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Leave Home is the second studio album by American punk rock band the Ramones. It was released on January 10, 1977 through Sire Records, with the expanded CD being released through Rhino Entertainment on June 19, 2001. Songs on the album were written immediately following it's predeceasing album's writing process, which demonstrated the band's progression. The album had a higher production value than their debut Ramones and featured faster tempos. The front photo was taken by Moshe Brakha and the back cover, which would become the band's logo, was designed by Arturo Vega. The album was promoted with three singles, but only one succeeded in charting. It was also publicized with several tour dates in the United States and Europe.

The songs in Leave Home concentrate on various themes, and the musical tones were diverse as well. Some tunes were more pop-oriented, while others, like "Gimme Gimme Shock Treatment" and "Pinhead" were loaded with distorted guitars and had a more punk rock sound. The song "Carbona Not Glue" was taken off the album because it violated the trademark of the stain-removal product Carbona. The track was replaced with "Shenna Is a Punk Rocker" in the United States and "Babysitter" in the United Kingdom; however, all three of these tracks were included on the 2001 expanded edition.

Critical reception for the album was usually favorable, with several reviewers pointing out the fact that it highly resembled the band's debut album. Critics also said the album was less groundbreaking than their debut, but had humor and enjoyable pieces. The album peaked at 148 on the Billboard 200 despite its critical acclaim as well as the band members expecting more commercial success.

Conception
The writing and structure are both somewhat more sophisticated than the songs on their previous record. Guitarist Johnny Ramone relates: "We recorded them in the order they were written; we wanted to show a slight progression in song structure." Most of the songs were written in the band member's homes, rather than at a studio; "Suzy Is a Headbanger" was written in drummer Tommy Ramone's loft apartment.

{{Quote|"I wrote most of the stuff I contributed at my apartment in Forest Hills, before I left and moved back to a place in the city. I had no amp at home, just an electric guitar. I recorded it onto a cassette and played that back at rehearsal. We had better production, we were playing a little faster, and we had a lot of songs accumulated. We were in really good shape for that album."|Joey Ramone

Recorded at October 1976 at Sundragon Studios, New York City, Leave Home also featured more advanced production methods by record producer Tony Bongiovi and Tommy Ramone. On a budget of about $10,000, more emphasis was be placed on mixing and production than on their debut album. All tracks on the album were recorded in a single session. Like their debut album, it took only a few takes to record the album, using overdubs on the guitar as well. The songs on Leave Home featured a much higher standard of production and engineering. Bongiovi and Tommy collaborated to help make the sound quality more fine-tuned and exceptional than other punk rock bands at the time. Tommy would soon drop his duties as a drummer to work solely on the record's production value.

The title Leaving Home refers to the Ramones leaving New York City to go on tour around the world. The album cover was designed by Moshe Brakha, who had worked with the Rolling Stones to yield the Black and Blue (1976) cover art, and would later work with artists like Devo and Iron Maiden. The back cover of the album was a drawing of a bald eagle by graphic designer Arturo Vega. The image would soon become the band's logo.

Promotion
There were three singles released from Leave Home: "I Remember You," "Swallow My Pride," and "Cabona Not Glue," released respectively. "Swallow My Pride" was the only single spawned from Leave Home that charted, peaking at thirty-six on the United Kingdom singles chart. The album's final single, "Cabona Not Glue"/"I Can't Be," was released in 1991 under Sub Pop Records. The single was rewarded four out of five stars by Allmusic's Matt Whalley, who said that the song "could have been one of the Ramones' most popular tracks if it was not pulled from the album due to legal reasons." Whalley called the B-side "I Can't Be" "simple," describing it as "in the same vein as 'Carbona Not Glue,' only shifting focus to relationships."

After the album came out in February, the band began a four-week tour of the United States starting with Los Angeles. In February 4, the band played at the Nassau Coliseum with Blue Oyster Cult, and played with Suicide the next day at CBGB. A week after this, the band played with Blue Oyster Cult again in Poughkeepsie, to which Johnny relates: "Those arena shows were a little better for us, although we would have more bad experiences in those big places. I never really enjoyed playing them." The band used their newly designed logo as a backdrop at concerts. They also had more advanced lighting techniques, but still only used white lights.

In April 1977, the band left the United States to begin their tour in Europe. The Ramones co-headlined with the Talking Heads, who were a new wave band formed in 1975. During a Marseilles gig, the Ramones caused a power outage to a quarter of the city during a sound check. The gig was cancelled when police were arrived and dispersed the fans. When the tour manager arranged for a stop at the Stonehenge in Wiltshire, Johnny refused to leave the bus, saying he refused to see "a bunch of old rocks." The band's Europe tour came to an end on June 6, 1977.

Compositions
The whole routine was strangely exhilarating. There was genuine glee and exuberance in the execution. The songs built to exciting crescendos, and the pace never lessened for one second. Emotionaly, the were tough as well, which was a welcome antidote to the usual liberal posture (i.e, always complaining).

Leave Home has various lyrical themes throughout its track list. The opening song, "Glad to See You Go," is rather uptempo and frenetic. The track was about Dee Dee's then-girlfriend Connie, who was well-known in the punk rock scene, as had once dated New York Dolls bassist Arthur Kane and cut his finger off with a knife. Connie also harmed Dee Dee in several ways, such as slicing his buttocks with a beer bottle. At the time, every other member of the band despised Dee Dee's girlfriend and he eventually broke up with her. Joey recalls: "Dee [Dee] and I came up with the song 'Glad to See You Go,' about Connie's leaving." In the mid-1980's, Connie died from a drug overdose. "Gimme Gimme Shock Treatment" utilizes Joey's singing abilities with its vocal-demanding melody. Author Scott Schinder called the song a "sing-along mental-illness ode. The next song, "I Remember You" was said by author Greil Marcus to be all about the moment where "Joey's voice turns the single word "you" into pure poetry." "Oh, Oh, I Love Her So" pays homage to the 1950's doo-wop genre, and is comprised of a three-chord barrage. The song was written solely by Joey, where in the song he humorously tells of how he met a girl at Burger King and they fell in love by a soda machine.

"Carbona Not Glue" was written as a follow-up to "Now I Wanna Sniff Some Glue" from their debut album. The song was Legs McNeil's favorite song from Leave Home, who relates: "[The song] was meant to clarify that while glue might not be good for you, the cleaning fluid Carbona was definitely a better high." The mid-tempo "Sheena is a Punk Rocker" deviates from a three-chord pattern and is about a girl who strays away from the popular disco and surf music and begins titling herself as a punk. The song contemplates around Beach Boys harmonies, and it uses a "bouncy" guitar riffs. "Suzy Is a Headbanger" was inspired by the 1947 film film noir Nightmare Alley, with the lyrics detailing a female involved in the punk rock scene.

The lines "Gabba Gabba Hey" at the end of "Pinhead" were taken from the horror film Freaks, which the band saw in Cleveland, Ohio after their gig was cancelled. Mickey Leigh said that it was specifically taken from the scene where "the midget groom does a dance on the banquet table and sings 'Gobble gobble, we accept you, one of us' to his bride." The song is an audience participation song, and during live performances, Mickey Leigh appears on stage holding a sign that bore the text "Gabba Gabba Hey." "Pinhead," the album's longest piece, leads into "Now I Wanna Be a Good Boy," which portrays a confused adolescent wanting to be good, yet also yearning to run away from home. The next song on the album, "Swallow My Pride," was a piece written solely by lead singer Joey Ramone, who states that the concept deals with their record company Sire Records; Tommy used the expression "you gotta swallow your pride" when signing to their record company. "What's Your Game" is one of the band's most melodic songs and was called "wistful" by Marcus.

The album's only cover song, "California Sun," which was written by Henry Glover and Morris Levy, and performed by The Rivieras. While the lyrics and musical structure remain the same throughout the piece, Joey's pronunciation upon words significantly lessened the similarity to the original song. The sound output tone also differs from the original, with more distortion as well as a faster tempo. Author Steve Waksman relates: "From the opening bars, 'California Sun' becomes subject to the Ramones' distinctive brand of musical minimalism paired with sonic excess. The chords go by in a blur of distortion; the drums and bass kick at seemingly twice the speed of the Rivieras." The twelfth track "Commando" has a theme which deals with war movies and contains multiple military references. Author Avram Mednick said the song was a successor to "Blitzkrieg Bop", released on the band's debut album. He also noted that it has a "bouncy melody and an infectious call-and-response chorus." "Your Gonna Kill that Girl," which was written very early in the band's career, was also rooted in doo-wop genre. Mednick commented that it appealed highly to those tuning into the Ramones in the UK, and also said it has a "lovely misogynistic tune." The album's final track, "You Should Never Have Opened That Door," was written by Dee Dee and Johnny, and circles themes of horror film's and hints that people in these movies tend to be naive and unintelligent.

Critical
Leave Home was released on January 10, 1977 and was well received by critics. Although the album did not receive much initial reception, Ken Tucker of Rolling Stone magazine gave the album a favorable review in 1977, saying that it is very similar to their debut yet more experienced sounding. He sums up the album with: "The Ramones are as direct and witty as before. They've also lost just a pinch of their studied rawness: whether this is a sign of maturity or sellout is a matter for debate. The Ramones make rousing music and damn good jokes, but they're in a bind: the hard rock of this group is so pure it may be perceived as a freak novelty by an awful lot of people." In the 1979 book The Rolling Stone Album Guide, the album was given 4.5 out of 5 stars.

Stephen Thomas Erlewine, a music critic for AllMusic, gave the album 4.5 out of 5 stars as well, noting that the album was very similar to their debut. Though he did consider it to be slightly more pop music oriented, Erlewine writes that despite being "weaker" than its predecessing album, Leaving Home "deliver[s] at breakneck speed and conclude[s] in under a half-hour." April Long from NME praised the album, rewarding it a perfect score of 10 out of 10. She especially favored "Sheena Is A Punk Rocker," calling it "a punk-surf-pop crossover that has never been rivalled." It was given a favorable review by PopMatters editor Adrien Begrand, who called it his favorite Ramones album, saying: "In this album, the Ramones are witty, menacing, goofy, cynical, and head-over-heels in love, all at the same time." During his extensive review, he called “I Remember You” a "perfect bubblegum pop song," while saying that "Pinhead" urges "all the freaks of the world to unite as one" with the lines “D-U-M-B / Everyone’s accusing me.” Music critic Robert Christgau gave the album an A, noting that the lyrics were contained a good amount of humor.

Charts
The album did not chart as well in the United States as its predecessor, peaking at number 148 on the Billboard 200. It was, however, the band's first album to chart on the UK Albums Chart, debuting at number 45. Many of the songs on Leave Home were not considered by Mickey Leigh to be "radio–friendly" because "Carbona not Glue" was about Intoxicative inhalant. Joey relates: "We thought we had a lotta songs that should've been hits. If you grew up in the sixties, things would just get played and be hits right off the bat. So we thought since our music was doin' something unique that everyone would pick up on that. What really happened was we were so alien that no one wanted to touch us. And so we wouldn't get played"