User:Benedict Andrews/sandbox

Now based in Reykjavik, Benedict Andrews is established as one of the most sought after Australian theatre directors of his generation.

Theatre
His work has been described as visionary and praised for its innovative staging, arresting visual style and visceral performances. His recent production of Tennessee Williams’ A STREETCAR NAMED DESIRE (with Gillian Anderson and Ben Foster) was the fastest selling production in the Young Vic’s history. His production of Jean Genet’s The Maids (with Cate Blanchett, Elizabeth Debickie and Isabelle Huppert) played to great acclaim and packed houses as part of the 2014 Lincoln Center Festival.!

Over the past decade, Benedict has built up a remarkable and singular body of work for theatres in Australia and Europe. He is known for his radical versions of masterpieces by Shakespeare, Anton Chekhov, Jean Genet and Tennessee Williams, as well as his stagings of contemporary writers such as David Harrower, Martin Crimp, Marius von Mayenburg, Caryl Churchill and Sarah Kane. He has worked with an extraordinary roll-call of actors including Gillian Anderson, Ben Foster, Vanessa Kirby, Isabelle Huppert, Elizabeth Debickie, Judy Davis, Ben Mendelsohn, David Wenham, Emily Barclay and Lars Eidinger, as well as repeat collaborations with Cate Blanchett.

Benedict has been a regular guest at London’s Young Vic, Sydney Theatre Company and Belvoir Street Theatre in Sydney, the Schaubühne am Lehniner Platz in Berlin, and the National Theatre of Iceland in Reykjavik. Key productions include: Three Sisters (Young Vic, 2012) which won the London Critics’ Circle Award for Best Director; Groß und Klein (STC, 2011) for which Benedict received the 2011 Helpmann Best Director award for the third time and which toured to Théâtre de la Ville (Paris), The Barbican (London), the Wiener Festwochen (Vienna) and the Ruhrfestspiele (Recklinghausen); and the marathon Shakespeare cycle, The War of the Roses (STC, 2009) which was the theatrical highlight of the 2009 Sydney and Perth festivals, receiving six Helpmann Awards including Best Play and Best Direction of a Play, as well as five Sydney Theatre Awards for Best Direction and Best Mainstage Production.!

Opera
Benedict also works extensively in opera. In autumn 2014, he will open a new production of LA BOHEME at Dutch National Opera, a co-production with English National Opera. His prior ENO production, Detlev Glanert’s CALIGULA (2012), was nominated for an Olivier Best New Opera Production award and toured to Teatro Colón, Buenos Aires in 2014. Other recent opera includes: Verdi’s MACBETH at Royal Danish Opera; LE NOZZE DI FIGARO at Sydney Opera House; THE FIERY ANGEL at Komische Opera, Berlin.

Writing
Theatre

As a writer, Benedict’s theatrical adaptations are recognised for their freshness and vitality. These include: THE MAIDS (with Andrew Upton), Three Sisters, THE SEAGULL, THE WAR OF THE ROSES (with Tom Wright) and LIFE IS A DREAM (with Beatrix Christian.)

Benedict’s first original play EVERY BREATH was produced at Belvoir Street Theatre in 2012 and subsequently translated into Portuguese by Jorge Silva Melo and produced by Artistas Unidos in Lisbon 2013, directed by John Romão. The Portuguese production was nominate for Time Out Lisbon’s Best Play award.

Poetry

Benedict’s first volume of poetry LENS FLARE was published in 2014 by Pitt Poetry.