User:ChildSouljaBoy/sandbox

Practicing Citations

Van Fleit’s work on People’s Literature - both the magazine and the general notion - is extremely significant to my wikipedia page.

Guo Wu’s work on representation of landlords in Chinese literature takes a particular focus on a publication within People’s Literature at one point, a significant example of the powerful cultural and political influences both exerted upon and by the magazine.

Shuyu Kong’s work analyses Chinese literary journals - largely People’s Literature - specifically focusing on how they have evolved between the “Rock and a Hard Place” of political pressure and the Cultural Market.

Answers to Module 7 Questions

The Media is a picture of my cat sitting.

It is my own photograph.

The file format is JPG.

The file is licensed under the Creative Commons Attribution-Share Alike 4.0 International license.

The file is under the category of 'cat' and 'animal'

I described the image as 'A cat sitting sideways.'

Editorial Stance
A publication formed and funded by the newly emerging People’s Republic of China, People’s Literature played a significant political and cultural role in the emerging communist state. Though not in direct control of the Chinese state, the Chinese Writers Association, which issues the magazine, falls into a subdivision of the Chinese Communist Party's United Front system. Though the paper precedes the united front by a few months, it's editors were carefully selected so as to reflect the interests of the Chinese Communist Party; editors Mao Dun and Ai Qing both being prominent left wing writers and members of the party. However, the magazine was not subject to serious political censorship until the onset of the cultural revolution; during the period between 1966 and 1976, People’s Literature, along with almost all other literary journals in China stopped publishing.