User:Curatorslog/sandbox/Heritage I, 1995

This painting is one in a series of ten, each including imagery of stereotypically American motifs. For example, others include Mount Rushmore, people at work, a car, and children's toys. According to the Philadelphia Museum of Art, Tuymans was inspired to make these works following the bombing of a federal building in Oklahoma City. The images were made quickly and are lacking in detail. They all use muted, near monochrome colors, making them appear similar to the blurred snapshots one might come across in a newspaper.

In Heritage I, the complete lack of attention paid to detailing the face beneath the baseball cap gives the image a sinister edge. It speaks of the anonymity of the individual in a consumerist culture where the public is conceived as a generic mass as opposed to a group of unique people. According to author and filmmaker Peter von Ziegesar, there is also a similarity between these hats and generic hotel rooms. There is a suggestion that heritage is being temporarily inhabited by an unidentified individual, who will shortly move on. The ambiguity in the images leaves some of the responsibility for these interpretations with the viewer.

Inasmuch as Tuymans focuses on images that are ubiquitous in American culture and questions their meaning, the intent of the series (if not its appearance) could be said to have something in common with Pop Art. However, the artist goes much further, as he implies that these objects and scenes have a sinister dimension. In Tuymans's words, he wished to create in this series "a constant uneasiness, like a constant noise." In line with this statement, Von Ziegesar likens the images to sequences in a Hitchcock film in which the audience is shown a series of mundane objects that will later acquire a sinister meaning.

Oil on canvas - Philadelphia Museum of Art