User:Chrisd915/sandbox

In the 1920s and 1930s, Central and West Harlem was the focus of the "Harlem Renaissance", an outpouring of artistic work without precedent in the American black community. Though Harlem musicians and writers are particularly well remembered, the community has also hosted numerous actors and theater companies, including the New Heritage Repertory Theater,[17] National Black Theater, Lafayette Players, Harlem Suitcase Theater, The Negro Playwrights, American Negro Theater, and the Rose McClendon Players.[18] The Apollo Theater opened on 125th Street on January 26, 1934, in a former burlesque house. The Savoy Ballroom, on Lenox Avenue, was a renowned venue for swing dancing, and was immortalized in a popular song of the era, "Stompin' At The Savoy". In the 1920s and 1930s, between Lenox and Seventh Avenues in central Harlem, over 125 entertainment places operated, including speakeasies, cellars, lounges, cafes, taverns, supper clubs, rib joints, theaters, dance halls, and bars and grills.[19] Some jazz venues, including most famously the Cotton Club, where Duke Ellington played, and Connie's Inn, were restricted to whites only. Others were integrated, including the Renaissance Ballroom and the Savoy Ballroom.

Early Life
In 1936, Orson Welles produced his famous black Macbeth at the Lafayette Theater in Harlem.[20] Grand theaters from the late 19th and early 20th centuries were torn down or converted to churches. Harlem lacked any permanent performance space until the creation of the Gatehouse Theater in an old Croton aqueduct building on 135th Street in 2006.[21] Since 1965, the community has been home to the Harlem Boys Choir, a famous touring choir and education program for young boys, most of whom are black. The Girls Choir of Harlem was founded in 1989.[22] Harlem is also home to the largest African American Day Parade which celebrates the culture of African diaspora in America. The parade was started up in the spring of 1969 with Congressman Adam Clayton Powell, Jr. as the Grand Marshal of the first celebration.[23] Arthur Mitchell, a former dancer with the New York City Ballet, established Dance Theatre of Harlem as a school and company of classical ballet and theater training in the late 1960s. The company has toured nationally and internationally. Generations of theater artists have gotten a start at the school. Manhattan's contributions to hip-hop stems largely from artists with Harlem roots such as Kurtis Blow, Big L, Cam'ron, Immortal Technique, Mase, and P. Diddy. Harlem i