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= Kelly Sue DeConnick =

Career
DeConnick was first introduced to the comics industry by writing copy for photos in adult magazines. She eventually moved on to posting her own stories on a message board for fellow comic book author Warren Ellis. He invited her to work on his new website at the time, artbomb.net, where she wrote catalog entries for comic-book issues. Later in life, she got a job translating Japanese manga comics for Tokyopop and Viz. In order to make sure the dialogue she was translating to English still followed the story arcs, she worked with a translator. DeConnick did this for seven years, and estimates she wrote more than 11,000 comic-book pages. About her work in translation she said “...when people say dialogue is the best part of my scripts, it’s because I had a lot of practice.”

DeConnick's first published comic book story was a five-page text story published in CSI: Crime Scene Investigations – Dominos #5 (Dec. 2004). She wrote the Osborn limited series in 2011 which was drawn by Emma Ríos. (ALREADY IN WIKI)

DeConnick will begin writing DC's Aquaman issue #43 in December. ''She was very interested in writing the character of Aquaman because he's not as well known as his Justice League counterparts. According to a 2018 Polygon interview, DeConnick said “Aquaman is this character where...he is part of the Justice League...But he’s also kinda considered second-tier. So he’s a little bit under the radar and I think that that makes him an underdog to start with, which is a place I really like to work from.” In response to those worried about her changing the character DeConnick said "I'm writing my'' Aquaman. I've done my research...Taking an interest in a character is one thing, but crafting your own unique approach is another."

Personal Life
In the She Makes Comics documentary, Kelly Sue DeConnick reveals she was raised on various military bases because her father was in the United States Air Force. She says that comics were a part of "base culture" and her mother used to buy Wonder Women comics thinking they were Go Girl books to give to DeConnick as rewards. She earned a drama degree from the University of Texas at Austin. DeConnick is married to fellow comic book writer Matt Fraction with whom she has two children, Henry Leo and Tallulah Louise. Each year around the anniversary of the day she quit drinking (eighteen years as of June 2018), DeConnick posts an update on social media about her years of sobriety and offers advice to those who are still struggling with their addictions.

Feminism
DeConnick is a self-proclaimed feminist and takes her position as a voice for women in the comic industry seriously. She started the #VisibleWomen movement on Twitter in March 2016 "to disabuse folks of the notion that women comic artists are rare, to get eyes on said artists & to get them work." (ALREADY IN WIKI). ''With the help of this movement, women (or others who do not identify as a man) submit their works on social media to increase their visibility in the comic industry. It is open to colorists, letterers, inkers, and writers. Rules for submissions can be found on the website of the production company owned by her and her husband, Milkfed Criminal Masterminds.''

In another effort to support new artists, DeConnick helped found Creators for Creators, a non-profit organization that provides grants and mentoring to new artists. When asked about handling sexism in the historically male-dominated comic industry, DeConnick advised, "Be terrifying." (ALREADY IN WIKI)

DeConnick makes a point to break the "damsel in distress" stereotype in her work. She received backlash from comic fans for several of the changes made to Carol Danvers comics during her time as a writer for Ms. Marvel and Captain Marvel, which resulted in accusations of being "an angry feminist" and taking "the character and [inserting] her feminist agenda."(ALREADY IN WIKI) Regarding the opportunity to write Carol Danvers DeConnick said, "Pretty much any chance I get to write female characters I'm going to write them because I want to see more of them." She received criticism over her approach of the character before the first issue was even published because of her feminist beliefs. Using her family background in the Air Force, she was able to "add an extra dimension" to Danvers' character development and "gave it a personal angle". During this time, the character's codename and uniform were changed, although DeConnick noted that plans for these changes "[predate] her involvement by years". With this new and improved Carol Danvers, DeConnick influenced the story foundation for the upcoming Captain Marvel movie.

According to a 2014 study, the fastest growing demographic for comic readers was young adult women, crediting DeConnick's comic Pretty Deadly as one of the titles capturing this growing demographic's attention.

DeConnick also proposed the "Sexy Lamp Test" adjunct to the Bechdel test. In a 2012 interview, she said "If you can replace your female character with a sexy lamp and the story still basically works, maybe you need another draft. They have to be protagonists, not devices."

In response to negative fan response to Captain Marvel, DeConnick created her series Bitch Planet. She explained "If you want to see 'angry feminist,' then I will show it to you." Bitch Planet is a dystopian series where "non-compliant" women are sent to a "correction facility" on another planet. DeConnick cites Margaret Atwood's The Handmaid's Tale and RoboCop as influences in the creation of Bitch Planet. (ALREADY IN WIKI) ''In Bitch Planet, women who do not follow the rules of the patriarchy and are put in jail are given “Non-Compliant” tattoos. Many fans of the comic have gotten these same symbols tattooed on their bodies because they connect with the women in the comic. She brought it up in a 99U talk and said "You don't get that tattoo to celebrate something in the book, you get that tattoo because the book celebrates something in you."''

In 2012, DeConnick attended Dundrum International Comics Expo as a guest. When an associated Irish comic news site referred to her only in relation to her husband, fans and fellow professionals created a "not the wife of Matt Fraction" meme in response. Following the attention, the website amended their listings. In 2014, Graham Crackers, a Chicago-based comic shop jokingly referred to DeConnick as "Mrs. Matt Fraction" when reviewing her series Bitch Planet, referring to Matt Fraction as "Mr. Kelly Sue DeConnick" in the same set of reviews. Fans accused them of underestimating the complicated history of referring to a woman by her husband's name and demanded she receive proper recognition for her work. The comic shop later issued an apology and revised the names of the couple on the reviews.

At a 2013 convention panel, she stated that "I am willing to make people uncomfortable so that my daughter doesn't have to!" Following up in an interview the following year, she explained "I don't think it's a goal to make other people uncomfortable. It's something I'm willing to do. I do purposefully try to push myself out of my comfort zone. Which is fairly cliché, but one of those clichés that got there for a reason."

About using her full name Kelly Sue DeConnick, she said "I didn't grow up Kelly Sue. I was Kelly. I use Sue and I insist on using Sue so that when someone sees a book with my name on it, they know it was written by a woman. I want a little girl who sees that to know that that's something she can do."

Awards
She was nominated for an Eisner Award for Best Writer in 2014 for her Pretty Deadly series, another project she co-created with Emma Rios. (ALREADY IN WIKI)