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Korea's representative traditional operas include Mask play, Pansori, Changgeuk, and Revolutionary opera.

They are a comprehensive stage art centered on music.

Mask play ( Talchum)
Talchum is a traditional play performed while wearing a mask and dancing. At first, clowns performed at court events, but during the late Joseon Dynasty, it developed into a popular culture. satirizing social status or humorously portraying the hard lives of the people. The mask dance led to the role of" social air" satirizing the joys and sorrows of ordinary people's lives and unreasonable social phenomena. In terms of economy, mask dance was popular thanks to the improvement of the economy of the working class and the active support of merchants, and the march of mask dance was moved to the working class and settled as a "flower" of the working class culture.

Bukcheong Lion Play
Bukcheongja Nori was performed throughout Bukcheong-gun on the fifteenth of lunar January in Bukcheong-do, Hamgyeongnam-do.

In 'Bukcheongja Noreum', the lion goes from house to house to house to pray for good fortune. At this time, they pretend to eat something here and there, which indicates that lions eat evil spirits or evil spirits in the house. In the area where Bukcheongja Nori is popular, there was a custom of believing that children would become healthy when riding a lion, or that they would live a long life if they had the hair of a lion mask used for lion play.

Bongsan Mask Dance
Bongsan mask dance was handed down to Bongsan-gun, Hwanghae-do. It is designated as National Intangible Cultural Property No. 17.

In case of the early lion dance, the order was very simple. However, the dance got more plentiful after the performance in the United States of 1977. Most of the lion dance movements added in the later generations, were newly choreographed suitable for the lion dance by applying the dance movements performed by Buddhist monks. Like this, Bongsan Lion Dance has been continuously changed in the flow of time. Despite the distance in each time, those three types of jokes and lion dance were well-organized focusing on a certain structure of each scene. It is tough to verify if the mask dance performers of the time composed the jokes and dance by intentionally using this structure.

Pansori
"Pansori" is a genre in which a singer and a drummer (a drummer) are arrested for weaving musical stories. It is narrated with a richly expressive 'Chang' (singing) and 'Anili' (words) with a certain style, and rich editorials and body gestures. It is a one-man play centered on music by two people, Chang-ja and Gosu.

In the process of the development of pansori, as the scholars participated as the perfume layer of pansori, the creators of pansori needed to respond not only to the tastes of ordinary people but also to the tastes of the classical music class. These requests promoted the fusion of classical music elements into pansori based on common people's music, and as a result, the five foundations of pansori are organized.

five pansori yards
Chunhyangga, Sugungga, Simcheongga, Heungboga, Jeokbyeokga In the process of the development of pansori, as the scholars participated as the perfume layer of pansori, the intestines of pansori need to respond not only to the tastes of ordinary people but also to the tastes of the classical scholars. These requests promoted the fusion of classical music elements into pansori based on common people's music, and as a result, the five foundations of pansori are organized. Chunhyangga, which emphasizes women's incision, Simcheongga, which emphasizes filial piety, Heungbo, which emphasizes brotherly friendship, Sugungga, which emphasizes loyalty, and Jeokbyeokga, which sings part of the Three Kingdoms of China, have emerged as important pieces of music.

Changgeuk
Changgeuk is a musical drama unique to our country based on singing. Changgeuk used pansori as its material and differentiated it into a musical drama that played various dances and music together. Changgeuk has elements of modern drama in that it is based on pansori and that it is staged under the influence of Japan's new wave. The first Changgeuk is closely related to the "40th year of the reign of King Gojong" in the fall of 1902. In order to create a festive atmosphere in which the invited ambassadors of each country are welcomed by the general public, Hidae, a professional entertainment space such as a theater in Western society, was established.

Type of Changgeuk

 * Choi Byung-doo Taryeong


 * Ok Jung Hwa

Group of Changgeuk

 * Association for the Study of Korean Vocal Music


 * Women's national theater troupe

Korean revolutionary opera
Korean revolutionary opera refers to music, dance, drama, etc. aimed at enlightening thought in North Korea. evolutionary opera is generally large in scale because it is closer to musical than opera in form and aims at ideological enlightenment than artistry. Therefore, the theme of the work is revolutionary, the way of expression has realistic characteristics, and a large stage with more than 200 actors appears.

Type of Korean revolutionary opea
This is the first of the five revolutionary acts. It is called the best revolutionary opera that embodies the so-called "self-reliance" of Kim Il-sung and his policy on the construction of revolutionary opera. This work emphasizes the inevitability of the "revolution" through the suffering of the mother of Eulnam (sunnyeo) by Japan as a backdrop of the times from the late 1920s to the early 30s. Kim Il-sung made a play in 1930 when he was organizing a project to revolutionize the rural areas of Ogaja, Manchuria, and was recreated as a revolutionary opera under Kim Jong-il's leadership in 1972. This work is about the anti-Japanese anti-feudal class struggle of the "Kkotbun" family against the backdrop of the times from the late 1920s to the early 30s. It was his first performance in 1971, and the plot is that Kang Yeon-ok, a North Korean military nurse, risked his life to carry a critical patient back despite several U.S. military attacks.
 * A sea of blood
 * A flower girl
 * The true daughter of a party