an exception. Toulet inspired the fantaisiste poetic movement and translated Arthur Machen's The Great God Pan into French. His novel, Monsieur de Paur, homme public, inspired by Machen, saw little success until its re-publication in 1918 by admirer Henri Martineau.
 * Persian metres - *Lyric poems, in which, apart from the first line, the two halves of each verse do not rhyme, but the same rhyme is used at the end of every verse throughout the poem, thus aa ba ca .... Among lyric poems with a single rhyme throughout, the two most common forms are the ghazal (a short poem usually about love) and the qasida (which is longer, and may be over 100 verses). The short ruba'i (quatrain) and do-bayti, which usually have the rhyme scheme aa ba, also belong to this type.
 * Persian metres - *Poems in rhyming couplets, each couplet with a different rhyme, thus with the scheme aa bb cc .... A poem of this type is known as a masnavi (plural masnavīyāt). The poems in rhyming couplets can be of any length from a single couplet to long poems such as Ferdowsi's Shahnameh, which is over 50,000 couplets long, or Rumi's Masnavi-ye Ma'navi "Spiritual Masnavi", of over 25,000 couplets.
 * Persian metres - The rhyme scheme for a ruba'i is aa ba; in this respect it resembles lyric poetry rather than a masnavi.
 * Persian metres - The same metre 2.1.11, or hazaj, was used from early times in popular poetry, such as the do-baytī, in which the opening iamb (u –) can sometimes be replaced by – – or – u. A do bayti is a quatrain, but in a different metre from the ruba'i; like the ruba'i its rhyme scheme is aa ba. The theme of love is evident in examples such as the following by Baba Taher:
 * Persian metres - This metre 5.1.10 is also used, although less often, in lyric poetry. In one of his ghazals, Saadi uses it in a stanzaic form with four lines to a verse. The rhyme scheme is aaba, ccca, ddda, and so on. The twelfth verse goes as follows:
 * Persian metres - *Very short poems (typically of two lines) which are included in works such as Saadi's Golestan. In these, the rhyme-scheme ab cb is typical, but ab ab, aa bb, and aa aa are also found.
 * Persian riddles - (Afghanistan, rhyme aaba, following the quatrain pattern known as čar bayti also used in folk lyrics.)
 * Pierrot lunaire (book) - Each of Giraud's poems is a rondel, a form he admired in the work of the Parnassians, especially of Théodore de Banville. (It is a "bergamask" rondel, not only because the jagged progress of the poems recalls the eponymous rustic dance, but also because 19th-century admirers of the Commedia dell'Arte characters [or "masks"] often associated them with the Italian town of Bergamo, from which Harlequin is said to have hailed.)  Unlike many of the Symbolist poets (though certainly not all: Verlaine, Mallarmé, even the early Rimbaud and Laforgue, worked comfortably within strict forms), Giraud was committed to traditional techniques and structures as opposed to the comparatively amorphous constraints of free verse. He exclaimed to his friend Emile Verhaeren, after reading the latter's Les Moines (The Monks), "What I disapprove of with horror, what angers and irritates me is your improvising disdain for verse form, your profound and vertiginous ignorance of prosody and language." Such an attitude leads the critic Robert Vilain to conclude that, while Giraud shared "the Symbolists' concern for the careful, suggestive use of language and the power of the imagination to penetrate beyond the surface tension of the here-and-now", he was equally committed to a Parnassian aesthetic.  He adheres to the sparer of the rondel forms, concluding each poem with a quintet rather than a sestet and working within rather strictly observed eight-syllable lines. As is customary, each poem is restricted to two rhymes alone, one masculine, the other feminine, resulting in a scheme of ABba abAB abbaA, in which the capital letters represent the refrains, or repeated lines. Within this austere structure, however, the language is—to use Vilain's words—"suggestive" and the imaginative penetration beneath the "here-and-now" daring and provocative.
 * Poetic devices - * Rondeau–A fixed form used in light or witty verses. It consists of fifteen octo- or decasyllabic lines with three stanzas and two rhymes applied throughout. A word or words from the initial segment of the first line are used as a refrain to end the second and third stanza to create a rhyme scheme aabba aabR Gabbana.
 * Political verse - Each verse is a 15-syllable iambic verse, normally (and in accordance with the ancient Greek poetical tradition) the Political verse is without rhyme. So it is a type of blank verse of iambic heptameter. The meter consists of lines made from seven ("hepta") feet plus an unstressed syllable. There is a standard cesura (pause in the reading of a line of a verse that does not affect the metrical account of the timing) after the eighth syllable. Rhyme occurs only rarely, especially in the earlier folk songs and poems. Later examples, especially in personal poetry and in songwriting there is rhyme. In those cases the rhyme scheme is more commonly that of the couplet: aa, or, aa/bb/cc/dd etc.; sometimes the rhyme may appear at the end of the cesura and that of the stanza, or in two successive cesurae.  Generally speaking though, rhyme is used quite sparingly, either to make a dramatic point or for comic effect.
 * Rafael Bonachela - For the Sydney Dance Company, Bonachela has created multiple new works, including we unfold (2009), 6 Breaths (2010), Are We That We (2010), Irony Of Fate (2010), Soledad (2010), LANDforms (2011), The Land of Yes and the Land of No (2011–12), 2 One Another (2012), Project Rameau (2012), Project Rameau (joint with Richard Tognetti)(2012–13), 13 Rooms (2013), Emergence (2013), Les Illuminations (2013), 2 in D Minor (2014), Inside There Falls (Installation by Mira Calix)(2014), Interplay (2014), Louder Than Words (2014), Scattered Rhymes (2014), Frame of Mind (2015), CounterMove (2016), Lux Tenebris (2016), Nude Live (2017), Ocho (2017), Orb (2017), ab [intra] (2018) and Impermanence (2021).
 * Rhyme scheme - * A1abA2 A1abA2 – Two stanzas, where the first lines of both stanzas are exactly the same, and the last lines of both stanzas are the same. The second lines of the two stanzas are different, but rhyme at the end with the first and last lines.  (In other words, all the "A" and "a" lines rhyme with each other, but not with the "b" lines.)
 * Rhyme scheme - * Roundel: abaB bab abaB (capital letters represent lines repeated verbatim)
 * Rhyme scheme - * Villanelle: A1bA2 abA1 abA2 abA1 abA2 abA1A2, where A1 and A2 are lines repeated exactly which rhyme with the "a" lines
 * Rondeau (forme fixe) - Another version has the refrains shortened even further. Both restatements are reduced to just the first two or three words of the first line, which now stand as short, pithy, non-rhyming lines in the middle and at the end of the poem. These half-lines are called rentrement. If derived from the erstwhile rondeau quatrain, this results in a 12-line structure that is now called the "rondeau prime", with the rentrements in lines 7 and 12. If derived from the erstwhile 21-line rondeau cinquain, the result is a 15-line form with the rentrements in lines 9 and 15 (rhyme scheme aabba–aabR–aabbaR).
 * Rondeau (forme fixe) - In larger rondeau variants, each of the structural sections may consist of several verses, although the overall sequence of sections remains the same. Variants include the rondeau tercet, where the refrain consists of three verses, the rondeau quatrain, where it consists of four (and, accordingly, the whole form of sixteen), and the rondeau cinquain, with a refrain of five verses (and a total length of 21), which becomes the norm in the 15th century. In the rondeau quatrain, the rhyme scheme is usually ABBA ab AB abba ABBA; in the rondeau cinquain it is AABBA aab AAB aabba AABBA.
 * Sonnet 102 - Sonnet 102 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 8th line exemplifies a regular iambic pentameter:
 * Sonnet 109 - Sonnet 109 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 12th line exemplifies a regular iambic pentameter:
 * Sonnet 116 - Sonnet 116 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 10th line exemplifies a regular iambic pentameter:
 * Sonnet 124 - Sonnet 124 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 6th line exemplifies a regular iambic pentameter:
 * Sonnet 125 - Sonnet 125 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form abab cdcd efef gg, although (as discussed below) in this case the f rhymes repeat the sound of the a rhymes. It is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 6th line exemplifies a regular iambic pentameter:
 * Sonnet 126 - Although known as "Sonnet 126", this poem is not formally a sonnet in the strict sense, and is one of only two poems in the series (the other being Sonnet 99) which do not conform to Shakespeare's typical rhyme scheme. Instead of 14 lines rhyming abab cdcd efef gg, the poem is composed of six couplets (aa bb cc dd ee ff). Like the other sonnets (except Sonnet 145) it is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 5th line exemplifies a regular iambic pentameter:
 * Sonnet 132 - Sonnet 132 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 3rd line exemplifies a regular iambic pentameter:
 * Sonnet 136 - Sonnet 136 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 7th line exemplifies a regular iambic pentameter:
 * Sonnet 137 - Sonnet 137 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 5th line exemplifies a regular iambic pentameter:
 * Sonnet 138 - Sonnet 138 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 6th line exemplifies a regular iambic pentameter:
 * Sonnet 144 - Sonnet 144 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 4th line exemplifies a regular iambic pentameter:
 * Sonnet 147 - Sonnet 147 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 8th line exemplifies a regular iambic pentameter:
 * Sonnet 154 - Sonnet 154 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 1st line exemplifies a regular iambic pentameter:
 * Sonnet 15 - Sonnet 15 is typical of an English (or "Shakespearean") sonnet. Shakespeare's sonnets "almost always consist of fourteen rhyming iambic-pentameter lines", arranged in three quatrains followed by a couplet, with the rhyme scheme abab cdcd efef gg. Sonnet 15 also contains a volta, or shift in the poem's subject matter, beginning with the third quatrain.
 * Sonnet 17 - Sonnet 17 is an English or Shakespearean sonnet, consisting of three quatrains followed by a couplet. It follows the form's typical rhyme scheme: abab cdcd efef gg. Sonnet 17 is written in iambic pentameter, a form of meter based on five pairs of metrically weak/strong syllabic positions. The sonnet's fourth line exemplifies a regular iambic pentameter:
 * Sonnet 21 - Sonnet 21 is a typical English or Shakespearean sonnet. It consists of three quatrains followed by a couplet, nominally rhyming abab cdcd efef gg — though this poem has six rhymes instead of seven because of the common sound used in rhymes c and f in the second and third quatrains: "compare", "rare", "fair", and "air".
 * Sonnet 29 - Sonnet 29 follows the same basic structure as Shakespeare's other sonnets, containing fourteen lines and written in iambic pentameter, and composed of three rhyming quatrains with a rhyming couplet at the end. It follows the traditional English rhyme scheme of abab cdcd efef gg — though in this sonnet the b and f rhymes happen to be identical. As noted by Bernhard Frank, Sonnet 29 includes two distinct sections with the Speaker explaining his current depressed state of mind in the first octave and then conjuring what appears to be a happier image in the last sestet.
 * Sonnet 41 - Shakespeare's sonnets conform to the English or Shakespearean sonnet form. The form consists of fourteen lines structured as three quatrains and a couplet, rhyming abab cdcd efef gg and written in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. While Shakespeare's versification maintains the English sonnet form, Shakespeare often rhetorically alludes to the form of Petrarchan sonnets with an octave (two quatrains) followed by a sestet (six lines), between which a "turn" or volta occurs, which signals a change in the tone, mood, or stance of the poem. The first line exemplifies a regular iambic pentameter:
 * Sonnet 4 - The rhyme scheme of the sonnet is abab cdcd efef gg, the typical rhyme scheme for an English or Shakespearean sonnet. There are three quatrains and a couplet which serves as an apt conclusion. The fourth line exemplifies a regular iambic pentameter line:
 * Sonnet 53 - Sonnet 53 is an English or Shakespearean sonnet. The Shakespearean sonnet contains three quatrains followed by a final rhyming couplet. It follows the typical rhyme scheme of this form, abab cdcd efef gg and is composed in a type of poetic metre called iambic pentameter based on five pairs of metrically weak/strong syllabic positions. The seventh line exemplifies a regular iambic pentameter:
 * Sonnet 54 - Sonnet 54 is an English or Shakespearean sonnet. The English sonnet contains three quatrains followed by a final rhyming couplet. This poem follows the rhyme scheme of the English sonnet, abab cdcd efef gg and is composed in iambic pentameter, a type of metre in which each line has five feet, and each foot has two syllables that are accented weak/strong. The fifth line exemplifies a regular iambic pentameter:
 * Sonnet 57 - Sonnet 57 is an English or Shakespearean sonnet. The English sonnet contains three quatrains followed by a final rhyming couplet. It follows the form's typical rhyme scheme, abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The sixth line exemplifies a regular iambic pentameter:
 * Sonnet 60 - Sonnet 60 is an English or Shakespearean sonnet. The Shakespearean sonnet contains three quatrains followed by a final rhyming couplet. It follows the form's typical rhyme, abab cdcd efef gg and is written a type of poetic metre called iambic pentameter based on five pairs of metrically weak/strong syllabic positions. The thirteenth line exemplifies a regular iambic pentameter:
 * Sonnet 64 - Sonnet 64 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form, abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The fourth line exemplifies a regular iambic pentameter:
 * Sonnet 65 - Sonnet 65 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form, abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The first line exemplifies a regular iambic pentameter:
 * Sonnet 68 - Sonnet 68 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form, abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The second line exemplifies a regular iambic pentameter:
 * Sonnet 71 - Sonnet 71 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form, abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The first line exemplifies a regular iambic pentameter:
 * Sonnet 78 - Sonnet 78 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the rhyme scheme, abab cdcd efef gg and is composed in iambic pentameter, a metre based on five feet in each line, and two syllables in each foot, accented weak/strong. Most of the lines are regular iambic pentameter, including the 5th line:
 * Sonnet 7 - Sonnet 7 is a typical English or Shakespearean sonnet. This type of sonnet consists of three quatrains followed by a couplet, and follows the form's rhyme scheme: abab cdcd efef gg. The sonnet is written in iambic pentameter, a type of metre based on five pairs of metrically weak/strong syllabic positions per line, as exemplified in line five (where "heavenly" is contracted to two syllables):
 * Sonnet 88 - Sonnet 88 is an English or Shakespearean sonnet, which has three quatrains, followed by a final rhyming couplet. It follows the rhyme scheme, abab cdcd efef gg and is composed in iambic pentameter lines, which is a poetic metre in which each line has five feet, and each foot has two syllables accented weak/strong. Most of the lines are regular iambic pentameter, including the first line:
 * Sonnet on the Great Suffering of Jesus Christ - The poem is written in the manner of Italian or Petrarchan sonnet, rhyming abba abba cdc dcd. It is composed in typical 11-syllable Polish hendecasyllable lines having half-lines of 5 and 6 syllables, separated by a caesura:
 * Star of the County Down - "The Star of the County Down" uses a tight rhyme scheme. Each stanza is a double quatrain, and the first and third lines of each quatrain have an internal rhyme on the second and fourth feet: [aa]b[cc]b. The refrain is a single quatrain with the same rhyming pattern.
 * Stirling numbers of the second kind - The Stirling numbers of the second kind can represent the total number of rhyme schemes for a poem of n lines. $$S(n,k)$$ gives the number of possible rhyming schemes for n lines using k unique rhyming syllables. As an example, for a poem of 3 lines, there is 1 rhyme scheme using just one rhyme (aaa), 3 rhyme schemes using two rhymes (aab, aba, abb), and 1 rhyme scheme using three rhymes (abc).
 * Success is counted sweetest - The poem's three unemotional quatrains are written in iambic trimeter with only line 5 in iambic tetrameter. Lines 1 and 3 (and others) end with extra syllables. The rhyme scheme is abcb. The poem's "success" theme is treated paradoxically: Only those who know defeat can truly appreciate success. Alliteration enhances the poem's lyricism. The first stanza is a complete observation and can stand alone. Stanzas two and three introduce military images (a captured flag, a victorious army, a dying warrior) and are dependent upon one another for complete understanding.
 * Svetlana (ballad) - It is written in trochee with alternating feet 4-3, and in long lines to compensate for the endings for men, and in short lines - for women. The stanza has 14 lines with the rhyming scheme abaBcFcFddEihE (masculine capitalized, feminine lowercase). Thus, it closely resembles a sonnet, albeit much longer.
 * Symphony No. 5 (Enescu) - The text used in the last movement of the symphony does not quite correspond to any of the four "official" versions of Eminescu's poem, but is based on an early variant beginning with the words "De-oi adormi curând / În noaptea uitării / Să mă duceţi tăcând, / La marginea mării" (When soon I'm laid to rest / in the quiet evening / bring me silently / to the seashore). Eminescu's variant has nine stanzas, but for the symphony, Enescu has added an extra one in the penultimate position. It is taken from the final version, but with the last two lines exchanged in order to match the abab rhyme scheme of the earlier variant: "Luceferi ce răsar / Din umbră de cetini / O să-mi zâmbească iar / Fiindu-mi prieteni" (Rising evening stars / from the shadow of the branches / will smile on me again / having been my friends).
 * Terza rima - Terza rima (, also, ; lit. 'third rhyme') is a rhyming verse form, in which the poem, or each poem-section, consists of tercets (three line stanzas) with an interlocking three-line rhyme scheme: The last word of the second line in one tercet provides the rhyme for the first and third lines in the tercet that follows (aba bcb cdc). The poem or poem-section may have any number of lines, but it ends with either a single line or a couplet, which repeats the rhyme of the middle line of the previous tercet (yzy z or yzy zz).
 * The complaint and lamentation of Mistresse Arden of Feversham in Kent - The ballad is written in 48 quatrains of iambic pentameter, rather than the traditional ballad meter. The rhyme scheme is aabb. Most of the ballad is related from the first-person perspective of Alice Arden herself; this shifts significantly in the last six stanzas, which is told from the perspective of an anonymous narrator and relates the deaths of those accused of murdering Arden.
 * The Garden of Love (poem) - The first two stanzas of the poem are written in a loose anapestic trimeter and rhyme abcb. The third stanza begins in the same way, but the last two lines of this stanza make a sharp break with the form of the preceding stanzas.  These concluding lines are written in tetrameter rather than trimeter, and they fail to maintain the abcb rhyme scheme.  Instead the lines rhyme internally (gowns/rounds and briars/desires).  These abrupt changes in versification serve to dramatize the changes that have taken place in this "Garden of Love."
 * There's a certain Slant of light - The poem's metrical pattern resembles ballad meter, however, only the final stanza fully follows the meter of a trochaic ballad. The other stanzas are more irregular in observance of ballad meter. The first stanza, although it is in ballad meter (4-3-4-3), seems stilted when following the four downbeats of trochaic ballad; it is read most naturally with anapests at the start of line 1 and at the beginning and end of line 3. Stanzas two and three appear to shorten the beginning of each line (3-3-4-3), creating an abrupt effect. End-rhyme follows a scheme of abcb defe ghih jklk, a typical ballad pattern.
 * The Ruined Maid - The poem is presented a conversation between two people. To depict this, Hardy uses two voices: For the ruined maid he uses proper English, and for the other person he uses a working-class dialect. The poem features a couplet rhyme scheme which can often be found in satirical poetry. This form is also known as an "aabb" rhyme scheme because every two lines rhyme in each stanza.
 * The Snow (poem) - A large majority of the surviving manuscripts of this poem, including Cardiff MS 4.330 and Peniarth MS 49, mentioned above, attribute it to Dafydd ap Gwilym. However, two of them, including the very earliest, BL Add. MS 14967, assign it to Ieuan ap Rhys ap Llywelyn, and another two to Dafydd ab Edmwnd with the suggestion that it might be Dafydd ap Gwilym's; both Ieuan ap Rhys and Dafydd ab Edmwnd lived at least a century after Dafydd ap Gwilym's time.  "The Snow" was included in the 1789 collection of Dafydd's works, Barddoniaeth Dafydd ab Gwilym, and was attributed to Dafydd in a selection of cywyddau edited by Ifor Williams and Thomas Roberts in 1914, but Thomas Parry excluded it from his 1952 edition, citing as objections the poem's simplicity of style and language and its very sparing use of cynghanedd sain, a complicated system of alliteration and internal rhyme, and of sangiad, the breaking up of syntax by interpolating a word or phrase into a line.  Its style, he summed up, was exactly that of the 15th century, and he favoured the claims of Ieuan ap Rhys, though when he included it in his Oxford Book of Welsh Verse (1962) he labelled it as an anonymous 15th century poem.  Parry's rejection of the poem from the Dafydd ap Gwilym canon proved very controversial and provoked many protests from other scholars, notably in two papers by D. J. Bowen.  Nevertheless, the most recent edition of his poems, by Dafydd Johnston and others, again excluded "The Snow".
 * The Waste Land - 'The typist home at teatime' section was originally in entirely regular stanzas of iambic pentameter, with a rhyme scheme of abab—the same form as Gray's Elegy, which was in Eliot's thoughts around this time. Pound's note against this section of the draft is "verse not interesting enough as verse to warrant so much of it". In the end, the regularity of the four-line stanzas was abandoned.
 * Thomas Wyatt (poet) - Wyatt's professed object was to experiment with the English language, to civilise it, to raise its powers to equal those of other European languages. His poetry may be considered as a part of the Petrarchism movement within Renaissance literature. A significant amount of his literary output consists of translations and imitations of sonnets by Italian poet Petrarch; he also wrote sonnets of his own. He took subject matter from Petrarch's sonnets, but his rhyme schemes are significantly different. Petrarch's sonnets consist of an "octave" rhyming abba abba, followed by a "sestet" with various rhyme schemes. Wyatt employs the Petrarchan octave, but his most common sestet scheme is cddc ee. Wyatt experimented in stanza forms including the rondeau, epigrams, terza rima, ottava rima songs, and satires, as well as with monorime, triplets with refrains, quatrains with different length of line and rhyme schemes, quatrains with codas, and the French forms of douzaine and treizaine. He introduced the poulter's measure form, rhyming couplets composed of a 12-syllable iambic line (Alexandrine) followed by a 14-syllable iambic line (fourteener), and he is considered a master of the iambic tetrameter.
 * Alles mit Gott und nichts ohn' ihn, BWV 1127 - The B section of the stanza, consisting of its middle four explanatory lines, is sung from bar 17 to 25. The setting of this section is harmonically more expansive than that of the A section. The mirrored A section, consisting of the two last lines of the stanza, follows from bar 26 to 34. The word order of the seventh line of the stanza, sung in bars 26 to 27, is changed as the first pass of the second line (bars 8–10): "soll Wundersegen einher ziehn" instead of "soll einher Wundersegen ziehn" in the poem. In these bars Bach returns from the subdominant (F major), at the end of the B section, to the tonic (C major), after which the "catchy tune" with which the A section opened is repeated to the same words (line 8 = line 1, the Duke's motto in all stanzas). In this way Bach realises a free da capo form, that is, instead of an exact repeat of the A section, a variant of the A section follows after the B section (A-B-A').
 * Andrea Zanzotto - *Poems by Andrea Zanzotto, Translated from the Italian by Anthony Barnett, A-B, Lewes (Canada) 1993 ISBN 0-907954-19-7; translation from LA BELTA and from PASQUE.

Readability
(needs refresh)

Sorting
(updated from 2022-12-20 dump)

Can be fixed

 * 62 - Letters patent (United Kingdom) - your, you, you, you...
 * Needs a lot of blockquote conviniently, you, promotiong, you,

Parsing problems
(Updated from 2022-12-20 dump, ignoring italicized and single quoted content)


 * 74 - Tag question - isn't, You're, aren't, hasn't, didn't...
 * Italics parsing problems!
 * 73 - Luganda - V)XVXV, it's, can't, can't, I'm, don't, doesn't, she's, she's, there's, doesn't, didn't, I'm, I'm, I'm, that's, shan't, won't, won't, shan't, won't, won't, won't, won't, won't, won't, I'm, you're, we're, you're, they're, I'm, you're, we're, you're, they're, I'm, haven't, ...
 * Single quote parsing problems!
 * 66 - Colloquial Welsh prepositions - in)to, in)to, home(wards), I'll, I've, I'm, He's, What's, She'll, Let's, I'll, I'll, i'm, There's, I'll, I'm, I'm, I'm, don't, haven't, ...
 * Single quote parsing problems!
 * 60 - English modal verbs - e)s, e)s, use(d), use(d), don't, didn't, didn't, mustn't, can't, mustn't, won't, can't, can't, won't, didn't, can't, couldn't, can't, can't, can't, I'm, mightn't, Mightn't, shan't, shouldn't, won't, wouldn't, mustn't, don't, can't, can't, can't, Mustn't, mustn't, Mustn't, oughtn't, shouldn't, you'd, hadn't, Hadn't, You'd, didn't, mustn't, didn't, can't, couldn't, You're, didn't, aren't, can't, you, you, you, you, your, you, you, you, you, you
 * Italics parsing problems
 * 44 - Cebuano grammar - didn't, doesn't, doesn't, didn't, isn't, don't, don't, and/or, and/or, and/or, maŋa, walâ, walâ, you, uróy, mamaak, bayâ, you, nasamad, hinuon, you, you, gitugnaw, úntà/máytà, nabuntis, maóy, nabuntis, úsà, dilì, sabunán, you, dilì, you, you, iskina, you, and/or, and/or, imperatibo, you, you, you, you, formss


 * 139 - Singlish - Don't, Don't, wouldn't, don't...
 * 41 - Ubykh language - to[wards], s)he, s)he, s)he, ...
 * 34 - English auxiliary verbs - don't, won't, shan't, shalln't,...
 * 34 - African-American Vernacular English - doesn't, isn't, Don't, ...
 * 33 - Dutch grammar - singular(ity), don't, don't, don't, ...
 * 29 - Maidu language - I'm, didn't, won't, I'm, can't, I'm, mymy, your, bokweje, wonoti, wonotiusam, humbotmenwet, hesbopajodom, weleno, jodotpaj, kyloknonom, wetemmenusan, you, won't, hybonam, lenom, jotitdojdom, you, you, kuludi, ynojbodukkym, huskym, homonte, dakym
 * 29 - Nawat grammar - C)V, i)jpak, in)te, t)atka, in)te, in)te, a)su, didn't, Didn't, That's, don't, don't, don't, kajkal, your, relationals, jpak, relationals, you, you, you, you, you, tzaya, tzili, tzutzu, beensaid, pasyarua, guwat
 * 31 - Field sobriety testing - and/or, your, your, your...
 * Unmarked quoted text
 * 29 - English pronouns - doesn't, doesn't, don't, doesn't...
 * 29 - English clause syntax - didn't, let's, it's, She's,...
 * 28 - Glosa (constructed language) - ( terior, ( öperate, ( llel, ( vious, ( ndency, ( orary, it's, there's, there's, don't, You're, Here's, can't, you, terior, öperate, llel, vious, ndency, orary, your, you, you, you, your, you, you, you

Worst - raw
(waiting for results from 2023-05-20 dump)

Worst - refined
(waiting for results from 2023-05-20 dump)

Useful

 * unichar - often avoids having to blacklist the page (do a run on blacklisted pages to see if they can be unlisted)
 * bracket
 * angle bracket
 * okina
 * asper

JWB

 * Enabled from: User:Beland/common.js
 * Docs: User:Joeytje50/JWB
 * Live typo list: AutoWikiBrowser/Typos
 * WP:AWB/UNICODIFY

=Fixups, HTML entity=

HTML entities and special characters - Guidelines
Motivation:
 * MOS:MARKUP - keep markup simple, for ease of use
 * Support spell-check efforts like Typo Team/moss

Preliminary consensus seems to be to:
 * Fix broken HTML entities
 * Convert "characters to avoid" in the first table above
 * Convert numerical HTML entity references to named entities if available, or (preferably, if printable) actual characters
 * Convert letters with diacritics if based on Latin alphabet, from HTML entities to characters
 * Convert Greek letters from HTML entities to characters in Greek words
 * Keep combining characters as HTML entities; they are too difficult to edit as themselves
 * Keep whitespace characters as HTML entities; they are too difficult to edit as themselves (but mostly they get dropped or converted to regular spaces)
 * Keep Private Use Area characters as HTML entities; different editors would otherwise see different characters, depending on what fonts they have installed. Template:PUA says that there may also be an incompatibility of raw PUA characters with AutoWikiBrowser. These characters should not appear outside of that template.
 * Leave scientific symbols and Greek letters in STEM articles (these are controversial; some people want to eliminate them and others want to keep at least some of them)

New guideline for non-English quotations:
 * Manual of Style
 * Wikipedia talk:Manual of Style, Jun 2019

Apostrophe-like todos:
 * To align with new standard: Wade–Giles, Wade–Giles table, Chengdu, Chifeng
 * Confirm consensus for Arabic, align all documents.

HTML entities - Notes on listings
The "find all" links are live (and thus probably better to use in most cases) and the articles listed and counted are slightly out of date. The "find all" links may also find more than the counted and listed articles, both because moss ignores certain areas of text and because it ignores cases like "AT&T;" (& in the middle of a series of capital letters).

Notes:
 * Problems are reported on this page as all lowercase, but the problem on the page itself may have different capitalization. For example, &Amp will be reported here as &amp. Because HTML entities are case sensititve, &Amp is an error even though &amp is allowed.

Handy references:
 * List of XML and HTML character entity references
 * Full HTML 5 list

HTML entities - manual fixups

 * Mixed HTML and LaTeX math markup

To avoid
Not included in JWB scripts; fix manually or update moss code.


 * 9681/3056 - ʾ - 'Abd-Kulal, 'Abid ibn al-Abras, 'Ala ad-Din al-Basir, 'Ala al-Din al-Baji, 'Ali Akbar Khata'i ... find all
 * 5572/295 - ○ - 1916 Copa Ibarguren, 2005 Asia Series, 2006 Asia Series, 2007 Japanese television dramas, 2008 Asia Series ... find all
 * 580/131 - ∘ - APL syntax and symbols, Absolute continuity, Adjoint functors, Algebraic geometry and analytic geometry, Ambrose Light ... find all

Low priority
Fix automatically with jwb-articles.txt


 * 29198/16574 - ² - % Arabica, 10 Brock Street, 100 Winners, 101 (album), 101² ... find all
 * 9757/6264 - &amp;#93; (&#93;) - 12 Monkeys, 1699 in England, 1740 in Wales, 1856 Philadelphia tornado, 1897 Pittsburgh Athletic Club football season ... find all
 * 7712/1227 - ʰ - *Dʰéǵʰōm, *H₂éwsōs, *Trito, 2009 SEA Games, 2011 SEA Games ... find all
 * 7666/3242 - ³ - 1000 (number), 101955 Bennu, 109 Felicitas, 115 Thyra, 116 Sirona ... find all
 * 7459/4389 - &amp;#91; (&#91;) - 12 Monkeys, 1699 in England, 1740 in Wales, 1856 Philadelphia tornado, 1897 Pittsburgh Athletic Club football season ... find all
 * 4637/909 - ʷ - *H₁n̥gʷnis, *Trito, 2021 Vancouver International Film Festival, 2023 Canadian honours, 6th millennium BC ... find all
 * 3896/1095 - ¹ - 1962 in animation, 1986 Queensland state election, 1989 Queensland state election, 1992 Queensland state election, 1998 Queensland state election ... find all
 * 3187/485 - ʲ - Abkhaz alphabet, Abzakh dialect, Adlam script, Adygea, Adyghe morphology ... find all
 * 2034/446 - ⁿ - A'ou language, Adamawa Fulfulde, Administrative divisions of Taiwan, Ageh (food), Aguaruna language ... find all
 * 1279/487 - ₂ - *Dʰéǵʰōm, *H₁n̥gʷnis, *H₂éwsōs, *Péh₂usōn, *Trito ... find all
 * 698/208 - ˀ - A Lost Man, A'ou language, Abu Snan, Ainu-Minoan languages, Al-Ma'arri ... find all
 * 675/61 - ⁵ - Akeu language, Al-Falaq, Al-Fil, Al-Masad, Atm⁵ ... find all
 * 644/194 - ₁ - *Dʰéǵʰōm, *H₁n̥gʷnis, *Trito, Agnes (name), Agni ... find all
 * 419/155 - ᵐ - 2182 kHz, 500 kHz, A'ou language, Adamawa Fulfulde, Aguaruna language ... find all
 * 336/134 - ᵑ - A'ou language, Akum language, Amonap language, Angola Avante, Angor language ... find all
 * 245/84 - ⁴ - 289 (number), Al-Falaq, Al-Fil, Al-Ikhlas, Al-Masad ... find all
 * 235/8 - ⁾ - Anthem of Transnistria, Anthem of the Kazakh Soviet Socialist Republic, Anthem of the Ukrainian Soviet Socialist Republic, National anthem of Ukraine, Proto-Afroasiatic language ... find all
 * 235/8 - ⁽ - Anthem of Transnistria, Anthem of the Kazakh Soviet Socialist Republic, Anthem of the Ukrainian Soviet Socialist Republic, National anthem of Ukraine, Proto-Afroasiatic language ... find all
 * 217/34 - ʸ - Adnyamathanha language, Allagash River, Bonnybridge railway station, California Polytechnic State University, San Luis Obispo, Chaha language ... find all
 * 216/112 - ⁰ - 289 (number), 5 (disambiguation), Adyanpara Weir, Anathode Dam, Anglia gas field ... find all
 * 201/36 - ᵊ - Altamura Castle, Baba (name), Benaiah, Canaan, Cerrado languages ... find all
 * 168/85 - ₃ - Akkad (city), Anderson's theory of faulting, Architecture of Mesopotamia, Aztec–Tanoan languages, Bad-tibira ... find all
 * 133/69 - ⁺ - ATP2C1, Adrenal insufficiency, Against the Grain Theatre, Anugrah Narayan College, Patna, Astrocyte ... find all
 * 108/35 - ᵉ - 2022 Paris shooting, Arikhankharer, DeA Kids, Gabrielle Bellocq, Gaîté Parisienne ... find all
 * 100/7 - ᵒ - Berber Latin alphabet, Henry Cushier Raven, Kaomoji, Passive daytime radiative cooling, Siberian Ingrian Finnish ... find all
 * 66/19 - ⁻ - 2017 Benue State flooding, Bituminous geomembrane, Cancellation property, Carolyn Parker, Erhua ... find all
 * 42/27 - ⁶ - 7-Eleven, Bisi Adeleye-Fayemi, Erhua, History of Xinjiang, Hitobashira ... find all
 * 28/25 - ⁸ - A Brief History of Time, Aérospatiale Alouette III, Calvin Howell, Carmelaram, Del Synnott ... find all
 * 25/11 - ᵛ - Al-Biruni, Indo-European vocabulary, Karim Emami, Khvarenah, Palatalization in the Romance languages ... find all
 * 20/6 - ⁱ - Egyptian Arabic, Kashmiri language, Proto-Trans–New Guinea language, Scythian religion, Takelma language ... find all
 * 19/8 - ᵈ - Garšana, Inclusion–exclusion principle, Manishtushu, Marduk, The Reverend ... find all
 * 19/6 - ᵃ - Chimakuan languages, Egyptian Arabic, Isatis tinctoria, Romanization of Hebrew, Takelma language ... find all
 * 19/10 - ʳ - Akhty (deity), Ayabadhu language, Cadolzburg, Inclusion–exclusion principle, Kalyanasundaresar Temple, Nallur ... find all
 * 17/13 - ₄ - Architecture of Mesopotamia, Aztec–Tanoan languages, Chernovite-(Y), Katherine Faber, List of Glagolitic manuscripts (1200–1399) ... find all
 * 16/5 - ᵘ - Cumans, List of national parks of Canada, Proto-Trans–New Guinea language, Takelma language, Tartessian language ... find all
 * 15/11 - ⁷ - Belthara Road, Erhua, Janet Frost, Mảng language, Ningbo ... find all
 * 14/1 - ₀ - List of WLAN channels ... find all
 * 14/5 - ˡ - Aghul language, Kim Mun language, Llanedeyrn, Navajo language, Tacoma, Washington ... find all
 * 12/8 - ᶻ - Architecture of Seattle, Central Waterfront, Seattle, Coupeville, Washington, List of Lushootseed-speaking peoples, Lushootseed ... find all
 * 11/4 - ˢ - Cherifian Anthem, Inclusion–exclusion principle, Mazda RX-7, Proto-Ryukyuan language ... find all
 * 10/9 - ₆ - Adoptive Couple v. Baby Girl, Allyl bromide, Architecture of Mesopotamia, Cinnamaldehyde, Eridu ... find all
 * 10/8 - ₅ - Adoptive Couple v. Baby Girl, Allyl bromide, Aztec–Tanoan languages, Cinnamaldehyde, List of Glagolitic manuscripts (1200–1399) ... find all
 * 8/8 - ⁹ - 2009 UCI Road World Championships – Men's time trial, Gas holder, Giotto's Crucifix at Santa Maria Novella, Labour rights in New Zealand, Maura Higgins ... find all
 * 7/1 - ᵗ - Inclusion–exclusion principle ... find all
 * 7/5 - ᵁ - 2023 in literature, Governor General's Award for French-language poetry, National parks of Canada, Rita Mestokosho, Uruk ... find all
 * 6/3 - ᵝ - National Anthem of Zimbabwe, Roundedness, Shona language ... find all
 * 5/3 - ₙ - Kingman's subadditive ergodic theorem, Relational algebra, Uniform convergence ... find all
 * 4/1 - ⁼ - Urartian language ... find all
 * 4/1 - ᶠ - Palatalization in the Romance languages ... find all
 * 4/2 - ᵋ - Proto-Trans–New Guinea language, Takelma language ... find all
 * 4/1 - ᴰ - Runtiya ... find all
 * 3/3 - ᶜ - Avaris, Judeo-Tripolitanian Arabic, Werie Lehe ... find all
 * 2/2 - ₈ - Checked tone, Katherine Faber ... find all
 * 1/1 - ₓ - Sumerian language ... find all
 * 1/1 - ᵏ - Uruk ... find all
 * 1/1 - ᴿ - Uruk ... find all

Uncontroversial entities
Fix automatically with jwb-articles.txt


 * 1552327/574760 - ’ - !K7 Music, "Agathis" jurassica, "Chūsotsu" "Chūkara", "I AM" Activity, "I Scrubs" ... find all
 * 775802/264522 - ” - "21 Azer" Medal, "Fish Alive" 30min., 1 Sequence by 6 Songs Sakanaquarium 2009 @ Sapporo, "Five stars rising in the East" armband, "I Scrubs", "If This Goes On—" ... find all
 * 761135/262880 - “ - "21 Azer" Medal, "Bund" in Latvia, "Fish Alive" 30min., 1 Sequence by 6 Songs Sakanaquarium 2009 @ Sapporo, "Five stars rising in the East" armband, "I Scrubs" ... find all
 * 331184/61158 -   - "Untitled" (America), "Untitled" (Portrait of Ross in L.A.), (How to Be A) Millionaire, (There'll Be Bluebirds Over) The White Cliffs of Dover, *Dʰéǵʰōm ... find all
 * 265478/119198 - ‘ - "Agathis" jurassica, "I AM" Activity, "I Scrubs", "Shotgun Tom" Kelly, '40s Junction ... find all
 * 87509/47847 - … - "If This Goes On—", "Untitled" (Portrait of Ross in L.A.), (24)7.ai, (At Your Best) You Are Love, (There's Gotta Be) More to Life ... find all
 * 54913/12171 - ʻ - $1000, 'Abd al-Ahad Khan mausoleum, 'Abd al-Rahim, 'Abd al-Wahid, 'Ali ibn al-'Abbas al-Majusi ... find all
 * 47381/10765 - ′ - 'Arura, 0-4-4-0, 11′09″01 September 11, 122nd Regiment (XPCC), 1470s in music ... find all
 * 26443/6212 - ″ - 'Arura, 10mm Auto, 10th Panzer Division (Bundeswehr), 11′09″01 September 11, 12 Lyncis ... find all
 * 24622/3723 - &amp;thinsp; (&thinsp;) - (679648) 2019 XS, 152830 Dinkinesh, 17365 Thymbraeus, 2-group, 2012 Canadian Championship ... find all
 * 24472/6215 - 　 - ...Suki xxx/0-ji Mae no Tsunderella, 100 Famous Japanese Mountains, 100 Pun de Meicho, 11th Golden Bell Awards, 12th Golden Bell Awards ... find all
 * 22716/9748 - № - *Dʰéǵʰōm, 103rd Rocket Brigade, 103rd Separate Guards Airborne Brigade, 10th Mobile Border Detachment, 110th Separate Guards Motorized Rifle Brigade ... find all
 * 22021/11346 - ` - 'Abd Allah II ibn 'Ali 'Abd ash-Shakur, 'Abdallah ibn 'Alawi al-Haddad, (Hash), *kʷetwóres rule, 1... R-32 opening ... find all
 * 21769/2925 - ― - 12th Canadian Screen Awards, 12th Central Committee of the Communist Party of Vietnam, 1761 in Russia, 1922 regnal list of Ethiopia, 1923 Spanish coup d'état ... find all
 * 13086/6940 - ´ - 1949 Copa Adrián Escobar final, 1963 CONCACAF Championship squads, 1969 Formula One season, 1970 ILTF Women's Tennis Circuit, 1978 Italian Grand Prix ... find all
 * 12757/6664 - ‐ - 1,5-Cyclooctadiene, 155 mm caliber, 15th Canadian Comedy Awards, 1867 New Zealand census, 1876 United States presidential election ... find all
 * 8437/5116 - ® - .408 Cheyenne Tactical, 1992 Hungarian Grand Prix, 2009 swine flu pandemic timeline, 2018–19 Formula E Championship, 2022 Maryland Attorney General election ... find all
 * 7686/4249 - © - 100 Great Paintings, 1637 Group, 1646 Programme Group, 1647 Programme Group, 1649 Programme Group ... find all
 * 5329/1114 - ｜ - 1964 in animation, 1997 Cerezo Osaka season, 1997 Urawa Red Diamonds season, 2012 Emperor's Cup, 2015 Liberal Democratic Party (Japan) leadership election ... find all
 * 3836/2384 - ™ - 2020 (Bon Jovi album), 2024 in equestrianism, Acid rain, Adam Freeland, Ainsley Hayes ... find all
 * 3522/276 - &amp;emsp; (&emsp;) - 1871 Dutch general election, 1877 Dutch general election, 1883 Dutch general election, 1886 Dutch general election, 1887 Dutch general election ... find all
 * 2307/486 - &amp;quot; (&quot;) - 2020 United States presidential election in Florida, 2022 ARCA Menards Series, 2022 Italian presidential election, 2023 Chennai Super Kings season, 2024 Panamanian general election ... find all
 * 2085/669 - ／ - 1964 Summer Olympics, 1964 Summer Olympics closing ceremony, 1976 in anime, 2008 World Mind Sports Games, 2014 Tokyo Marathon ... find all
 * 1625/1088 - ⅓ - 33⅓, A Storm in Heaven, Achtung Baby, Aegista celsa, Aegista chejuensis ... find all
 * 1329/251 - &amp;ensp; (&ensp;) - 1960 Winter Olympics, 1964 Winter Olympics, 2008 Mongolian parliamentary election, 2011 Summer Universiade, 2020 Mongolian parliamentary election ... find all
 * 982/543 - １ - 10-Piece handicap, 1936 in sports, 1968 in anime, 1998 Asian Junior Badminton Championships, 1st Helicopter Brigade ... find all
 * 784/499 - ２ - 10-Piece handicap, 1953 Northern Kyushu flood, 1998 Winter Olympics national flag bearers, 1999 in anime, 2009 Japanese general election ... find all
 * 771/504 - ＆ - 2015 Super GT Series, 2019 TCR Japan Touring Car Series, 2021 Júbilo Iwata season, 2021 in jazz, 2022 Júbilo Iwata season ... find all
 * 766/608 - ⅔ - 2024 St. Louis Cardinals season, All Saints Roman Catholic School, York, Allaire Iron Works, Allen McDill, Allen Ripley ... find all
 * 654/156 - &amp;hairsp; (&hairsp;) - Adjacency matrix, Adjugate matrix, Algebraic integer, Almost disjoint sets, Analytic semigroup ... find all
 * 589/212 - ＝ - 2007 Asian Baseball Championship, 2010 Okinawa gubernatorial election, 2011 Democratic Party (Japan, 1998) leadership election, 2012 in Japan, 2014 in Japan ... find all
 * 564/294 - ０ - 1967 in anime, 2001 Japan Airlines mid-air incident, 2007 Chūetsu offshore earthquake, 2009 Japanese general election, 2009 Tokyo prefectural election ... find all
 * 509/184 - ＋ - +Tic Elder Sister, 1992 Japan Football League, 1992 in Japanese football, 1995 Okinawa rape incident, 2015 WBSC Premier12 ... find all
 * 433/289 - ３ - 2001 in Japan, 2009 Japanese general election, 2011 Democratic Party (Japan, 1998) leadership election, 2012 in Japan, 2013 J.League Division 1 ... find all
 * 377/229 - ８ - 1953 Northern Kyushu flood, 1998 Asian Junior Badminton Championships, 2003 Miyagi earthquakes, 2007 Chūetsu offshore earthquake, 2007 Noto earthquake ... find all
 * 361/211 - ９ - 1979 in anime, 1998 Asian Junior Badminton Championships, 2001 Japan Airlines mid-air incident, 2007 Chūetsu offshore earthquake, 2009 Japanese general election ... find all
 * 332/208 - ⅛ - 1909 Isle of Man TT, 1910 Isle of Man TT, 2018–19 Ukrainian Cup, AMC and Jeep transmissions, American Derby ... find all
 * 320/241 - ４ - 1977 JSL Cup, 1981 in animation, 2009 in Japan, 2012 Tokyo gubernatorial election, 2012 in Japan ... find all
 * 314/222 - ５ - 1967 in animation, 1994 in Japan, 1995 in anime, 1996 Japanese general election, 1st Helicopter Brigade ... find all
 * 311/209 - ６ - 1917 in Japan, 1967 in animation, 2007 Chūetsu offshore earthquake, 2012 Tokyo gubernatorial election, 2012 in Japan ... find all
 * 289/74 - ％ - .tw, 2000 Chinese census, 2008 Taiwanese United Nations membership referendum, 2014 Japanese general election, 2021 Hiroshima gubernatorial election ... find all
 * 275/218 - ７ - 1... R-32 opening, 2001 Japan Airlines mid-air incident, 2005 HKFC International Soccer Sevens, 2006 Japanese television dramas, 2014 Japanese general election ... find all
 * 117/81 - Ｓ - 2013 in animation, 2014 in Japan, 2017–18 Japan Figure Skating Championships, 2019 in Japanese television, 2PM Best: 2008–2011 in Korea ... find all
 * 112/67 - Ｎ - 2009 Tokyo prefectural election, 2017–18 Japan Figure Skating Championships, 2019 in Japanese television, 61st NHK Kōhaku Uta Gassen, A World to Believe In ... find all
 * 107/64 - ϕ - Albalophosaurus, Alcman, Artificial gene synthesis, Arya (Iran), Carphologia ... find all
 * 103/61 - Ｏ - 2008 Japanese television dramas, 2019 in Japanese television, 4th Okinawa International Movie Festival, A Santa Cause: It's a Punk Rock Christmas, A World to Believe In ... find all
 * 100/72 - Ａ - 2012 Tokyo gubernatorial election, A (Cyrillic), APEC Japan 2010, AV Open, Air Traffic Controller (video game) ... find all
 * 89/78 - ＃ - 2000 in anime, 2016 in Philippine music, 22nd New York Asian Film Festival, 73rd Berlin International Film Festival, Akane Takayanagi ... find all
 * 84/71 - Ｂ - 2009 Japanese general election, 2012 Tokyo gubernatorial election, 2013 in animation, 2014 in Japan, 2019 in Japanese television ... find all
 * 82/45 - Ｄ - 68th Venice International Film Festival, AV Open, Air Traffic Controller (video game), Ballad (Ayumi Hamasaki song), Dear (Mika Nakashima song) ... find all
 * 77/42 - Ｅ - 2PM Best: 2008–2011 in Korea, 4th Okinawa International Movie Festival, APEC Japan 2010, AV Open, Akita Shinkansen ... find all
 * 77/55 - ＠ - 2021 FIFA Beach Soccer World Cup squads, 2channel, Aoba Fujino, Beatmania IIDX 21: Spada, Best Selection (Aimer album) ... find all
 * 71/55 - Ｋ - 2009 Tokyo prefectural election, 2012 Tokyo gubernatorial election, 2PM Best: 2008–2011 in Korea, 61st NHK Kōhaku Uta Gassen, AV Open ... find all
 * 67/24 - ＿ - 2019 Hokkaido gubernatorial election, Akita Sanesue, Amari Torayasu, Boon Hui Lu, Emoticon ... find all
 * 67/57 - Ｊ - 1994 JEF United Ichihara season, 2013 J.League Division 1, 2017 in association football, 2018 in rail transport, 2019 J.League Cup / Copa Sudamericana Championship ... find all
 * 66/43 - Ｔ - 2014 in Japan, 2024 Liberal Democratic Party (Japan) leadership election, 21st Golden Eagle Awards, 2PM Best: 2008–2011 in Korea, 4th Okinawa International Movie Festival ... find all
 * 61/55 - Ｖ - 2013 J.League Division 1, 21st Golden Eagle Awards, 4th Okinawa International Movie Festival, AV Open, Anna Yamada ... find all
 * 55/40 - Ｘ - 1976 in anime, 1986 in animation, 1987 in animation, AV Open, Daiyu Eight Co Ltd ... find all
 * 55/38 - Ｐ - 2013 J.League Division 1, 2PM Best: 2008–2011 in Korea, APEC Japan 2010, Advanced Medical Research Center, Air Development Squadron 51 (JMSDF) ... find all
 * 53/47 - Ｒ - 2018 in rail transport, Akita Shinkansen, Delay certificate, East Japan Railway Company, Expo 2010 ... find all
 * 53/38 - Ｇ - Assault of Maho Yamaguchi, Balloon Kid, Choruru, Chō Kuse ni Narisō, Cuticle Detective Inaba ... find all
 * 53/44 - Ｃ - 2017–18 Japan Figure Skating Championships, 21st Golden Eagle Awards, APEC Japan 2010, Alice & Zoroku, Ayane (singer) ... find all
 * 50/38 - Ｈ - 2009 Tokyo prefectural election, 4th Okinawa International Movie Festival, 61st NHK Kōhaku Uta Gassen, AV Open, Alcohol fuel ... find all
 * 47/39 - Ｍ - 1986 in animation, 2013 J.League Division 1, 2013 in animation, 2PM Best: 2008–2011 in Korea, 4th Okinawa International Movie Festival ... find all
 * 47/30 - Ｉ - 4th Okinawa International Movie Festival, Calamity of a Zombie Girl, Collection (2NE1 album), Deaths in January 2018, Di Gi Charat Nyo! ... find all
 * 41/19 - ＼ - Akudama Drive, Asuka Ōgame, DDT Pro-Wrestling, Gal-sen, Game of the Seven Kingdoms ... find all
 * 40/20 - ￥ - 8th Division of Xinjiang Production and Construction Corps, Bakudan Johnny, Bar (diacritic), Densha Otaku, Economy of China ... find all
 * 34/14 - ｒ - 1986 in animation, 2020 Blaublitz Akita season, 2PM Best: 2008–2011 in Korea, Dear (Mika Nakashima song), Dr. Stone season 1 ... find all
 * 34/25 - Ｌ - 2008 Japanese television dramas, A Santa Cause: It's a Punk Rock Christmas, Air Traffic Controller (video game), Asuka Kuramochi, Ballad (Ayumi Hamasaki song) ... find all
 * 29/6 - ｀ - Backtick, GRe4N BOYZ, High School DxD, List of emoticons, Pedobear ... find all
 * 27/3 - &amp;deg; (&deg;) - Elongated pentagonal bipyramid, Elongated square gyrobicupola, Elongated triangular cupola ... find all
 * 26/16 - ｏ - 2PM Best: 2008–2011 in Korea, Ajinomoto, Bubble Bobble (video game), Go! Princess Pretty Cure the Movie: Go! Go!! Gorgeous Triple Feature!!!, Gyaru-moji ... find all

CHECK EXTRACTED TEXT, add not-a-typo:
 * 3/2 -   - Biblical Hebrew, Vanessa Zamora ... find all

Requires extensive markup:
 * 1/1 - ｓ - Layout of the Port of Tianjin ... find all
 * 1/1 - ｍ - List of emoticons ... find all

Needs support for nested templates:
 * µ - List of QWERTY keyboard language variants, QWERTY

Parsing problems - 2024-06-20

 * 1/1 - &amp;zwnj; (&zwnj;) - Ilam province ... find all

Quote marks - 2024-06-20
Code change needed: Prioritize mismatched start/end, and mixed straight and curved.


 * 1554018/574735 - ’ - !K7 Music, "Agathis" jurassica, "Chūsotsu" "Chūkara", "I AM" Activity, "I Scrubs" ... find all
 * 776334/264552 - ” - "21 Azer" Medal, "Fish Alive" 30min., 1 Sequence by 6 Songs Sakanaquarium 2009 @ Sapporo, "Five stars rising in the East" armband, "I Scrubs", "If This Goes On—" ... find all
 * 761915/262941 - “ - "21 Azer" Medal, "Bund" in Latvia, "Fish Alive" 30min., 1 Sequence by 6 Songs Sakanaquarium 2009 @ Sapporo, "Five stars rising in the East" armband, "I Scrubs" ... find all
 * 265841/119337 - ‘ - "Agathis" jurassica, "I AM" Activity, "I Scrubs", "Shotgun Tom" Kelly, '40s Junction ... find all
 * 54848/12154 - ʻ - $1000, 'Abd al-Ahad Khan mausoleum, 'Abd al-Rahim, 'Abd al-Wahid, 'Ali ibn al-'Abbas al-Majusi ... find all
 * 50254/11289 - ′ - 'Arura, 0-4-4-0, 11′09″01 September 11, 122nd Regiment (XPCC), 1470s in music ... find all
 * 26993/6362 - ″ - 'Arura, 10 Hygiea, 10mm Auto, 10th Panzer Division (Bundeswehr), 11′09″01 September 11 ... find all
 * 22008/11368 - ` - 'Abd Allah II ibn 'Ali 'Abd ash-Shakur, 'Abdallah ibn 'Alawi al-Haddad, (Hash), *Kʷetwóres rule, 1... R-32 opening ... find all
 * 13134/6961 - ´ - 1949 Copa Adrián Escobar final, 1963 CONCACAF Championship squads, 1969 Formula One season, 1970 ILTF Women's Tennis Circuit, 1978 Italian Grand Prix ... find all
 * 2030/485 - &amp;quot; (&quot;) - 2020 United States presidential election in Florida, 2022 ARCA Menards Series, 2022 Italian presidential election, 2023 Chennai Super Kings season, 2024 Panamanian general election ... find all

Easy - 2024-06-20

 * 330805/60950 -   - "Untitled" (America), "Untitled" (Portrait of Ross in L.A.), (How to Be A) Millionaire, (There'll Be Bluebirds Over) The White Cliffs of Dover, *Dʰéǵʰōm ... find all
 * 87629/47884 - … - "If This Goes On—", "Untitled" (Portrait of Ross in L.A.), (24)7.ai, (At Your Best) You Are Love, (There's Gotta Be) More to Life ... find all
 * 22561/9743 - № - *Dʰéǵʰōm, 103rd Rocket Brigade, 103rd Separate Guards Airborne Brigade, 10th Mobile Border Detachment, 110th Separate Guards Motorized Rifle Brigade ... find all
 * 22181/2915 - ― - 12th Canadian Screen Awards, 12th Central Committee of the Communist Party of Vietnam, 1922 regnal list of Ethiopia, 1923 Spanish coup d'état, 1969 FIVB Volleyball Men's World Cup ... find all
 * 12745/6663 - ‐ - 1,5-Cyclooctadiene, 155 mm caliber, 15th Canadian Comedy Awards, 1867 New Zealand census, 1876 United States presidential election ... find all

IP - 2024-06-20

 * 8432/5115 - ® - .408 Cheyenne Tactical, 1992 Hungarian Grand Prix, 2009 swine flu pandemic timeline, 2018–19 Formula E Championship, 2022 Maryland Attorney General election ... find all
 * 7692/4256 - © - 100 Great Paintings, 1637 Group, 1646 Programme Group, 1647 Programme Group, 1649 Programme Group ... find all
 * 3817/2380 - ™ - 2020 (Bon Jovi album), 2024 in equestrianism, Acid rain, Ainsley Hayes, AirHop Communications ... find all

Whitespace - 2024-06-20

 * 24591/3717 - &amp;thinsp; (&thinsp;) - (679648) 2019 XS, 152830 Dinkinesh, 17365 Thymbraeus, 2-group, 2012 Canadian Championship ... find all
 * 3511/274 - &amp;emsp; (&emsp;) - 1871 Dutch general election, 1877 Dutch general election, 1883 Dutch general election, 1886 Dutch general election, 1887 Dutch general election ... find all
 * 1329/251 - &amp;ensp; (&ensp;) - 1960 Winter Olympics, 1964 Winter Olympics, 2008 Mongolian parliamentary election, 2011 Summer Universiade, 2020 Mongolian parliamentary election ... find all
 * 653/154 - &amp;hairsp; (&hairsp;) - Adjacency matrix, Adjugate matrix, Algebraic integer, Almost disjoint sets, Analytic semigroup ... find all

Fractions - 2024-06-20

 * 1624/1086 - ⅓ - 33⅓, A Storm in Heaven, Achtung Baby, Aegista celsa, Aegista chejuensis ... find all
 * 766/608 - ⅔ - 2024 St. Louis Cardinals season, All Saints Roman Catholic School, York, Allaire Iron Works, Allen McDill, Allen Ripley ... find all
 * 332/208 - ⅛ - 1909 Isle of Man TT, 1910 Isle of Man TT, 2018–19 Ukrainian Cup, AMC and Jeep transmissions, American Derby ... find all

=Bible cleanup=
 * Template:Judeo-Christian navboxes - unclear many of these need to exist; linked articles should probably be mentioned in the body prose so they can be put into context
 * Category:Bible chapters
 * Book of Jeremiah - 33,002
 * Book of Psalms - 30,147
 * Book of Ezekiel - 29,918
 * Book of Exodus - 25,957
 * Book of Isaiah - 25,608
 * Book of Numbers - 25,048
 * Book of Deuteronomy - 23,008
 * 2 Chronicles - 21,349
 * 1 Samuel - 20,837
 * 1 Kings - 20,361
 * Book of Luke - 19,482
 * Book of Leviticus - 18,852
 * 2 Kings - 18,784
 * Book of Acts - 18,450
 * Book of Matthew - 18,346
 * 2 Samuel - 17,170
 * 1 Chronicles - 16,664
 * Book of Joshua - 15,671
 * Book of John - 15,635
 * Book of Judges - 15,385
 * Book of Job - 12,674
 * Book of Mark - 11,304
 * Book of Proverbs - 9,921
 * Book of Revelation - 9,851
 * Book of Daniel - 9,001
 * Book of Nehemiah - 8,507
 * Book of Romans - 7,111
 * Book of Ezra - 5,605
 * Book of Hebrews - 4,953
 * Book of Esther - 4,932
 * Book of Zechariah - 4,855
 * Book of Ecclesiastes - 4,537
 * 2 Corinthians - 4,477
 * Book of Hosea - 3,615
 * Book of Amos - 3,027
 * Book of Ephesians - 2,422
 * Book of Lamentations - 2,324
 * Book of Galatians - 2,230
 * Book of Micah - 2,118
 * Book of Ruth - 2,039
 * Book of Song of Solomon - 2,020
 * Book of Philippians - 1,629
 * 1 Timothy - 1,591

=Early Christianity template=


 * Judaism
 * Essenes - practiced Baptism
 * Gnosticism
 * Mandaeism - includes Adam, Seth, Enos, Noah, Shem, Aram, and John the Baptist, but not Abraham, Moses, or Jesus. Baptism, no circumcision.

Terminology notes:
 * Nazarene - sometimes used refer to Jesus (because he was from Nazareth) or all Christians, especially in the 1st century
 * Sabians: A Quranic name of uncertain meaning, possibly referring to Mandaeans or Harranians or Elcesaites. Today used by some Mandaeans.