User:Camembert/Sandbox

Sixth chords, blah blah blah:



And so blah blah blah



Some problems present the Plachutta theme in a much more complex form. To the right is a problem by Milan Vukcevich, published in Chess Life in 1988, a mate in four. The key is 1.Na2, which is not a Plachutta sacrifice, but which threatens one: 2.c4+ (221 in Wizadry)

Absurd: commedia dell'arte, music hall, surrealism (Adamov), pataphysics (specif Ubu Roi, cf Mondrian and abstract expres), nonsense (Carroll, Lear, others), check biblio in Esslin.

for graphic notation,

scales, birdsong, links to things like psychoacoustics, headers, multiple parts: performance, composition, history, function, society, instruments, whatever. big references works (Grove etc).

Lengths of symphonies - It.ovt length -> Mahler etc. Also key relationships between movements (and Monn's D 1740 all being in one key). Beethoven: symph as struggle; finale as culmination of work (not light relief). Dearth of symphs after Beethoven (only abstract works by Schumann and Mendelssohn - others forgotten). symphonic poem.

Grove up: Edo de Waart, Eliahu Inbal, Eugene Istomin, Kurt Eichhorn, Talk:Paul Paray. Check Golombek, Whyld, etc for Opera box game

Vaudeville has a different meaning in the US to France, music, etc.

"Vertical" rhythm in Bruckner 6 (Talk:Anton Bruckner) (notes in black box - check on recording)

for Stalin Prize.

DW strikes again (maybe) (check lib)

Kirsan Ilyumzhinov

endgame, Troitzky line