User:Bialytock&Bloom/Handspring Puppet Company

The Handspring Puppet Company is a puppetry performance and design company established in 1981 by Adrian Kohler and Basil Jones, situated in Cape Town, South Africa. Thys Stander is the company's chief puppet maker.

History
Jones and Kohler met at the Michaelis School of Fine Art in Cape Town. Both openly gay, they began dating soon after. At first, they designed puppets for children-targeted productions, which Jones initially disliked. Kohler "introduced him [Jones] to the west African tradition of puppetry for adults," working with Malcolm Purkey and Barney Simon, among others.

Productions and exhibitions
1987 saw their exhibition of "Unmasking the Puppet" at UNISA. Prior to that, Esther van Ryswyk directed their puppets in a play called Episodes of an Easter Rising (1985), based on David Lyttons's radio special of the same name. It premiered in Charleville-Mézières, France.

In 1997, they worked with William Kentridge on Ubu and the Truth Commission. It premiered in Johannesburg, South Africa, on 26 May 1997. Kentridge had been working for some years with the Handspring Puppet Company in Johannesburg, most notably on Woyzeck on the Highveld in 1993 and Faustus in Africa in 1996. The latter, according to Kentridge, was "a huge undertaking", after which he and the company were on the look-out merely for something small to "do and survive". Starting on 18 September 1998, Ubu and the Truth Commission played at the Kennedy Center in Washington, D.C., for four performances.

Yaya Coulibaly's play Tall Horse (2006) toured Africa under the supervision and direction of the company. On 1 March 2011, Kohler and Jones demonstrated a hyena puppet used in Faustus in Africa (1995) at the TED 2011 event in Long Beach, California.

The Handspring Puppet Company acheived critical acclaim when War Horse premiered in South Bank, London, on 17 October 2007. For this show, Kohler and Jones worked with directors Marianne Elliott and Tom Morris and choreographer Toby Sedgwick to construct and design life-sized horse puppets, controlled by three actors: two to operate the legs and one to control the head and neck, with all three actors providing a variety of sound effects. In doing so, the company won an Olivier Award, Evening Standard Theatre Award and London Critics' Circle Theatre Award.

After the success of War Horse's South Bank production, the show transfered to the West End on 28 March 2009. On 15 March 2011, the show began performances at the Vivian Beaumont Theatre on Broadway, and a Canadian production is expected to open in early 2012.

The company collaborated with Neil Bartlett on Or You Could Kiss Me, which opened at National Theatre in London on 5 October 2010, following previews from 28 September. The show has been described as "an intimate history of two very private lives, lived in extraordinary times." It closed on 18 November 2010.